VIFF 2023 Review: The Sacrifice Game

The Sacrifice Game is a super-bizarre story of a Christmas dinner two private school girls will never forget. Try as they might!

Can you mix the horror movie genre with the Christmas season and be able to create a good movie of the mix? The American film The Sacrifice Game makes that brave attempt.

The film begins with what appears to be four guests approaching a Christmas party three days before Christmas 1971. The hosts don’t recognize them, but that doesn’t matter because the four ‘guests’ kill the family in their home. One of them paints an image with a victim’s blood on the window. The following day is the last day before Christmas for a boarding school. All the girls leave the school and the dorms to be with their families for Christmas. All except Samantha, whose father can’t see her for Christmas this year, and Clara who appears not to have a family. Rose, one of the teachers, is willing to have a Christmas dinner with the two girls at the school. She even gets her fiance Doug to help.

That same day, the group of four, maned Jude, Maisie, Jimmy and Grant, go to a nearby church and claim the priest as their latest victims. Before they leave him behind, they take a piece of his skin that has like a bizarre tattoo on it. As the time gets closer to the ‘party’ at the girls’ school, Samantha tries to start conversation with Clara. Clara is reluctant. It may appear shyness, but more like Clara has a secret. A secret notable from the scars on her skin. Also the girls at the school hear the news of the killings. It makes them nervous, but they think it’s a distant problem.

The next day, two days before Christmas, Rose is helping to organize the dinner and Doug is helping along. The two girls go to the more closed-off areas of the school building. They come across a lot of secret things, including books they’re not to read. Meanwhile the four claim their latest victim. A policeman stops their car on the road. As he inspects the car, he comes across the pieces of marked skin from their victims. He becomes the latest victim of the four. The following day, Christmas Eve, Rose has everything ready for the two girls and Doug is heading over to the school. The group of four approach Doug and kill him. They then enter the school where the three are waiting for Doug and the group kidnaps them.

This is it. It’s Christmas Eve and the group of four are now terrorizing the three girls all tied up. Jude, the de facto leader, talks about how lovely the party is in a sinister way. He terrorizes them at the dinner table and in the gift area. Then Jude tells of a force that he read in a book and he believes to be coming to this very school on Christmas Day. Rose chastises him for it, but she gets killed. Now it’s just the four and the girls as the four wait for the force to come at midnight.

Midnight happens, but the force the four were hoping for doesn’t appear immediately. Jude, who appeared to be the one in control, is now angry and out of control. The three others go searching around the school. This allows the two girls to break free and hope to escape, but their secret is revealed to one of the members. Over time, the four are both trying to look for the spirit and chase the girls down. Samantha and Clara search things out but Samantha discovers secrets about Clara. To best describe the ending without giving it all away, it becomes a twist and turn of events in which leave the four of them dead and Samantha shocked for life!

Doing any horror movie is always a challenge. Humor is welcome, but to a limit. The best element of a horror movie is to give the audience a sense of fear. People come to horror movies to be scared for fun. Adding in the theme of Christmas does set up for a risk of balancing out being funny with the aim of scaring people. This film does a good job as it tells the story over four days. The four are in search of a demon. The people they kill before they go to the school are people with a skin print they believe will connect them to the spirit they search out. They sense it at the school but they can’t find it only for an unlikely girl to be the very spirit they were looking for.

The intriguing thing about this film is that it comes close to the time another film about kids left behind during Christmas, The Holdovers, is about to come out in theatres. Here we have two female Holdovers at an all-girls school in the 70’s. This is different as the teacher is very willing to befriend the girls. She even brings her boyfriend to the dinner. Little did any of them know of the mayhem of terror to come.

The film is mostly successful in piecing the story together, but its flaws are noticeable. The most noticeable is the middle of the story where the team of murderers wait for the moment to happen. Usually in horror films, the biggest clinic would come at the very end. It comes at the middle and it seems like.it’s trying to drag the climax throughout the rest of the movie. I’m sure there are a lot of people that felt the film either get too slow or too confusing. Also that twist when it becomes Christmas and the big force they expect to come doesn’t, I think that will leave a lot people scratching their heads and wondering what’s going on. I have no problem with surprise plot twists, but as long as they’re done well. Also the portrayal of insanity in some of the characters like Jude. That seemed too over the top.

Overall I consider this to be a good film by director Jenn Wexler. This film she directs and co-wrote with Sean Redlitz is a good take on using Christmas as the setting of a horror story. Wexler has already had experience in directing horror with 2018’s The Ranger. Here she takes a story that’s unpredictable and adds a few twists to it. Although it’s not as smooth and one might question the choices she makes, it actually turns out to be better than your average horror film and doesn’t cross into the stupidity traps most horror films fall into. As far as acting, the two girls, played by Madison Baines and Georgia Acken, were the best performers. They both played two scared lonely girls who felt like misfits in a boarding school well. Acken transitioned into her horror character well. That’s what makes for a believable horror story.

You’d think it’s highly unlikely that a horror film would win awards at film festivals but The Sacrifice Game has won awards. At the Fantasia Film Festival, it won the Audience Award for the Best Canadian Feature. Even though this is an American film, it qualifies as a Canadian film in some festivals because it was filmed in Quebec. The Nashville Film Festival awarded it the Best Graveyard Shift Feature award!

The Sacrifice Game is not the first horror movie to mix a horror plot with the Christmas season, nor is it the best. Nevertheless it does take full advantages of putting the Holiday season in its plot and even paves the way for an unlikely heroine!

VIFF 2023 Review: It’s Only Life After All

It’s Only Life After All is an intimate and personal look at the Indigo Girls and their long career of establishing themselves as musicians. Not just female musicians.

Before I saw the documentary It’s Only Life After All, I wasn’t really a fan of the music of the Indigo Girls. If you like music, this is a documentary that will keep you intrigued.

The film begins with Amy Ray and Emily Saliers, the two women making up the Indigo Girls, meeting with Alexandria Bombach and bringing out a lot of old audio tapes, video tapes, old magazine articles and various pictures. They wonder what this documentary will be like. First we learn that Amy and Emily first met in elementary school but it wasn’t until attending Shamrock High School in DeKalb County, Georgia that they both learned the other likes music. A friendship began and the musical companionship started soon after. At the same time, they discovered through their own ways, they’re lesbians. Both had differing initial reactions to it as well as initial reactions from family.

As both graduated in different years and went to colleges in separate states, they both eventually became homesick and dropped out. The music led them back together. The two went through various names at first but decided on The Indigo Girls in 1985. Over time they began to draw bigger crowds in their home state of Georgia and started cutting records. First a single, then an EP in 1986 and then a full-length album Strange Fire in 1987 recorded in a studio in the ‘college rock’ town of Athens, Georgia. Their album attracted the attention of music manager Russell Carter who first dismissed their music as too ‘immature’ to get a record deal. The album changed his mind about the two and Carter agreed to be their manager which he still is to this day.

Their success grew in the coming years but they did face some difficulties in terms of establishing themselves. Folk music had commonly been known as stoic and serious. The Indigo Girls were more light-hearted and cheerful on stage. Then there’s the fact that they’re two lesbians which was becoming more acceptable, but still seen as a taboo by most. The AIDS epidemic and how it increased the public’s hostility towards LGBT people in the late-1980’s didn’t help much either.

One thing is the two did have a source of luck on their side. In the late-80’s, there came this boom in folk music. Possibly as a backlack to the loud heavily-distorted guitars of the heavy metal phenomenon from years earlier. It was also a boost for female folk acts like 10,000 Maniacs, Suzanne Vega and Tracy Chapman. The folk phenomenon also led the two to be signed on to Epic Records in 1988. Their self-titled release with Epic included participation with REM’s Michael Stipe and Irish band Hothouse Flowers. After its release in 1989, it has since gone double-platinum and spawned their biggest hit “Closer To Fine.”

Their overnight success came with both perks and problems. The perks included appearances on MTV and VH-1, a Grammy win for Best Contemporary Folk Recording, praise from critics and a growing fan base. The problems included fame coming too fast, not being a feature in Rolling Stone or musical guests on Saturday Night Live, some negative reviews from male critics whose reviews sounded more like sexism than critiquing. Even the big question or concern about whether their fame will turn them into a ‘product’ or not was of concern.

As their sudden fame cooled off, they continued making music together. They also ventured into activism. Their causes include feminism and indigenous rights but their most notable activism has been LGBT rights. With them being two lesbians from Georgia and having established a big LGBT following, they have been active in being active in LGBT issues. From dealing with AIDS, whom they lost a lot of musical friends to, to military participation, marriage and adoption, The Indigo Girls have been very vocal on many LGBT issues. The two also made a cameo appearance in an Ellen episode in 1997. Even some LGBT fans have gone as far as crediting The Indigo Girls for saving their lives.

In the 21st Century, the two started to focus more on themselves as individuals. They wanted to start families. Both married another woman and have daughters of their own. Amy did solo recordings and started exploring her gender identity more. Emily encountered a struggle with alcoholism for years and needed time to recover. Despite it all, both came back to each other and got performing again. They also have their own record label. The film ends with a recent post-COVID concert.

This is a film that will capture one’s intrigue if they like biographies about music and musicians. This is a telling story about two friends who have had a career together going on almost 40 years. Like most musician’s careers, it has not been smooth and it has had its fair share of hurdles. The Indigo Girls being two women who play folk will undoubtedly face obstacles more than just facing a general public that may accept them or not. They face the sexism that’s common to women in music. They face the homophobia of them being two lesbians. They face the music business which frequently pressure musical acts, established and rising, to make a product of themselves. They face unwelcomed intrigue of them being two lesbians who never dated each other. They even have to face their own personal demons and their own personal obstacles. It’s not just about music that they face obstacles and frustrations with.

Even though it is about a folk duo who rose to fame and are still going strong after all these years, it’s about the two as people. It shows through images and their words about what it was like growing up as lesbian teens in the late-70’s and early-80’s. It shows how the two still worked to keep themselves together as a duo and still keep themselves grounded and avoid the common pitfalls of the music business. It shows Emily’s struggle with alcoholism, It shows Amy’s path to starting her own family. It shows personal sides to them known to few including Amy’s spiritual side. It shows the close personal relations they have with family, fellow musicians and close friends. It shows the duo’s move towards activism towards various causes. This film is very in depth about showcasing the two.

This is an excellent work from director Alexandria Bombach. Bombach’s documentaries have commonly been about feminist topics. Her most renowned works involve stories of women in Islamic countries. Here, her subject matter is less intense. Nevertheless the documentary she delivers presents The Indigo Girls as musicians, as temporary celebrities, as activists, as crusaders, as mothers and as people. It’s a good documentary featuring footage on media, footage never seen before and filming during their more private moments. It does an excellent job of being three-dimensional and going beyond.

This documentary has had awards acclaim at film festivals. Nominations for Best Documentary include Seattle, Cleveland, Atlanta and the South By SouthWest (SXSW) Film Festivals. The Sidewalk Film Festival awarded it their Audience Award for Best Documentary and The Film Club made it their winner of their Lost Weekend Award for documentaries.

It’s Only Life After All is a telling look at the Indigo Girls through all the ups and downs and struggles they had to go through from their formation to now. It succeeds in getting you to respect them and what they do.

VIFF 2023 Review: Apolonia, Apolonia

French painter Apolonia Sokol and her attempt to make a career as an artist is the subject of the documentary Apolonia, Apolonia.

Those of you who are into the new artists may or may not know who French painter Apolonia Sokol is. The documentary Apolonia, Apolonia appears to be a documentary about Sokol, but becomes a lot more.

The film starts in 2013 as Apolonia gets herself ready for her art exhibit. The film then flashes back to 2009 when Danish film maker Lea Glob first meet the young Apolonia after just graduating from the Ecole National Superior de Beaux-Arts de Paris. She talks of her childhood of just growing up, the daughter of two actors, with her mother in an artist’s flat owned by a Parisian theatre company. She also reveals she had cancer as a child and was not expected to survive but the nuns prayed over her and she made it. As Apolonia has graduated, she decides she wants to be a professional artist. She feels it’s in her. She’s grown up her whole life around the artistic friends. Her artistic influence throughout her life is inseparable from her. Though it comes right after her professor tells her that her paintings are less interesting than her personality.

Undaunted, she starts her first works in Paris. She decides with her first paintings what her art will be about. They won’t simply be portraits of people, mostly women. She aims to get to know the subjects she paints more intimately and wants that reflected in her paintings. For painting women, she has a goal of redefining the modern woman through her paintings. She sets up her works in her flat which she continues to hold parties with many artistic types. Soon the theatre building she’s lived in her whole life is repossessed and her mother has to find a new apartment. One woman she meets from a party, a Ukrainian woman named Oksana, soon becomes Apolonia’s girlfriend and she starts living in her apartment with the mother. Oksana, who formed a feminist activist group at her college called Femen, is very understanding of Apolonia’s artistic goals, unlike Apolonia’s recent ex-boyfriend. Early in her pursuits, she has many art exhibitions in Paris and various cities in France. Apolonia continues her works just as both Oksana and her mother are living in the apartment and it makes things cramped.

It’s only a matter of time until Apolonia captures the eye of someone big in the arts world. His name is Stefan Simchowitz and he is famous for being a renowned art collector. Simchowitz sees promise in Apolonia’s works and he offers her a ‘big break’ where she can have her art viewed in Los Angeles by some of the biggest names in the art world. There is one catch; the deal includes a minimum number of paintings to create. This becomes a case of both ambition and frustration for Apolonia. She struggles with that demand with the number of paintings she tries to do simultaneously, with the expense of her flat in Los Angeles, with the expense of her painting materials, and her loved ones being thousands of miles away. When the works are finally launched on display, her works get a lot of good reviews. She also gets some critiques including one critic saying that her works look more forced than inspired.

Over time, Apolonia continues to paint and continues to showcase her works around the world in France, Denmark, other American cities, Argentina and Turkey. As her exposure grows, things become more difficult for her. She questions her artistry and if it should even submit to commercial pressures. Things also stand in the way with the relations with people closest to her. The relationship with Oksana ends and her new love is a man. She’s still insistent on not being a mother, and even has an abortion. Then in 2018 while doing an exhibit in another country, Oksana commits suicide. It breaks Apolonia’s heart, but she paints her memory in her next paintings. Then suddenly, the filmmaker herself becomes hospitalized after giving birth. Lea, the director, is not supposed to make it, but she recovers. Flashing forward to the 2020’s, Apolonia has been honored for her works by the artistic board of the French government. She reflects on all it took for her to make it to this level.

This is a telling documentary. It is very rare for a documentary to showcase an artist and their attempt to make it in the arts work from their very start to when they finally make it. As we follow the artist’s path, we can easily see why Apolonia would want to be an artist. She was surrounded by the arts and artistic people throughout her life. It eventually becomes her turn to express herself. We get a look at all the works she creates and why she paints she does. We see all the difficulties Apolonia goes through to achieve her renown such as her first exhibitions, her first contract, the cost of creating the many works expected of her, the critics she has to deal with, the sexism in the arts world, the loss of her former girlfriend. Even family situations as her father wants her to become a mother but her grandmother is fine if she doesn’t have children. It’s a long 13 year struggle that comes with the triumph in the end. Anyone who’s interested in making it as an artist should see this. It will show them a lot and remind others familiar with the arts world it’s still hard to make it as an artist. Always was.

Those who watch this documentary will also see it’s not just about Apolonia Sokol. The film is also about the documentarian herself. As she continues to film Apolonia and her life, she grows as a human. Apolonia’s emergence as a great in the world of art coincides with Lea’s emergence as a documentarian and also as she grows as a person. In a bizarre twist of fate, Lea also cheats death as she was given a low chance of surviving after her child’s birth. Just like Apolonia was given a low chance of surviving her childhood bout with cancer. Sometimes it seems the two were fated to be together.

This documentary is unique that it mixes three different stories into one and somehow pieces it together well. It first comes as a film that follows a young emerging artist as she works to establish herself. It shows the works she does, her inspiration, her free personality and the sexist hurdles she tries to overcome. It also shows her in her personal life. It shows her as she tries to establish herself as an adult and faces the pressures from family and others to find someone she can commit herself to or even the pressure to become a mother. It also shows her relationships: first with a Ukrainian woman named Oksana, then with a French man. There’s also dealing with Oksana’s suicide which hurts Apolonia to this day. Finally there’s the filmmaker herself Lea Glob. Just as Lea helps make Apolonia in her film, it becomes a case where Apolonia makes Lea. Definitely a documentary that goes beyond its original mission.

Top accolades belong to Lea Glob. From first meeting Apolonia in 2009 to constantly coming back to her to tracing her career’s biggest moments, she captures an artist in the making. She captures an artist’s soul with a fierce feminist attitude that she includes in her works. She captures the difficulties Apolonia faces to make it as an artist, especially sexism and capitalism. She captures Apolonia’s relationships with the people around her and some of the heartbreak she experiences. She also captures her own unity with Apolonia as she is also an against-all-odds survivor story too. One could joke the two may be long lost sisters!

This film has already won many a documentary award at film festivals. Among them, wins in documentary categories at the Amsterdam International Documentary Festival, Hong Kong Film Festival, the CPH: DOX Festival, the Goteberg Film Fest and the One World International Human Rights film Festival

Apolonia, Apolonia is a documentary intended to track the growth and progress of a rising artist, but it also tracks the growth and progress of the film maker herself. It’s rare to see and it captures your intrigue too.

VIFF 2023 Shorts Segment Review: Forum 2

With me having to spend the entirety of VIFF in Vancouver this year, I have better chances of completing my three annual VIFF goals. I was able to complete the second of my goals: see a segment of short films. I did so at a “Film Forum” titled Forum 2. Not the most original of titles, but the stories made up for it. On top of it, they’re all from Canadian film makers. Definitely worth checking out:

-Sisters (Ontario – dir. Marisa Hoicka): The film begins with a 1960’s look and it appears to be an instruction film on how to be a “proper woman.” Instead the film is the narrator talking about how her “sister” taught her how to be a powerful woman with what she said and how she lived.

This is a unique short film. It comes in the guise of your stereotypical instructional film on how to be prim and proper, but instead is a story about empowerment. Throughout it all, it never loses that 60’s feel it intends to have. Very good film that does a lot in its brief time.

-Four Mile Creek (Quebec – Dir. Ryan McKenna):****The story begins with the retelling of the Cormier family as they go through Ontario until their eventual settlement to La Salle, Manitoba. Their journey is in the mid-1880’s and during a time of rampant smallpox. While in Ontario, the Cormier children were hit and their eight year-old daughter Aurore died. She was buried in the plains near their house and outside Kenora, Ontario by her father because a priest would not perform the blessing. A century later, a group of University of Winnipeg archivists, including family and one claiming to be haunted by Moise Cormier’s ghost, go on a mission to research and uncover Aurore Cormier’s grave.

This is a docudrama that combines recalling of letters from the Cormier’s to re-enacting of the moments of the family and their smallpox ordeal to those involved in the uncovering telling their story. It’s two films in one and tells a revealing historical story known to few. Impressive and creative.

-Cloud Striker (B.C. – dir. A.W. Hopkins): At an Indian Residential School in 1931, four male students are being punished by the nun. Their crime: speaking in their Indigenous language. One student, Elijah Cloud Striker, is defiant and even uses his Indigenous name in front of the nun. She slaps him and gives him the hardest of the punishment. A man comes to visit. He’s Chief Cloud Striker and he’s looking for his son. Both the nun and the priest try to persuade him to stop but the Chief punches the priest in the face after he hurls the chief a racist slur. The Chief and Elijah make a run for it. Later while resting in a remote area, they talk and wonder why their people aren’t angrier about this

The treatment of Indigenous peoples through the residential school system has scarred our nation like nothing else. Especially since Canada has been dealing with the ugly aftermath this past half-century. It’s unclear if this is based on a true story or if this is a story of an incident the filmmaker wishes had happened. The film is good at retelling ugly things that happened at residential schools and how it hurt peoples. The ending talk between the Chief and Elijah gives an impression of how a lot of Indigenous people feel about this system. That mention from Elijah of two boys being buried is another ugly reminder. Even though the residential school system completely ended in 1996, I’m sure there’s a lot of harbored anger with the system, the Roman Catholic Church, and the Canadian government. This story tells a lot.

-Conviction (Alberta – dir. Bruce Thomas Miller): A former convict named Joseph, an Indigenous man, is released from prison after years of incarceration. He is given a job as a custodian at a thrift store. He is given residence with a man maned Quincy who himself was a former convict and is to look out for him. At his job, he has to deal with co-workers who find him suspicious, a second-in-command who wants to be at odds with him, a customer who hurls an insult at him and traumatic memories of his crimes and his incidents in prison. At the end, Quincy reminds Joseph of what he himself had been through and he’s someone for Joseph to turn to.

We go from a film about the ugliness of Residential Schools to a film about the aftermath. Over time, it became evident the residential schooling system was a terrible idea as it led to substance abuse, homelessness, substance addictions, suicides and crime among the Indigenous people’s. Joseph is like a lot of Indigenous men who want to leave their ugly past behind and want to start a new life, but doesn’t know if he can. The director/writer wrote this script as he himself was going through his own healing of PTSD. It speaks volumes of the struggle they have to go through. Sometimes, Joseph doesn’t know if his freedom is a bigger hell than prison and may feel it’s better to return. At the same time, it’s a reminder there is support along the way from those who also went through what they went through. Excellent story that’s well-acted and gets one thinking.

-Black Box Investigations (B.C. – dir. Paige Smith): A woman buys a disposable camera. She takes all sorts of pictures of her, of her surroundings and of various angles. She buys another with a flash. Again all sorts of weird photos, including inside her mouth. The photos are for all to see.

This is the kind of short film I’d expect to see in a shorts show of MODES. Although I didn’t exactly like this short film, I give the director credit for wanting to play around and want to do something creative and fun.

-Autre Chose (Quebec – dir, Etienne Lacelle): A biker is repairing his motorbike. He had a bad crash the day before. He has a hard time repairing his bike but succeeds. He wants to go for one last ride in the wild. On thing. Just before he leaves, he comes across a strand of long blonde hair on him. It’s a strand of his late girlfriend who died in the crash. He puts it in a small bag and heads off on his bike with a rifle. He drives through the terrain but gets his bike stuck. He tries to camp out and throws his girlfriend’s hair in a bonfire. While out walking the wilderness, he contemplates shooting himself. He doesn’t and moves on. As he comes across a lake, he cleanses himself in it. But as he drives off, he comes across her hair again.

This is a unique short film with no dialogue and lets the images and the sounds tell the story. You can get a sense of what is happening with the story. The images of the story even gets one asking questions. Like did he kill her during the accident? The thought of suicide and the bathing in the lake just after could mean it’s showcasing a chance at redemption. The ending can also send a message that even if redemption is possible, he still has to deal with the unresolved aftermath. The film really gets you thinking and will leave you with questions of your own..

-The Great Kind Mystery (Newfoundland =dir. Ella Morton): Images of Daniel’s Harbour, Newfoundland and its surrounding area are shown as young artist Amy Hull, who is of Mi’kmaq and Inuk descent, tells her story. The stories she tells are of the area of Daniel’s Harbour and its history, her denial of her Indian Status while she was attending university, and of the pride she feels of her ancestry.

This is the third Indigenous-themed short that was part of the segment. The first dealt with oppression of the past, the second dealt with the aftermath and this short deals with the current systemic racism in Canada’s Indian Act. This film is a reminder that Canada still has a long way to go to do things right and drop its racist systematic treatment of Indigenous peoples, especially in these post-Residential School times. This documentary is also a film that inspires hope. Amy is young and resilient and refuses to let racist politics destroy her pride or her identity and pursue her artistic dreams. She embraces her identity despite what has happened to her and won’t bow down. This film, and Amy’s story, is a ray of hope for the future.

-Element (Quebec/Ivory Coast – dir. Will Niava): It’s a hot summer day in Abidjan, the capital city of the Ivory Coast. A group of four young thugs have a hard time trying to make money. Their current business is not doing so well so they decide to get involved in illegal things. As the money gets better, things make a turn for the worse such as in their unity, the leader’s relationship with his girlfriend and even his soul. He even comes across a vision of himself of him dead and all of his loved ones at his funeral. It’s there he emerges from the ocean water and starts a new life, but not without something tragic at the end.

This is a unique story as it tells the story of pursuing life in the fast lane with the mix of spirituality. What the leader experiences is consequences both in the earthly world and the spiritual world. The inclusion of the spiritual world adds to the film and shows a form of spirituality rarely seen by others. It’s rare to see something like that in a film about young thugs trying to live fast. Overall, a great unique drama.

That’s what it was. Eight shorts from eight Canadian directors. Two were from BC, three were from Quebec. Three were from female directors and three were Indigenous themed. Most were dramas, some were experimental and some were even documentaries or docudramas. All of them are unique in the stories they showed and what messages they want to send. Also all of them showcase directors with a promising future.

Those are my thoughts on the eight short films of Forum 2. Some I liked, some I found intriguing, a few I didn’t. All of them did showcase the director’s works and abilities very well.

VIFF 2023 Intro And Review: The Promised Land (Bastarden)

Mads Mikkelsen plays Gustav Kahlen, a settler in 18th Century Denmark in the film The Promised Land.

VIFF INTRO: Normally I do a separate blog for VIFF when it opens. Since the Festival ended on Sunday the 8th, I’ll do a brief summary here. The Vancouver International Film Festival returned. This year, there were no longer films to stream as VIFFaccess is no longer. It became a case cinemas are working to bring crowds back to the theatres. Same with VIFF as its films were shown at seven different facilities. There was a reduced number of films shown at 140. Now that the pandemic is almost over, the arts communities have to downsize in order to rebuild itself. Nevertheless a lot of great films to see coming from 73 nations. A wide selection of Canadian films, Indigenous films, LBGT-themed films, documentaries and an excellent number of films directed by women are yours to watch. And even after the Festival with VIFF repeats just after! The Festival may be over but the reviews are still worth posting as the films could return to the VIFF theatre, get wider release or even be put on a streaming service.

One of my goals of the Vancouver International Film Festival is to see at least one film that’s a nation’s official entry in the Best International Feature Film category for this year’s Oscar race. I did it on my very first VIFF film: Denmark’s The Promised Land. This film already has a lot of buzz, and rightly so.

It’s the middle of the 18th Century in Jutland; territory ruled by Denmark. A peasant man named Ludvig Kahlen of unknown fatherhood sets out to cultivate the untouched heath land in hopes to win honor from the king. Even though the king’s men accept and give him servants, he soon makes an enemy with Frederik Schinkel who owns the land and wants to believe his say supersedes that of the king’s. He also reminds Kahlen that those who attempted to cultivate the land before him have failed. Nevertheless Kahlen is stubborn and is determined to make it work with the minister Anton Eklund and a servant couple. He also meets a dark-skinned Romani orphan girl named Anmai Mus who tries to connect with him, but he rejects her at first with the common racist attitude.

Over time as Kahlen gets better at his work, Schinkel gets more envious and more control-hungry. He even takes the servant husband, has him whipped in his private chamber and executed with boiling water poured on him in a dungeon. All are shocked but Schinkel is remorseless. A distraught Kahlen soon develops an intimacy with the servant’s widow. He even welcomes Anmai Mus in his life and soon it becomes a family-like situation between the three. As for the heath, Kahlen and the two work tirelessly against a stack of odds to make the land work. If it’s not the land that’s hard and lacks fertility, it’s the unpredictable weather, workers that desert and the murder of Eklund by Schinkel’s men.

In the second year, Kahlen gets a new set of settlers from Germany. They are hesitant to help Kahlen out as they view Anmai Mus as a wicked child because of her dark skin. Kahlen is insistent since he has developed a fatherly love for her. Meanwhile problems threaten Kahlen’s goal and his unity with Ann Barbara and Anmai Mus. The jealous Schinkel starts coming onto Ann Barbara and creating a love triangle between her and his cousin wife. In addition, the workers refuse to assist as long as Anmai Mus is there. They consider her bad luck. Kahlen makes a resolution to send her to a boarding school miles away. It works in getting the settlers to work, but Ann Barbara is disgusted how he did this in the name of his pride.

The cultivation of the heath becomes successful, but the envy of Schinkel gets to the point he feels he has to destroy what Kahlen has created. Kahlen’s land and livestock are set ablaze. Kahlen responds by killing some of Schinkel’s men. That leads him to being captured by Schinkel and sentenced to death. The method being whipping and boiled water: the fame fatal punishment Ann Barbara’s husband receives. Kahlen is whipped mercilessly and Schinkel would delight in seeing him burned to death but as Kahlen is put in the dungeon, Schinkel is called to his chamber. Ann Barbara awaits him and promises him an unforgettable night. After a cup of tea, which Ann Barbara poisoned, Schinkel convulses and Ann Barbara has him at his most vulnerable. Ann Barbara does not resist arrest at all for his murder.

Schinkel’s murder is successful in stopping Kahlen’s execution, but Ann Barbara is imprisoned for life hundreds of miles away. Before Kahlen returns to his farm, he takes Anmai Mus away from the boarding school and promises never to let her go. Upon returning to the fame, Kahlen leads and demands the settlers treat Anmai Mus with respect. Over the years, the farm is prosperous and Kahlen earns the title of baron from the king. Also Anmai Mus grows up to be a successful woman who wins the eyes of a young man in the area. It is after her marriage to him and her goodbye to Kahlen that Kahlen knows what he must do. The ending is slow, but it comes with a surprise result.

This is one of those films that is based on a historical person that gets you questioning if it’s real or not. This story of Ludvig Kahlen as he and his wife try to grow a farm and overcome the ruthlessness of landowner Schinkel does appear farfetched in how it plays out. Actually this is based on a novel from Danish writer Ida Jessen. Nevertheless this film does tell a lot about the case of classism and racism. It was as problematic back then as it is today. It will shock many how the settlers viewed the dark-skinned daughter as bad luck, but that’s how most people thought back then. Also seeing how someone who owns the land thinks he has bigger empowerment on situations than the king, we can see examples of people like that in the world.

I’ve seen films based on a novel based on a historic person before. It seems to be a common thing now. Although it is still common to do historical dramas, it’s become more common lately to adapt novels of stories loosely based on historical people. Gets you wondering about the “Based on a true story” factor. In this film, we see a case where a historical figure overcomes racism and adopts a dark-skinned girl. He overcomes classism by making the Heath fertile and marries the widow of his servant. He overcomes geographic odds by cultivating land in Jutland. He also overcomes his own class odds by him, a bastard peasant son who’s normally destined to stay in the peasant class, achieving Baronhood. It’s uncertain how much of this is true or loose fiction, but it is a story to get one thinking.

You can either welcome a loose story of historical figures like this or you can pan it for its inaccuracies or farfetched drama. However you view it, this film plays this story out in a unique style. One can say it plays out in the style of an epic film with all this recreation. Some would even view the film as an unlikely romance. Some even say this story plays out with the common dramatic elements of an American western. It takes a story of a historical person few have heard of and makes people get intrigued by the drama and even anticipate what will happen next. It even adds some comedy with the behavior of people, including Schinkel. The stupidities of Schinkel are behaviors that can easily remind people of bad behavior of some rich people of today. In addition, this story does not end like your typical drama. There are atypical twists at the ending, surprising people who didn’t expect the film to end that way. Maybe sending the message this film isn’t what they thought it would be about.

Top credits go to director Nikolai Arcel. Arcel has already amassed a good reputation with having written for fourteen previous films and directing five. One film he wrote and directed, A Royal Affair, was nominated for an Academy Award. In this film that he directed and co-wrote with Anders Thomas Jensen and Ida Jessen, he goes back into the genre of epic films and delivers a drama that’s grand in spectacle and thrills. Also worthy of top honors is lead actor Mads Mikkelsen. Here he temporarily leaves behind the MCU and Indiana Jones that has catapulted his stardom and returns to Denmark for a character he helps create and enhance with his performance. Also worth admiring is Simon Bennebjerg who creates a villain in Schinkel that succeeds in making you hate him for being evil and laugh at him for being stupid. Additional good performances include Amanda Collin for adding the drama as Ann Barbara and Melina Hagberg for adding in the charm as Anmai Mus. The set designers did an excellent job in recreating the barren land of the 18th Century and the score by Dan Romer adds to the dramatic feel of the film.

Danish film has really had it strong at the Academy Awards in the 21st Century, especially these last ten years. In the Best International Feature Film category, Denmark has achieved two of its four wins, six additional nominations and three years making it into the annual shortlists this Century. Arcel himself had one of his films, A Royal Affair, nominated in that category back in 2012. The Promised Land is the second of his films submitted as Denmark’s official film in this category. This film was even nominated for the Golden Lion at this year’s Venice Film Festival. At that same festival, Arcel was given Honorable Mention for the SIGNIS Award.

Whether it is true or mostly made up, The Promised Land is an intriguing story about classism and racism and the lust. Even a telling story about what it’s like to live under a monarchy. It’s also an unlikely love story.

VIFF 2023 Review: The Invention Of The Other (A invenção do Outro)

The Invention Of The Other is an intriguing look at a mission to reunite lost members of a Brazilian indigenous peoples.

One thing about documentaries is that they give an intriguing look at people from various parts of the world. The Invention Of The Other is an intriguing look at Indigenous Brazilians and how they try to continue to live their way of life at a time of increased modernization.

It’s 2019. The Brazilian government has organized a mission. The mission is conducted by FUNAI: a Brazilian state protection agency that works with Indigenous rights. The mission, led by Bruno Pereira, is the most complicated mission in decades. The mission is to go into the heart of the Amazon rainforest, make contact with the Indigenous peoples, provide medical services, and locate and reconnect separated family members from the Korubo tribe, an isolated group. The Indigenous leader who is to be reconnected with his people is named Xuxu. This mission will take them along the borders of Brazil, Peru and Colombia.

This will not be an easy task. There was one previous mission where it was attempted and many who participated were killed either by loggers, miners, fisherman or drug traffickers. Reuniting with his people will not be easy for Xuxu as he has become quite modernized in many ways. He is still able to do things in traditional Indigenous manner like hunt food, but there’s concern his many years in developed society could lead to strain. He talks of eating Brazilian food of how it’s good and it takes some getting used to. He often speaks with Bruno as he’s the one Brazilian who best knows how to speak Korubo. During the trip, Xuxu sings his native songs on a daily basis.

The trip takes them along the far reaches of the rainforest along the Amazon River. Over time, it becomes obvious the Indigenous people never lost their original hunting skills. The then have to go into the jungle in order to meet up with their lost people. In the jungle, they face dangerous obstacles like trees and wild animals. Finally Xuxu and the other men reunite. It is a warm unite. His fellow tribesmen welcome him well with a dance and a ritual. Many thought he was dead. Over time we learn that Xuxu’s singing was a way to keep some connection with his people. Near the end, Xuxu tells his people of the medicines coming and prepares them for it. The film ends as a boat with cases of medicine arrives. We also learn at the end Bruno Pereira was murdered along with British journaist Dom Phillips during a 2022 expedition.

In recent decades, talk of indigenous rights has been a hot topic not just in Canada but in many nations in the Americas. The last few decades have seen a lot of achievements in fighting injustices and dismantling many oppressive systems. The national governments appear more cooperative than ever to help them along the way, but they definitely fall short. It’s either a case they don’t make it enough of a priority that they should, they simply don’t know how to do it right or they’re just not even trying to do it right.

As we watch the mission, it becomes less of a story of people trying to make their way into dangerous territory and more of a study of peoples. We learn of the Indigenous peoples and of how they live, how they hunt, how they develop a community and a family. These are people whom we’ve often dismissed as too primitive but as you look closer, they have a set of values. You see it in their families and of how Xuxu is welcomed back into the community as a brother. They have family relations and community relations that sometimes make you wonder how on earth did we as people isolate ourselves from others? How is it we can’t treat our own family and value family members the way we do? They may not have lost their primitive ways but they’ve also haven’t lost their ability to relate to other people or keep a family bonding we never bother to give.

The thing about this film is that it does a very good job of showing the peoples, the values they live by, how they live their lives and how they make peace. The problem with this film is that it appears too drawn out. There were a lot of scenes where it appeared it just took longer than it should in some moments. Even the whole running time of almost 2 1/2 hours will make some people wonder if it was really necessary to have the film that long. I’m sure the filmmaker would want to capture the essence of many of the moments, but you wonder if all that time on that scene was really necessary?

This is a good documentary form Bruno Jorge. The Indigenous people are a common subject in Jorge’s documentary. In this documentary, he takes us on a rare mission where we don’t know what will happen next but we discover the story along the way. He lets those in the mission and the cameramen who follow the various people around do the storytelling. This documentary tells the story of the mission and of the people. They tell of ways that refused to be lost to modernism and of a set of values owned by a people that should make us envious. The problem of the drawn-out scenes don’t take away from the quality of the documentary but they do drag various scenes out. It’s nice to showcase their rituals and their habits and their reunions, but the dragged-out scenes make it feel like it’s overdone. Despite this, this documentary has won an a Jury award for Best International Documentary at the Docville Film Festival in Leuven, Belgium.

The Invention Of The Other is a unique look at a peoples and the difficult mission created to reunite them with others and to bring medicines to them. The problem is it’s too long and feels drawn out. Worth seeing, but it shouldn’t be this long.

VIFF 2023 Review: Lynx Man (Ilveskuiskaaja)

Finnish hermit Hannu and his fascination with the endangered Eurasian lynx is the subject of the documentary Lynx Man.

The documentary Lynx Man showcases a man who you’d first think to be an eccentric. Over time, you’ll see his work is less of a hobby and more of a mission.

The film begins with an old Finnish man finding a dead Eurasian lynx near the street. He picks it up and takes it with him. Soon we learn this man’s name is Hannu. This Eurasian lynx is not just any animal he came across. This is an animal he has studied. But how could he study them? He lives in a house in the forest completely away from all people?

Over time, we learn that Hannu has set up video cameras in the wild in various set-ups. He has one by a mirror near a pond. He has one by a tree where he has a hanging rooster. He has many other cameras set up in the wilds surrounding his little hut. Over time, we learn the videos he takes of these lynxes are observances of their behavior. They are a study in how they behave, how they hunt, how they lead their children. One could say that Hannu knows how to study the lynxes well.

There’s more than meets the eye. Hannu’s filming does more than just document the lynx’s behaviors. Hannu can also differentiate between the lynxes. He can recognize and identify each one. He knows the males from the females and he gives names to the ones he distinguishes. He even knows their behaviors. He talks of “Joseph” and about how he knows his way and how he lures females to his area. He talks of another he names “Grumpy Girl.” He even talks of the other animals in the area like the deer, the rabbits and the birds that could end up being the lynx’s prey.

We also learn about Hannu. He has become a nature man ever since he asked his doctor about going outdoors just once for the sake of his mental health. His love for the outdoors never stops. Even with his sauna habits and playing music to himself, he occasionally goes out and hikes and skis. Sometimes he wears a lynx mask on and does some bizarre dancing like a ritual to nature. The filming of the lynxes is almost like his connection to nature. It’s almost as if he has made friends with these lynxes that he’s never come face to face with. Sometimes we sense the lynxes know about him.

Soon we learn about a skin disease on one of the lynxes. He calls one of the veterinarians about the skin disease found on their tail and learns it’s a contagious disease. Soon he finds the lynx dead. Hannu has pictures of the deceased lynxes that he has known. It breaks his heart, but he has an environmental battle to deal with the Finnish government.

It’s easy to think of Hannu as an eccentric person. This man who lives in a remote area of northern Finland and has a seemingly-bizarre fascination with the Eurasian Lynx will get you thinking this way at first. Over time, we see this fascination less bizarre and even gain an appreciation for it. It’s interesting seeing the various camera arrangements Hannu does and of the various videos Hannu achieves from what he does. Even though Hannu never comes face to face with them, he develops a friendship and a closeness with them. As we watch this film, we feel it is a good thing that he does so. Not mentioned in the film is that Hannu is a divorced man who withdrew from the work force after a work accident did a lot of physical damage to him. When you know that, it seems like nature is his one connection to the outside world. He never comes close to the lynxes but the videotapes and his studying of them and giving them names gives him a connection of some sort.

The story presents itself as Hannu and his lifestyle. We see him relaxing in t he sauna, we see him eating, we see him in the various ways he sets up his videotaping of the lynxes, we see his finished results and learn of the names he has for them. Near the end, we see why he does the filming. The northern area of Finland has been threatened with expanded urbanization. We see how a highway threatens the habitats of the lynxes. Modernization and urbanization threatens the ways of a lot of species all over the world. The Eurasian lynxes have proved in numbers since their threats of extinction were brought to light but they still face new threats as time passes.

The best part of the documentary is that it takes us into Hannu’s world. As he becomes fascinated with the lynxes and their behaviors, we share in that fascination. When he sets up the cameras in their unique poses and their unique concoctions, we’re tempted to see what the end result will be. When we see the footage played, we also get curious on how the lynxes react, Do they play along with Hannu’s concoctions? Do they wreck one of the cameras? Do any of the lynxes become prey or prey on other animals? Anything can happen in the wild. The film is slow, but the slowness helps your intrigue in these lynxes grow as well.

This is a great film from documentarian Juha Suonpaa. Suonpaa lets Hannu tell and show his own story. Suonpaa shows how Hannu studies the lynxes and befriends the lynxes. In many ways, he shoes how Hannu has more knowledge about these endangered animals than the best zoologists. Suonpaa also shows Hannu’s habits like playing music, exercising and spending time in the sauna. Sometimes it appears his sauna time is to get out his personal frustrations. Suonpaa does a great job in making an intriguing documentary about a person one would either not be intrigued with or would want to judge as an eccentric.

Lynx Man doesn’t just show you a man, his studies of a certain animal and his mission to do it. The film also succeeds in making the viewer appreciate his work and even get a feel for his passion. That’s what makes this documentary unique.

2023 FIFA WWC: My Prediction For The FINAL And Third-Place Playoff

I know that sometimes my predictions can be quite off. I got all eight of the Round of 16 winners right, I got three of the four quarterfinalists right, but I got none of the semifinalists right! That’s why I tell people not to completely trust my predictions if you’re placing bets!

HOST NATION KUDOS

First off, I would like to say that both New Zealand and Australia did an excellent job of hosting the Women’s World Cup here. I know there was a lot of concern from FIFA and the New Zealand tourism industry in trying to get game tickets sold. The group stage saw a lot of near sell-outs of the games involving New Zealand or the USA, but low crowds for some of the other less lauded teams. As the rounds got bigger, New Zealand began to improve in their ticket sales and attendance has been great. As for overall, attendance has been excellent. It has set a Women’s World Cup record of 1.85 million! Per game, it’s just very short of the 30,000-per-game mark but it will have no problem passing it with the attendance of these last two matches. In the process, it ill become only the third Women’s World Cup with an average attendance of 30,000 per game or more!

Third-Place Playoff:

Yes, I’m one of those that’s willing to make a prediction for the third-place match. Besides I’m sure there will still be people betting on that match. The most intriguing thing about this match is that both teams are coached by a Swedish coach! So here are my thoughts:

Head-To-Head Stats:

Australia and Sweden have faced each other fifteen times before. Sweden won nine times and Australia have won twice. Worth noting is the most recent meet-up, in Melbourne in November 2022. Australia won 4-0!

Team-By-Team Analysis:

SWEDEN: It is always tempting to feel sorry for Sweden. They almost always seem to have a team that can contend for the top, but constantly falls short. They won the first-ever Women’s Euro, but have yet to win a second after eight more Top 3 finishes since. They two two Olympic silver medals, losing on penalty kicks to Canada in Tokyo 2020. And here in the Women’s World Cup, they find themselves in their fourth bronze-medal match! No doubt they would’ve wanted to be in their second Final, but Spain was the better team.

The Blagult have shown themselves to be top-notch players. They went through the Group Stage with straight wins and did very well in the knockout round until Spain beat them 2-1. Turns out Spain exposed their weak side as Spain had more ball control and better attack. If Sweden wants to win this match, they will have to have the ball control over Australia.

AUSTRALIA: Despite losing to England, the Matildas delivered a team that the host nation should be proud of. I know being a Canadian, I’m not happy they had our team eliminated, but I’m proud of what they’ve done. Making it to the semi-finals, they became the first host-nation team since the USA in 2003 to do so.

Australia have really proven themselves in the games they played and the opponents they faced. Nevertheless there have been times in this WWC where their weaknesses have been exposed. It was Nigeria in group play that first exposed their flaws and almost paved their way for elimination. The game against England also showed the team’s glitches. Some say England played dirty, but Australia were noticeably off. Even with Sam Kerr’s wonder-goal, England was the better team. Australia knows they will face a tough rivalry from Sweden and they know they need to be dead-on if they want to win.

My Final Verdict: Sometimes you wonder who wins the third-place match? Is it the team that’s the least disheartened? Or the team that feels they have one last thing to prove? Interesting fact: Sweden has won all three of their previous bronze-medal games. For this, I will go with Australia to win 2-1.

THE FINAL

Here it comes. After 31 days and 63 matches, it all boils down to the Final for the Cup. Sydney’s Stadium Australia which was the host venue for the 2000 Summer Olympics will be the arena to decide who wins the Cup. Since the semifinals, it was known the winner of the Women’s World Cup would be a first-time Cup winner. Another interesting fact is that for both finalists, this is their first-ever Women’s World Cup final!

Past Head-To-Head Results: Spain and England have played each other sixteen times before. England have won seven times while Spain have won three times. Their last meeting was in the quarterfinals of the 2022 Women’s Euro which England won 2-1 in added extra time.

SPAIN:

La Roja came to this Women’s World Cup with a lot to prove. A team competing in only their third Women’s World Cup and only entering into FIFA’s Top 10 two years ago. Can Spain be that good of a team? Decisive wins over Costa Rica and Zambia already proved them worthy of the knockout round. A 4-0 to Japan had people questioning their chances. Then the knockout round came. In each of their matches, Spain delivered in ball control and attack. The round of 16 was a 5-1 win over Switzerland, the quarterfinal against the Netherlands was a 2-1 victory in added extra time and the semifinal was a surprise 2-1 win over Sweden! Their first-ever win over Sweden couldn’t have come at a better time!

You can thank coach Jorge Vilda for their success. He not only coaches the Spanish women’s national team, but he’s also the sporting director of the RFEF’s women’s national team system and coaches at the National Coaching School. Spain have been brilliant through most of the tournament. They have shown dominance through most of their play. Nevertheless it was Japan that exposed their weaknesses. Despite Spain delivering dominant play in the Knockout games, their luck could run out in the final.

ENGLAND:

This is a case of a long time coming. Hard to believe this is England’s first-ever trip to the Women’s World Cup final, but it is. You can best give credit to their Dutch coach Sarina Wiegman. Wiegman already had made a name for herself in her home country by coaching the Dutch national team to a Women’s Euro win in 2017 and then finalists in France 2019. In September 2021, Wiegman signed on to coach England. The team showed a duplication of success as they won the 2022 Women’s Euro and delivered a 3-1 win over Australia to make it to the final.

Now before you start singing “It’s Coming Home,” we should not rush in and say England are going to take it. The Lionesses have delivered a lot of excellent play during this Women’s World Cup. They have a good record of scoring 13 goals here and only conceding three, but they have played too conservatively at times and possibly underestimated their opponents. Preliminary play saw them have 1-0 wins over Haiti and Denmark. The knockout round saw them open with a scoreless draw against Nigeria which they won on penalty kicks. They can’t afford to underestimate Spain. Not after the dominance they’ve been showing. Even though they really came alive during their 3-1 win over Australia, they’ve been accused of dirty play. It’s perfectly fine to want to win the Cup, but they need to watch it in the Final.

My Final Verdict: This is really hard to tell. Both teams pose a challenge to each other. England has a lot to prove being the reigning Women’s Euro holder, while Spain wants revenge for their early ouster. I predict the game to go to England 2-1.

And there you have it. Those are my predictions for the third-place match and the Grand Final of the Women’s World Cup. This will make for quite the Saturday and Sunday mornings for most of us. I’m sure the Europeans won’t mind having an early breakfast. I’m curious how many North Americans will wake up earlier than usual to watch it live! It starts at 3am Sunday morning for me! Nevertheless it’s worth it to watch history unfold!

2023 Women’s World Cup: My Semifinal Predictions

Just when you thought the group play was loaded with shockers, the shockers of the 2023 Women’s World Cup didn’t end there. Starting with the Round of 16, one of the first shockers was Spain humiliating Switzerland 5-1. Spain was the favorite but that big of a margin was a shock. Possibly the biggest shocker of all was the US playing a scoreless game to Sweden and losing on penalty kicks with the last kick being conceded by a fraction of an inch! USWNT Tobin Heath put it best when she said “It may seem that we lost this game by a millimeter, but we lost this tournament by a mile.” Then came another favorite England also getting a scoreless draw, to Nigeria, and their top player Lauren James getting an instant red card. England sis win on penalty kicks but James will be out until the final or the 3rd-place match, whatever England qualifies for.

The quarterfinals also delivered their own shockers. The first quarterfinal, Spain vs. Netherlands, was expected to be a tough game and ended 1-1 in regulation. However added extra time provided the surprise as 19 year-old Spaniard Salma Paralluelo delivered the tie-breaking goal! Sweden’s 2-1 win over Japan wasn’t that surprising since the two are top-ranked teams and this would be a tight match. The shocker was just the fact of the game that Japan, the last former Women’s World’s Cup winner standing, was out! The following day, England’s win over Colombia wasn’t a shock but Australia achieving a scoreless draw over France and then winning on penalty kicks was. A delight for the host nation.

SEMIFINALS PREVIEW

Now onto focusing on the semifinals. One thing is certain before the semis begin. It’s clear we will have a first-time Women’s World Cup winner. The last to do so was Japan in 2011. Also these will be the first-ever semifinals of the Women’s World Cup without the U.S.A. present. Another surprising fact! For two of these nations, this is their first-ever semifinals qualification. All four have achieved a big win of some kind during this tournament but Spain is the only team to not need a win on penalty kicks in this Knockout Round. All four have shown off brilliant play but they’ve also shown some weaknesses in their WWC play too. So here’s a look at the four teams and my prediction for each semifinal:

SemiFinal #1: Spain vs. Sweden

Head-To-Head Stats:

Spain and Sweden have played each other eleven times before. Sweden won seven games. Spain has never won. Their most recent meeting has been a friendly in October 2022 which both teams drew 1-1.

Team-By-Team Analysis:

SPAIN: Up until a few years ago, Spain was not considered to be a major contender in women’s football. The men are known to shine, but their women were substandard. Sure, they may have finished in the semifinals of the 1997 Women’s Euro, but they were lackluster for a very long time. The turning point came a little more than ten years ago when the RFEF started taking the women more seriously. Starting with the 2013 Women’s Euro, the team made it to the quarterfinals. In 2015, they qualified for their first-ever Women’s World Cup, but it didn’t go well. They were out in the Group Stage and were the only European team that didn’t advance. Even after they were out in the quarterfinals of Women’s Euro 2017, they showed signs of improvement with a Round of 16 finish at the 2019 WWC. In the fall of 2021, La Roja ranked in FIFA’s Top 10 for the first time ever. Here in this Women’s World Cup, they made it to their first-ever semifinal. A big improvement over the last ten years!

La Roja have shown a lot of impressive play in this Women’s World Cup. They opened their group play with a 3-0 win over Costa Rica and a 5-0 win over Zambia. They did have a setback with a 4-0 loss to Japan. During the Knockout phase, they’ve been showing excellent teamwork and ball control with a 5-1 win over Switzerland and also rivaling Netherlands in the quarterfinal which they won 2-1 in added extra time.

Spain has blown past many people’s expectations and have won the respect of the world. The women can no longer be underestimated. Many people were surprised to see Spain rank in FIFA’s Top 10 but their play in the Cup have them proving they deserve it. It’s not to say Spain can’t be stopped. Don’t forget they lost 4-0 to Japan. Spain did an excellent job against the Netherlands showing they can win against top contenders. Now they’re onto Sweden who have played without a loss this Cup. Spain have to be just as strong as they were against Switzerland and the Netherlands if they want to win.

SWEDEN: If you want to talk about certain small nations and how impressive they are at football, you should talk Sweden. At the inaugural Women’s World Cup in 1991, they finished third. The semifinals would become common to see Sweden qualify for. They’ve done it for the fifth time in this Women’s World Cup! Very impressive since Sweden has a population of less than 10 million and this is only the ninth Women’s World Cup to be held. The Blåguld also has an impressive record of winning the last two Olympic silver medals and making it as far as the semi finals in nine of the twelve Women’s Euros.

Throughout this Cup, the Blåguld have been showing some of the best team play of all teams. They won all three of their Group Stage games with eight goals and only conceding one against South Africa. Then came their Round Of 16 match against the United States; the seventh Women’s World’s Cup meeting of the two. Both teams played to a scoreless draw and then Sweden won the penalty kicks 5-4. The quarterfinals saw them play against Japan who, like Sweden, also won all three of their group play games. It started with a goal from Amanda Ilestedt in the 32nd minute and Sweden didn’t look back winning 1-2.

Sweden have done a very good job in showing itself as one of the top teams here. They’ve shown excellent play and knew how to handle both the Americans and Japanese. It’s easy to believe that they will be the team to win the Cup. I think the one thing that could stand in their way is if they misjudge Spain. Spain have done an excellent job in their play in this Cup of attacking and controlling the ball. Sweden could easily misjudge Spain and it could end up the Spaniards would end up winning the game. That’s something Sweden won’t want. Especially if they want to make it to their second Final ever.

My Prediction: This really gives me time to do a lot of thinking but I will have to predict Sweden to win 1-0 in added extra time.

SemiFinal #2: Australia vs. England

Head-to-Head Stats: The two teams have rivaled each other six times. England have won three, there was one draw, and Australia have won twice. Their most recent meeting is worth noting. It was a friendly in Brentford, England which Australia won 2-0!

Team-By-Team Analysis:

AUSTRALIA: Australia making it to the semifinals has been a slow and steady process. Hard to believe, but they weren’t in the inaugural Women’s World Cup in 1991. Australia have been in every Women’s World Cup since. Their breakthrough came in 2007 when they qualified for the knockout round for the first time and they’ve done so in every WWC since. In 2015, the Matildas won their first-ever knockout match. Here at this WWC, they took it one step further by achieving their first-ever semifinals berth! First host nation to do so since the USA did it in 2003. Australia have also excelled in other tournaments such as winning the last three OFC Women’s Nations Cups before Australia switched to the AFC. After the switch, Australia have made it to the finals four out of six times and winning in 2010.

The Matildas have delivered play at this Women’s World Cup with a lot of ups and downs. They started their trip to the Cup well with a 1-0 win over Ireland but soon feel into trouble with a 3-2 loss to Nigeria. They knew they needed to win their last game over Canada, which they did 4-0. In the Round of 16, they faced Denmark and won 2-0. In the quarterfinals, they were up against more favored France. The game went to a scoreless draw but Australia won on penalties 7-6. Of all teams, Australia has done the most to defy expectations. They’ve been playing really well here but their play has been inconsistent. Except for their big win over Canada, most of their play has been pretty close. They may have had a scoreless draw against France but they can’t afford to push their luck here if they want to go to the Final.

ENGLAND: You figure a nation as football mad as England would have their women excel quite far. It wasn’t always the case in the past. Until 1972, England was one of a multitude of nations that forbid women to play the sport. Even as national women’s teams were starting to be formed in the 70′ and 80’s and the first Women’s World Cup was started in 1991, England wasn’t there. 1995 showed promise as the team made it to the quarterfinals, but they wouldn’t return to qualifying for the Women’s World Cup until 2007. Since their return, it’s been all uphill from there. In 2007 and 2011, they made it to the quarterfinals. In 2015, the Lionesses made it to their first ever semi-final and have never missed a semifinal since. Their improvements have also shown at the Women’s Euro as they have not missed one since 2001, made the semifinals three out of the six times finalists in 2009 and winners in 2022!

The Lionesses have delivered play here that will make one convinced they’ll be singing “It’s Coming Home” for the first time in Women’s World Cup history. They started their group play with conservative 1-0 wins over Haiti and Denmark. When it came to their last group game against China, they went all out and won 6-1. Their first knockout game was against Nigeria which led to a scoreless draw and England winning on penalty kicks 4-2. Their quarterfinal match was against Colombia which they won 2-1.

Playing conservatively worked well for England at the beginning of the Cup. Now they can’t take any more chances. It was evident after their scoreless game against Nigeria that they have to play like the Lionesses that dazzled everybody during the Women’s Euro of 2022. Besides they’re playing against Australia in the semifinal. They can’t forget their defeat to them because if they don’t play like they’re supposed to, they may lose again, and this is the worst time to lose.

My Prediction: This is too tough to say. Both teams know how to play well, but both teams have made their errors obvious during the Cup. I think this game will be a 1-1 draw with Australia winning on penalty kicks.

And there you go. These are my predictions for the semifinals of this Women’s World Cup. Hard to believe the final is less than a week away! Will the semis provide shockers of their own beforehand?

2023 FIFA WWC: Predictions For The Round-Of-16 And Quarterfinals

Australia/New Zealand 2023
mascot Tazuni

can you believe all the group stage games of the 2023 FIFA Women’s World Cup have already been played and they’re now into the knockout stage? It went by faster than I thought! Before I give my predictions for the first set of knockout games, I’ll give my overview of the group play.

GROUP PLAY OVERVIEW

The Women’s World Cup has always had surprises but I don’t think there’s ever been a WWC with as many surprises as this! Did the change from a 24-team tournament to a 32-team tournament pave the path for all these surprises? Or would they have happened anyways?

I’ll mention the major surprises and shockers group by group. Starting with Group A, hosts New Zealand beat heavily favored Norway in their opening game. Then they’d lose in their next game to the Philippines! In Group B, Nigeria was more consistent than expected. Their consistency also included them beating hosts Australia 3-2. Australia’s comeback win of 4-0 over Canada meant Canada out! Group C was mostly expected with Japan and Spain qualifying. The unexpected was Zambia’s win over Costa Rica. Group D went mostly shock-proof until the end when England beat China 6-1. That also meant an unexpected early ouster for China!

Group E’s biggest shock was the USA not topping and giving less-than-spectacular play. The scoreless draw between the US and Portugal was the most shocking result. A Group F surprise was Jamaica qualifying. And they only scored a single goal! The bigger shock was Brazil not qualifying! Group G had the surprise of South Africa playing better than expected and their win over Italy helping them qualify. And to think the last group – Group H – had arguably the biggest shocks. Most notable Colombia’s 2-1 win over Germany and Morocco’s 1-0 wins over South Korea and Colombia. In the end it was Morocco and Colombia that advanced leaving favorites Germany and South Korea out!

What can I say? The group play gave us a mix of highlights and lowlights. Starting with lowlights, Vietnam and Haiti lost all three of their games and didn’t score a goal, the five red cards at this Women’s World Cup are already the most ever, Canada failed to advance for the first time since 2011, Brazil for the first time since 1995, and both China and Germany failed to progress for the first time ever! Yes, it’s something how three teams currently ranked in FIFA’s Top 10 are now out. Now onto the highlights. This Women’s World Cup so far has a goal average of 2.63 per game and crowd attendance averaging over 25,476 per game. For those that did qualify, Denmark qualified for the first time since 1995 and three nations, Jamaica, Morocco and South Africa, qualified for the knockout stage for the first time ever. This is also the first World Cup, men’s or women’s, that has three African teams in the knockout round and a Caribbean team for the first time ever at a Women’s World Cup! Even for those that didn’t qualify, there were seven nations that achieved their first-ever win of a Women’s World Cup game. Joining Morocco, Jamaica and South Africa as first-timers are hosts New Zealand, Philippines, Zambia and Portugal. And to think of all the teams at this Women’s World Cup, Zambia, Morocco and South Africa had the lowest FIFA rankings of them all!

ROUND-OF-16 FOCUS

Now onto focusing on the Knockout Round. The complicated thing about this Round of 16 round is that it’s not like your typical Round of 16. Every World Cup the Round of 16 sets up the path of the whole knockout round leading to the final. Whenever a single nation hosts a World Cup, the path is organized so that group play opponents don’t meet again until the Final. Now that two nations are hosting, that will make it hard to do so since the knockout round brackets are organized differently. It’s quite possible that group play opponents could meet as soon as the semi-final. And it’s happened before when Japan and South Korea co-hosted the men’s World Cup of 2002 and group opponents Brazil and Turkey did end up meeting again in the semifinal. Let’s hope we don’t get a similar situation here.

ROUND-OF-16 PREDICTIONS

Now that 48 matches have been played and the qualifiers for the knockout rounds have been decided, the only thing for me to do is now make predictions for which team will win which Round-Of-16 match. So here we go with my predictions! Matches will be in chronological order and my prediction for the winner will be bolded:

Switzerland (Group A winner) vs. Spain (Group C 2nd): Switzerland clinched to top of Group A through lackluster play. They started well with a 2-0 win against the Philippines, but was only able to do scoreless draws against Norway and hosts New Zealand. Spain had already secured their qualification with a 3-0 win over Costa Rica and a 5-0 win against Zambia. Their last game, against Japan, was there to decide first place in the group, which Japan won 4-0.

Now for the game, Switzerland and Spain have met only three times before. Spain winning twice and Switzerland the other time. I will have to say that Spain’s aggressiveness in their games may give them the advantage. Switzerland has given nothing away in the Cup but they’ve lacked in the scoring. I think that will hurt them in the end and that Spain will win.

Japan (Group C Winner) vs. Norway (Group A 2nd): Admit it. We all like it when a team wins all three of their group play games. Japan is that: 5-0 against Zambia, 2-0 against Costa Rica and 4-0 against Spain. Then again, we also like teams that come from behind and deliver. That was Norway. They started with a shocking 1-0 loss to hosts New Zealand and had a scoreless draw against Group A winners Switzerland. Game three was a case where the former champions from 1995 needed a win and nothing less to qualify. In their game aganst the Philippines, they delivered: 6-0!

This ia unique game. Two teams that have won the Women’s World Cup at least over ten years ago. The only previous time they met at the Women’s World Cup, in 1999, Norway won 4-0. In the nine previous times they met, Japan have won more often: 6 wins to Norway winning three times. Although I’m happy to see Norway come alive again, I pick Japan to win. They’ve been playing more solid.

The Netherlands (Group E Winner) vs. South Africa (Group G 2nd): This is one Round of 16 match consisting of two shockers. The first shocker is the Netherlands topping Groups E. The funny thing is that this match was anticipated to have the U.S. top Group E and was scheduled such so it would be at 10pm Eastern Time on Saturday for US viewing time. There are no guarantees in sport! The Netherlands proved that by beating Portugal 1-0, drawing against the U.S.A. 1-1 and beating Vietnam 7-0! The right stuff to top Group E. The second shocker is South Africa qualifying for the first time ever. They slowly but surely showed off their previously untapped strength starting with a 2-1 loss to Sweden, a 2-2 draw to Argentina and ending with a 3-2 win over Italy!

The Netherlands and South Africa have met eight times before. in all eight cases, the Netherlands won. Even though this is the best I’ve seen of South Africa, I still feel the Netherlands will win. Nevertheless it’s possible South Africa can make it go into added extra time.

Sweden (Group G Winner) vs. U.S.A. (Group E 2nd): Sweden topping Group G was a foregone conclusion. Even winning all three games against Italy, South Africa and Argentina was not unexpected. The U.S.A. finishing second in Group E was unexpected. They started with a decent 3-0 win over Vietnam, had a respectable 1-1 draw against the Netherlands, but the scoreless draw against Portugal was a shock and has fans nervous for the team.

Now don’t think that just because the U.S. finished second in their group, they will be out of the WWC soon. They finished second in their group in 2011 and would go on to play in the final. Now onto this match. Sweden and the U.S. are big-time rivals. They’ve met 43 times. Sweden won eight times. The U.S. won 23. As for the World Cup, the two have clashed at the Women’s World Cup six times before, including every WWC since 2003! Previous results are 4 U.S. wins, one Sweden win and one draw. This is a tough decision but will have to say Sweden. The U.S. can beat Sweden if they’re on. At this WWC, the US have been playing lackluster. If the U.S. are not on the ball in this match, it will be over sooner than they hoped and sooner than we all expected.

England (Group D Winner) vs. Nigeria (Group B 2nd): England continued to show why they’re ones to watch by topping Group D with nothing but wins: 1-0 over Haiti, 1-0 over Denmark and 6-1 over China! Nigeria proved themselves the surprise team of Group B starting with a scoreless draw against Canada, a surprise 3-2 win against Australia and a scoreless draw against Ireland to secure qualification. This makes it the third time Nigeria advance to the knockout stage here.

England and Nigeria have met three times before. The first time was at the 1995 Women’s World Cup which England won. The other two times, Nigeria won. The last time being in 2004. I give this to England. They’ve been playing better and delivering a better attack. I think this is theirs for the winning.

Australia (Group B Winner) vs. Denmark (Group D 2nd): Australia really felt the pressure of being the host nation. They started well with a simple 1-0 win against Ireland, then endured a shocking 2-3 loss to Nigeria. Australia knew they had to defeat Canada to stay alive and they did: 4-0! Denmark secured their qualification starting with a 1-0 win over China, then endured a 1-0 loss to England, but a 2-0 win over Haiti assured itself qualification.

The most interesting thing about this match is we have two teams that both had two wins and a loss in group play. The two teams have played each other a total of six times. Denmark won three times and there were two draws. Australia may have won only once but their win was back in October! I give this to Australia.

Colombia (Group H Winner) vs. Jamaica (Group F 2nd): Here’s a case of two teams that didn’t have high expectations but made it! Colombia started off with an unexpected 2-0 win over South Kore and then came and even more shocking 2-1 win over Germany! Their 1-0 loss to Morocco didn’t interfere with them topping their group. Jamaica is another surprise qualifier. They start with a scoreless draw against France, a 1-0 win over Panama and a scoreless draw against Brazil. That’s all they needed to qualify for the first time ever! They may have scored only one goal but boy does their defense speak volumes!

For my prediction for the win, Colombia and Jamaica have met only twice before. Their first meeting in 2018 was Jamaica winning. Their second meeting, at the 2019 Pan Am Games, was Colombia winning. For this I’ll predict Colombia. They’ve been scoring better better and playing harder. Jamaica appears to have a great defense but Colombia’s better scoring ability will eventually prevail in the end.

France (Group F Winner) vs. Morocco (Group H 2nd): France’s qualification is not a surprise. They did start with a surprising scoreless draw against Jamaica, but wins of 2-1 against Brazil and 6-3 over Panama was just what they needed to top Group F. Morocco is one of the biggest surprises of the whole Cup. They started with a disappointing 6-0 loss to Germany, but 1-0 wins over both South Korea and Colombia was just the right stuff to make them a surprise qualifier! Of the eight nations making their debut at this Women’s World Cup, Morocco is the only one that advances!

In searching for head-to-head stats of France and Morocco, I have been unable to find any information of them meeting before in the past. In the end, I will have to give it to France. They’ve been attacking and scoring better. Morocco has been a delightful surprise, but I think the surprise will end here.

QUARTERFINAL PREDICTIONS:

Provided the Round of 16 winners end up being exactly who I predicted, here are my predictions for the quarterfinals. I won’t do too much rambling with my quarterfinal predictions. Especially since the teams playing haven’t been decided. I’ll keep it brief:

Spain vs. Netherlands: Provided my predictions go right, I say Spain. Spain and the Netherlands have met ten times before with Spain winning five times and the Netherlands winning two. The Netherlands’ prowess seems to be fading a bit while Spain’s prowess has grown. That’s why I say Spain.

Japan vs. Sweden: This should be interesting. The two have met fourteen times before, including three at the Women’s World Cup. Japan has won five times. Sweden six. This could be tight as both teams have played strong but Japan has conceded nothing so far. I think Japan will win on penalty kicks.

Australia vs. France: Australia have done a better job at playing than expected, but France has shown better consistency. In the past, they’ve met eight times before. Australia winning four times and France winning three. I predict France to take this, but on added extra time.

England vs. Colombia: The only time England have ever played Colombia was in a Canada 2015 group game, which England won 2-1. The Colombian team has changed a lot since they met, but England has too. I think this will be a case of England winning in added extra time.

And there you go! Those are my predictions for the first two sets of knockout matches of the 2023 FIFA Women’s World Cup. Will the knockout matches be as unpredictable as most of the group play results? We’ll just have to see!