Author Archive: Jon The Blogcentric

Oscars 2018 Best Picture Review: Vice

Vice

Amy Adams and Christian Bale play political power-couple Lynne and Dick Cheney in Vice.

As the world becomes more and more confusing, we tend to focus on the things that are right there in front of us. While ignoring the massive forces that actually change and shape our lives. With people working longer and longer hours, for less and less. When we do have free time, the last thing we want is complicated analysis of our government, lobbying, international trade agreements, and tax bills.

You would wonder would a film like Vice work at this time? A film about former US Vice-President Dick Cheney and his wife Lynne? A film about politics of the past? Turns out there’s more than meets the eye.

The film opens in the White House as the September 11th attacks happen. Instead of talking things out, Dick Cheney gives an immediate order. The film then flashes back to Wyoming in 1963. Dick Cheney and Lynne are married and living in Lynne’s parents’ house. Dick was originally a student at Yale University but his persistent alcoholism caused him to drop out. He takes work as an electrical lineman, but that doesn’t satisfy his in-laws at all. It’s after he gets busted by a cop for driving drunk, his second DUI, that Lynne tells Dick to clean up his life. All of this is narrated through a man named Kurt: a typical ‘middle-class’ American.

Fast forward to 1969; Republican president Richard Nixon is in the White House and Cheney has been hired as an intern. He meets a slimy scheister named Donald Rumsfeld who is Nixon’s policy advisor. Cheney works under Rumsfeld’s wing and tries to juggle family and political commitments. Cheney also overhears a conversation between Henry Kissinger and Richard Nixon about the bombing operation in Cambodia. There, Cheney learns about the true power of the executive branch. Rumsfeld’s abrasive attitude has an effect on Cheney as both distance themselves from Nixon. After Nixon resigns in the heat of the Watergate Scandal, both men are promoted: Cheney to Chief Of Staff to the new President Ford and Rumsfeld to Secretary Of Defense. Their jobs only last two years as a Democrat, Jimmy Carter, is elected president.

After leaving the Oval Office in 1977, Dick decides to pursue politics on a state level by running for the seat of House Representative for Wyoming; Wyoming is a state that has only one seat in Congress. Dick’s campaign starts on a lackluster note as he delivers an uncharismatic speech. However he soon suffers his first heart attack. While recovering in the hospital, Lynne decides to deliver speeches for him. Her speeches are more winning to the public and it succeeds in helping him to win his House seat.

Then Reagan becomes president in 1980. Cheney is able to provide influence to the agenda promoting conservative pro-business polices like promoting fossil fuels (which puts an end to Carter’s goal of more solar power) and also ending news media showing both sides of the issue, which paves the way for one-sided media like Fox News on the right and CNN on the left. In the meantime, Dick and Lynne are shocked to learn that their teenage daughter Mary is a lesbian. Nevertheless Dick agrees to be supportive to her, despite being a right-wing politician.

Dick is promoted to Secretary Of Defense during the tenure of George H. W. Bush and has a pivotal role in the Gulf War of 1991. Also during the time of the senior Bush, Dick meets his son George W. Bush, who’s a clumsy nimrod. Dick has desires to be President but after Bill Clinton is elected, he decides to retire from public life to spare the scrutiny for the sake of Mary. Cheney then becomes CEO of Haliburton while Lynne raises golden retrievers and writes books. Then starts an epilogue claiming Cheney lived the rest of his life happy and healthy with his family out of the public eye, then the credits roll.

But wait. That’s not really the end of the film. Dick is still CEO of Haliburton, but he meets with George W. Bush who’s the Governor of Texas. He wants to run for President for the 2000 Election not because he desires the power to himself, but to please his father. Cheney agrees to be his running mate provided Bush delegates ‘mundane’ executive responsibilities to him like foreign policy and energy. Things like family values issues, he doesn’t want to get involved with for the sake of Mary. Bush is elected president despite a hugely controversial election. On his first day as Vice-President, he learns Rumsfeld is back as Secretary Of Defense, and is still as slimy as he was when they first met. Added to the team of making foreign policy and defense decisions is legal counsel David Addington and Chief Of Staff Scooter Libby.

The film then returns to the 9/11 attacks and when Dick gave the immediate orders. After that, Cheney and Rumsfeld team up over initiating and presiding over the US attacks in Iraq and Afghanistan (which Kurt finds himself a soldier in both those wars). Cheney struggles with his heart attacks as the War Of Terror mounts. Nevertheless he continues through his vice-presidency which includes instituting the Unitary Executive Theory, his role in the Plame Affair, the accidental shooting of Harry Whittington (which he never apologized to him for). His actions are shown to cause thousands of deaths overseas, the rise of the Islamic State of Iraq and Syria, and record-low approval ratings upon leaving office. Rumsfeld is even forced to resign. Nobody likes him in Washington.

However it doesn’t end there. Cheney is about to die of heart failure while waiting for a new heart. Just as he says his teary goodbye to Lynne, Liz and Mary, Kurt is killed in an auto accident while jogging. Sure enough, Kurt’s heart is the perfect match for Dick’s transplant in March 2012. Then Liz runs for the House seat of Wyoming where she announces during a debate her opposition to same-sex marriage. This causes Mary to cease communication with Liz. Liz is now the Rep of Wyoming. At the end, Cheney says to us all he regrets nothing.

When you see one renowned film by a certain director, you are impressed, or interested, with what you see. When you see a second film by that director, you get a better sense of what their film making style is all about. I’ve seen The Big Short and I was very impressed with what I saw. However, when I saw Vice, I liked what I saw but throughout the film, I was thinking “Okay, I get Adam McKay’s filmmaking style.” I’ll admit throughout the film, I was seeing a lot of elements similar with what I saw in The Big Short. However I saw some new elements in Vice as well. Basically Vice told me more about Adam McKay than it did about the Cheneys. I noticed in both films, Adam likes to toy around with the story. He also likes to include references to the time of the story both in terms of the political landscape and of pop culture moments. Adam even admits that Vice is a ‘true story’ or as true as it gets since Dick is a private person.

The events in the film are events that are widely known, but are seen through the eyes and imagination of Adam McKay. The characters of the various politicians are also through McKay’s eyes, which may explain why they come off as cartoonish. It almost seems like the Cheneys are the only political figures that don’t come across as cartoon characters, despite also being portrayed as crazy and conniving. Like is Rumsfeld right? Is the top job of the Vice President to ‘wait for the president to die?’ The influence of Cheney’s decisions and politicking are shown to have a huge presence in American life and politics for many decades and have a huge influence now. Even the reason why Donald Trump became president.

However the biggest standout is having the story of Dick Cheney narrated by Kurt: a fictitious veteran of both the wars in Afghanistan and Iraq. Kurt even narrated while he’s dead and his heart is inside Cheney! I think the point of having Kurt, the average American, narrate the story is to show how much Dick’s decisions and political influence us Americans. It shows why we get such empty promises in terms of our economy, it shows why the middle-class is shrinking. It also even shows why we’re all so frustrated, we turn to dumbed-down entertainment to escape this frustration of American politics in our lives. No matter what serious issues we have to deal with in our lives, we’d rather tune out and watch another Fast And The Furious sequel. Adam demonstrates it all, through Kurt.

Kudos to Adam McKay for delivering another bizarrely-constructed but thought-provoking sad comedy. His direction and writing didn’t work as well as it did for The Big Short, but it worked well too and was very entertaining. Christian Bale was excellent as Dick Cheney. He did an excellent job in depicting both the young Dick and the older Dick Cheney too. Amy Adams also did an excellent job in depicting Lynne Cheney throughout the film and as she aged too. The film also showed how Lynne had an impact on some of Dick’s choices and how she acquired political influence of her own. Dick knew how to deliver policies and decisions, but didn’t know how to make speeches. Lynne knew how to deliver a speech. Amy did a very good job in demonstrating Lynne’s political savvy. The most surprising performance came from Sam Rockwell as George W. Bush. He was completely unrecognizable and dead-on! Steve Carell may not have delivered an accurate performance of Donald Rumsfeld but he was dead-on as the slimeball Rumsfeld as seen through McKay’s eyes. Also Jesse Plemons was an entertaining scene-stealer as Kurt. Instead of making Kurt look like something ridiculous, he made Kurt work.

Vice is a sad comedy about Dick Cheney and American politics. We both laugh and mourn how all this came to be.

Advertisements

Oscars 2018 Best Picture Review: Bohemian Rhapsody

Rhapsody

In Bohemian Rhapsody, Rami Malek captures the essence of Freddie Mercury to a tee.

The musical biopic Bohemian Rhapsody came out in movie theatres this year. We’ve seen music biographies before. The big question is does this film simply chronicle Freddy Mercury’s life? Or does it do much more?

The film begins just as Queen is about to step to the stage to perform in the 1985 Live Aid Concert. The film then flashes back to 1970 when Smile is an English band consisting of Brian May, Roger Taylor and singer Tim Staffell. Faroukh ‘Freddie’ Bulsara is a Farsi immigrant who studies and also works as a baggage handler at Heathrow airport. Freddie faces a lot of discrimination for the color of his skin and mockery because of his hyperdontia which makes him look like he has a mega-overbite. However Freddie does lose himself in rock and roll.

One night, Staffell quits Smile in disappointment. Freddie was there attending the show. When he sees what happened, he asks to join the band. The band gets a rocky start as they play at small college gigs, but it looks promising and Freddie fully believes in them all. The rock singer gig does not go well with his family who feels he should earn his living more ‘honestly.’ Freddie also wins the attraction of college student Mary Austin during a clothes shopping trip. They start dating and romancing.

Over time, Queen gets bigger and they soon have to record an EP. It will cost a lot of money and Freddie agrees to sell the van for money. The EP is a success and it attracts major music producers including one from EMI Records interested in the band. The band changes their name to Queen and Freddie even legally changes his name to Freddie Mercury. The band is acquired by John Reid, Elton John’s manager, and assistant manager Paul Prenter. They bring the band to a gig on BBC’s Top Of The Pops where the band lip syncs Killer Queen. As success grows, including success in the US, Mary and Freddie get engaged. However soon after Freddie learns of his bisexuality.

The band try to record their album A Night At The Opera and the song Bohemian Rhapsody, but the song is too long and hard to perform. On top of that, producer Ray Foster is antagonistic on the band for both the song and the music for the whole album. After Foster refuses it as a single, Freddie gets a local DJ to play Bohemian Rhapsody. The song opens to a lot of negative reviews, but also scores big on the charts worldwide. However Freddie starts an affair with Prenter and has to call off the engagement with Mary. Mary is devastated, but agrees to remain friends.

In the film, the band has continued success in the early 1980’s with We Will Rock You. However the band experience tension both by Freddie’s lavish partying lifestyle and the increasing controlling ways of Prenter. Freddie even cheats on Paul with a waiter, but the waiter tells Freddie to find him after he finds himself. The friction between Freddie and the band grows to the point Freddie leaves the band to record a solo album upon the direction of Prenter. However it becomes obvious how much Prenter wants a piece of the action and Freddie both breaks up with him and fires him.

Soon Freddie learns he has HIV right when the devastating AIDS epidemic was at its most troubling times. He returns to the band confessing it was wrong for them to leave. They’re offered an appearance at the 1985 Live Aid Concert which will be broadcast worldwide to raise money for food supplies during the famine in Africa. This will be the band’s comeback concert, but it will take a lot of effort to bring the band back to their level of performance.

Just before the concert, Freddie confronts his parents to make peace with them. Freddie is also supported backstage by a pregnant Mary along with her husband David. Bob Geldof is hoping for a lot of call-in donations through this concert. Then Queen get on stage and it’s like they never missed a step. The crowd is blown away, television crowds are dazzled, and the donations accelerate like nobody’s business. Queen was back and alive!

There have been musical biographies in films done many times before. In order to make a winning story about a musician, the film will definitely have to include the music. That’s what made the musician great. The film will also have to include key events of the person’s life: the artistic moments, the triumphant moments and the struggles, even any tragedies. It’s all a matter of deciding the right moments for the right beginning, middle and end of the film.

The film does a smart move in making the Live Aid Concert the pivotal moment for Freddie Mercury both as the scene where the movie starts before flashing back in time and ultimately ending. The film also does a good job in picking out moments such as when Freddie joins the band Smile, changes it to Queen, first hits it big with Killer Queen releases their iconic Bohemian Rhapsody, faces friction as well as declining fame in the early 80’s, Freddie’s HIV diagnosis, and their return to winning the public at Live Aid.

However the film also risks disappointing a lot of Queen fans because of how inaccurate the story is. Despite Jim ‘Miami’ Beach being the film’s co-producer and May and Taylor being music consultants, The five biggest inaccuracies Queen fans are most likely to notice are, firstly, Freddie was actually introduced to Brian May and Roger Taylor of Smile by singer Tim Staffell when Staffell wanted to pursue further studies. Secondly, We Will Rock You was written and recorded in the late-70’s rather than the early-80’s. Thirdly, John Deacon was actually Queen’s fourth bassist rather than the original bassist. Fourthly, Queen never split up nor did they get back together at Live Aid. Freddie may have had solo work — the most famous being Barcelona: the duet with Montserrat Caballet — but Roger Taylor also had a solo album too. Fifthly, Freddie learned he was HIV-positive in 1987: after Live Aid. Those that know the true Queen story will know that a lot of these moments in the film were mostly common music-movie cliches rather than the truth about Queen.

Despite failing a lot of Queen fans with some of the inaccuracies and cliches, the film does succeed in a lot of ways and even presents some truths even Queen fans knew. Freddie did credit his extra teeth for his singing, he adored his cats, he held outlandish parties, the song Bohemian Rhapsody was considered too long and too ridiculous at first, Freddie did keep his ordeal with HIV and AIDS private as he did not want to be an object of pity, and finally his friendship with Mary Austin lasted until his death and she did live next door to him even while married to David. The film does stick to the truth in a lot of areas, including that of how Paul Prenter was a controlling person in Freddie’s life. However another added quality is that the film does an excellent job of capturing the essence and feel of Queen’s music. Those that haven’t heard much of Queen’s music will experience songs they never heard before. Those that are fans of the band will fall in love with the songs again. Also those that want to be rock musicians themselves will be inspired to pursue their dreams after watching the film. You not only hear the music, but you can also get the feel of a rock performer too.

The film has already grossed $844.4 million worldwide at press-time with $210.6 million coming from North America. However the film has also faced a ton of heat during the awards season. The cause for all of this was for director Bryan Singer. As you know, Singer has faced criminal charges of being a sex offender. How it happened that Dexter Fletcher stepped into directing the remainder of the film upon the departure of Bryan Singer is that Singer was fired after having violent clashes with Rami Malek. Singer, and not Fletcher, was credited as the film’s director. The awards season has seen the film win many accolades which many have voiced their displeasure about. Possibly due to hostility during the #MeToo movement, many are speaking their mind as if they’re saying a win for Bohemian Rhapsody is a win for a sex offender.  I personally feel that Fletcher should have been credited as director. However despite the fact that Singer was fired, people are still unhappy. Makes you wonder what will satisfy them all? Denying the film a release and trashing it altogether? This is a reflection on how toxic and bullying the free speech of social media can be.

Anthony McCarten in cooperation with Peter Morgan may have written a story that was more cliched than truth, but it did capture a lot of the essence of Queen and a lot of the essence of Freddie Mercury. As for the ending, I can understand why they went for the heavy drama by ending with the Live Aid Concert. I’d rather they went with the moment Freddie records The Show Must Go On. Those who know the story behind that will recognize it as one of the biggest triumphs of Mercury’s career and a testament of his mental toughness.

The film also captured the essence of Brian, John and Roger well too. Co-director Dexter Fletcher did a very good job of picking up where Singer left off and creates an exciting experience for the audience. However the biggest triumph is the performance of Rami Malek. Until Bohemian Rhapsody, he was facing the common difficulty of actors of Middle Eastern descent with limited opportunities. It almost seemed like the biggest thing he would ever be known for is playing the Pharaoh in the Night At The Museum movies. This also was not an easy task because Malek was not originally a fan of Queen. However that all changed when he was given the role. Malek was excellent in his performance and will blow away anyone who sees this film.

The actors portraying Brian, Roger and John — Gwilym Lee, Ben hardy and Joseph Mazzello, respectively — also added to the film. Lucy Boynton was also excellent as the friend Mary Austin. Even minor performances like Tom Hollander as Jim Beach, Mike Myers as Ray Foster, and Allen Leech as Paul Prenter did very well with the roles they were given. Julian Day did a very good job with the costuming, Aaron Haye did an excellent job with the set design, and the producers did a very good job in choosing the right songs for the film.

Bohemian Rhapsody has some noticeable errors in the film. However the film succeeds in capturing the spirit of Freddie Mercury, capturing the music of Queen and capturing the experience of a rock star. No wonder it dazzles those that see it.

Oscars 2018 Best Picture Review: A Star Is Born

A Star Is Born

Lady Gaga and Bradley Cooper play two singers in love in A Star Is Born.

Right now we seem to have a lot of reboots in terms of entertainment. Reboots of TV series, reboots in music and reboots in movies too. A Star Is Born is a reboot of a film done three times before, but does it translate for the present?

I know I mentioned about a lot of reboots happening in my introduction. There are a lot of successful reboots right now, but there have also been some reboots that flopped too. What makes a successful reboot isn’t just rehashing something people loved in the past. It also involves making it relevant to the present and also have the ability to both please fans of the past materials and win over new fans. One of the best cinematic examples of a reboot is last year’s It. The cinematic version of It worked last year because of two smart choices. The first being it would divide 28 years earlier to the time of the plot in two separate films. The second being the childhood part of the story would be set in 1989 and the adulthood part of the story to be set in the present, unlike setting the childhood part in 1958 and the adulthood part in 1986 as in the novel and the miniseries.

Moving onto A Star Is Born, we’re dealing with a film that has been done three times before. The first being in 1937 starring Janet Gaynor and Fredric March, the second being in 1954 starring Judy Garland and James Mason, and the third being in 1976 starring Barbra Streisand and Kris Kristofferson. For Bradley Cooper to take on the project and turn it into something winning for the present, he had to make a lot of choices.

Some elements would be very similar to what was done in films past, while some elements would have to be new and relevant and believable for the present. There were a lot of elements of all three past editions that worked very well such as a singer struggling to make it, the wash-up who discovers her and promotes her to greatness and even loves her, and the man encountering a substance problem which hurts his marriage and ultimately takes his life.

There were some elements from the separate films that he had to include. For example 1937 and 1954 were about an actress trying to make it and a washed-up actor promoting her and loving here. 1976 was about singers for the first time. The choice to have singers and in the field of country music as in 1976 worked well for the film. I will focus more on that later. Also the tribute Ally gave to Judy Garland was a subtle reminder in the film of the most famous version of the story.

Then there were the more complicated choices. First off, Bradley Cooper may have proven himself as an actor, but not as a singer or a director in the past. Bradley had to give himself the practice and even have the duet scene done in front of a live crowd. Sometimes only the real thing can work. Secondly, there were two factors involving Lady gaga. One factor was she had limited acting experience with her biggest previous role being her minor role in Sin City: A Dame To Kill For. The other factor was to present Gaga as a country singer. We all know her as the modern flamboyant pop icon and most of us could not see her as a country star. Even seeing Gaga portray Ally as a common pop star later on was challenging because of her ‘grand diva’ image. However Gaga made it work and came off as a very believable country singer. Her songs from the film have also won her fans over too. Thirdly is the chemistry between the two. The two had to come across not just as two singers but as a couple in love. The chemistry between Jackson and Ally worked excellently and made for a believable story. Star power can only go so far. They have to make it work on screen and they did it. Fourthly is the music. In order to make this version of A Star Is Born about two contemporary singers, the reboot had to have original songs that fit the film and fit the genres of country of pop, whatever genre was needed in what scene. The songs fit the film to a tee and proved to be winners off the screen too as Shallow and I’ll Never Love Again have charted.

Top accolades go to Bradley Cooper. The reboot was originally intended in 2011 to be directed by Clint Eastwood and have Beyonce as the lead. Beyonce’s pregnancy interfered with the story and it lead to four years of chaos with both Beyonce and Eastwood eventually leaving the project. Cooper picked it up, joined co-writer Will Fetters, and saw it as his chance for his directorial debut. He was first trying to get Beyonce to agree to the project, but it was decided in 2016 that Lady Gaga would be the lead. This proves to be a success in acting, directing, co-writing with Fetters and Eric Roth, and co-producing. The story comes across as relevant and believable to the current times and winning with the public once again.

It’s not just Cooper. Lady Gaga comes off excellent in what is her first lead role. We all know how Lady Gaga can really go into a character as seen in her on-stage performances and her music videos. However this was her first major acting role and singers are a bit of a gamble in terms of casting them as actors in movies; they’re either sink or swim. Sure, she knows how to sing, but the challenge was for her to handle a lead role. She handled the role of Ally with believability from start to finish. Even with the singing, Gaga showed she can sing country very well and also make for a believable common pop star. The film is as much Gaga’s triumph as it is Cooper’s.

There’s also more winning performances than just Cooper and Gaga. There’s also veteran actor Sam Elliott not just coming across as a believable cowboy half-brother in Bobby, but also stealing each scene he was in. That’s what makes a winning supporting actor. Andrew Dice Clay is not only good as Ally’s father Lorenzo, but is unrecognizable! Rafi Gavron also comes across well as Ally’s manager who has an axe to grind with Jackson. He did a good job in making Rez hateable. Dave Chappelle and Anthony Ramos were also very good in their supporting roles, despite having roles that weren’t that challenging or lacked screen time.

A Star Is Born goes beyond being a simple reboot. The story is made relevant to the times, the actors deliver a believable story and a love with chemistry, and the music is winning. This is not just another reboot. This is a reboot that works big-time!

Oscars 2018 Best Picture Review: Black Panther

Black Panther

Chadwick Boseman plays The Black Panther who has to save the kingdom of Wakanda and his people.

People have been waiting for the longest time for a superhero movie to get nominated for Best Picture. If there’s a movie genre the 2010’s will most be remembered for, it will be for the heydays of the superhero movie. Deadpool and Wonder Woman were heavy favorites that ‘missed by that much.’ However it’s Black Panther that finally did it. And rightly so!

Now I’m not going to give a brief synopsis of the plot because most of you already know the story and saw the action. I will talk about superhero movies and how it lead to Black Panther’s most recent Oscar success. Now we’ve had superhero movies in previous decades and back in the 20th Century. I’m sure many of you can remember the old Superman and Batman movies from the 80’s and 90’s. The problem is around that time, the emphasis on popcorn movies back then was to be heavy on the action, and even heavy on the market hype, but comparatively minor attention to the characters and story-line. You couldn’t blame them; action movies blew people away and won big at the box office. However the flaws of a shotty script with minimal character development would soon become noticeable, especially by the critics. Around the 90’s as independent films were winning people over with storylines and well-developed characters, the stories and characters in action movies were starting to look either cardboard or idiotic. 1998’s Godzilla was possibly the best example of a film loaded with hype and action, but a ridiculous cookie-cutter story with foolish acting.

The 21st Century would mark a turning point for popcorn movies and especially for superhero movies for them to deliver better stories and better acting. Some say 9/11 became a turning point for movie watchers as they became less interested in cheering for villains and sleazes, but there’s more to that. The first sign was 2002’s SpiderMan. The producers were aware that despite the love for action in movies, the films story and acting could not be compromised. The film was loaded with action, as expected, but it did an excellent job in delivering a good story along with good acting as a result. That would not only open the doors for more superhero movies to come, but would also change the way superhero movies were done too. Marvel and their cooperating studios would become less focused on marketing hype — have you noticed there are less fast food chains plugging action movies lately? — and more focused on developing a well-written and well-acted story. It’s not to say that there were duds. There were a few SpiderMan sequels that were lousy and the 2015 rehash of the Fantastic Four was lame, but most superhero movies were very winning and easily demonstrated why they were winning crowds over.

Also on the subject of superheroes, I remember there were groups from religious organizations highly critical of the movies Hollywood was shelling out. They were complaining about all the ‘hazardous’ things in movies and how it threatened their values. Although no censorship occurred from their pleas, it did have an effect on the way superheroes are portrayed in the big-screen movies. One thing the studios were reminded of was that superheroes didn’t just simply do amazing things with their hands. They were characters that took a stand for values and were not afraid to do what’s right and be unafraid to deliver in their call of duty. In fact there have been many cases of some studios’ writing teams hiring Christian writers for the task. In most cases (obviously not for Deadpool), the superhero movies of the 21st Century were often praised by Christian critics of promoting values and dignity in a winning way. To think back in the 1990’s while gangsta rap and anti-hero entertainment were the call of the day, most people thought a story promoting values would come across being like a Mister Rogers. The 21st Century superhero movies proved that promoting values can be done in a winning way.

However it’s only been in recent years that superhero movies have the potential to do very well in the Oscar race. Most of the time, the best chances superhero movies had at scoring Oscars or Oscar nominations were in the technical categories like Best Visual Effects, Best Sound Mixing, Best Sound Editing. Sometimes they would win nominations in Best Costume Design, Best Production Design or Best Original Score despite nominations going mostly to ‘timepiece’ movies. The big turning point came in 2008 when The Dark Knight was a heavy favorite to get a Best Picture nomination. It didn’t happen, but Heath Ledger won an Oscar for his portrayal as The Joker. It was the biggest sign of how much better superhero movies, and even popcorn movies in general, became. In the past two years, there were two superhero movies, 2016’s Deadpool and 2017’s Wonder Woman, that were nominated for Best Motion Picture for the Producers Guild Awards. The Oscar nomination however did not happen: for Best Picture or any category!

It’s 2018; enter Black Panther. The Black Panther is a hero that actually made its debut in the Marvel universe in a Fantastic Four strip in 1966. The Black Panther has made many appearances in various Marvel comic stories. In film, the first appearance of the Black Panther was in 2016’s Captain America: Civil War where he was played by Chadwick Boseman. That of course was an Easter Egg of what was yet to come. The movie of The Black Panther was released in 2018. As expected, it was to tell the story of how the Black Panther came to be and how the Black Panther had to achieve their first defining moment of greatness. However it did a very good job in presenting a story of a moment in the distant past, to the ‘near-past’ of 1992 to the present. The story doesn’t just simply focus on T’Challa becoming the Black Panther, but also on his family and restoring the dignity of the Jabari Tribe and the wealth of the kingdom of Wakanda.

The film also does a good job in developing a story that’s entertaining for adults but also not too confusing for children. Another hard job of superhero movies is developing a story that works for both children and adults. It shows the conflicts abounding between T’Challa and Killmonger, as well as Killmonger’s pursuit of the throne of Wakanda with the intent to rule corruptly. It delivers the story in an excellent and entertaining manner with well-developed characters. Of course a superhero film needs to have its action moments, but the film does not compromise at all on the story or the characters.

The best efforts of the film come from director/co-writer Ryan Coogler and co-writer Joe Robert Cole. Coogler has had a steady progression in the film world. His first film was the 2013 independent arthouse film Fruitvale Station, then progressed to popcorn movies with 2015’s Creed, and now Black Panther. All have had winning results. Black Panther could have gone to another white director that was part of the Marvel team, but marvel made the right choice to have Coogler direct despite never directing a sci-fi movie. The result is winning. Cole has also been able to make his mark in this film. The most writing experience he had before the film was 2011’s Amber Lake and the TV series The People vs. O.J. Simpson. Here, he’s able to make a name for himself in a big way and should open bigger doors in the future.

With the great directing and the great story, the acting is also excellent. Chadwick Boseman delivers very well as the Black Panther and succeeds in delivering a three-dimensional role for the character. Michael B. Jordan (who also acted in Fruitvale Station and Creed) also does a great job portraying the villain. Lupita Nyong’o was possibly the biggest scene-stealer of the movie. She was enjoyable. The costuming by Ruth E. Cater worked excellently for the film as well as the sets for the film. It made Wakanda look very believable as a place. The music by Ludwig Goransson also fit the film excellently and the special effects were dazzling and entertaining.

It’s easy to see why Black Panther is a winning film. It’s a superhero story that delivers in all facets and manages to dazzle crowds too. It also succeeds in again taking a seldom-known Marvel superhero and turning him into a household name.

Screen Actors Guild Awards Will Hold Their 25th

220px-screen_actors_guild_award_trophy

The Actor: the award given out at the Screen Actors Guild Awards, or SAGs.

Normally I don’t post predictions or reviews about the Screen Actors Guild awards, but this is a milestone year for the Awards and they’ve proved their impact on the Oscar race over time.

SAGs And Their History In A Nutshell

One of the things about most of the categories in the Oscar race is that many of them have a corresponding society, union or guild to go with them. The Screen Actors Guild was founded in 1933. There’s no records of the SAG giving out any awards before 1995, even honorary awards, however there have been guilds and unions that have held their awards in the past and would also have an impact on the Oscar race. Below is a list of awards ceremonies from guilds, societies and unions that began before the SAG Awards. They’re listed by awards name, the Oscar category impacted in brackets, and the year the awards began:

  • Producers Guild Of America Awards (Best Picture, Best Animated Feature, Best Documentary) – 1990 (2005 for animated, 2007 for documentary)
  • Directors Guild of America Awards (Best Director) – 1948
  • Writers Guild of America Awards (Best Original and Adapted Screenplay) – 1949
  • Annie Awards (Best Animated Feature) – 1992
  • American Society of Cinematographers Awards (Best Cinematography) – 1986
  • American Cinema Editors ‘Eddie’ Awards (Best Film Editing) – 1962
  • Cinema Audio Society (Best Sound Mixing) – 1993
  • Motion Picture Sound Editors ‘Golden Reel’ Awards (Best Sound Editing) – 1989

Sure, there would be other guild awards that would come later for costuming, production design and visual effects, but the SAG Awards were already a long-time coming.

The nominees for the SAG awards are decided from a select group of 2000 of the film branch for the film awards and a select 2000 of the television branch for the television awards. For deciding the winners of the awards, all 140,000 members of the SAG-AFTRA union– even D-listers and the dime-a-dozen types– can vote for the winners!

The First SAGs

forrest gump

Tom Hanks’ performance in Forrest Gump won Best Actor at the very first SAG Awards.

The very first SAG awards were held in Universal Studios and broadcast on NBC. The statuette was called ‘the Actor’ and has been called that ever since. The first film awards honored the best acting and included a Lifetime Achievement Award. The very first went to George Burns. That was admirable because he’d die the following year at the age of 100.

The very first SAG awards would show that these awards would either have a huge impact on the upcoming Oscars or they’d be very similar in the tastes of the Academy. Three of the four individual winners in film– Tom Hanks, Dianne Wiest and Martin Landau– would go on to win the Oscar that year. Only Jodie Foster’s performance in Nell would be the only SAG win that would not win the Oscar. The SAG awards for the television awards however would not be as reflective as the Golden Globe winners or Emmy winners seven months later. In fact, they just have single-acting categories instead of separate categories for lead actors and supporting actors.

apollo 13

Apollo 13 was the first film whose ensemble won the SAG Award for Best Ensemble in a Motion Picture.

There was one unique thing about the SAG Awards categories. As you know, the Oscars have the Best Picture Award, the Emmies have their two Best Series awards, and the Golden Globes have both Best Picture awards for movies and Best Series awards for television. Since the awards are about the actors, the SAG Awards have Best Acting Ensemble awards. The first SAGs had two awards for the best television ensembles but no award for film ensembles. The first Best Ensemble award for film would come at the following SAG Awards, which went to the ensemble of Apollo 13.

Over the years, the SAG awards have become a who’s-who event for Hollywood’s big names to show up. They’re now broadcast on TNT and TBS. The Oscars will always have the most prestige and always be the status symbol of Hollywood, but the SAGs have grown in significance and also say a lot about how much an actor has achieved in their career. The SAGs have also been seen as the biggest forecaster for who will win the Oscar over time. In fact in the past ten years, 34 of the last 40 winners of the acting categories at the SAGs would go on to win the Oscar in that very category. That’s an 85% success rate. The SAGs almost matching the Oscars do however make for a boring Oscar race for predictors and ‘Oscar nerds’ like me who wager their predictions in contests. Also since the inception of the Ensemble Award for film, the Film winner for the Best Ensemble award would go to the ensemble of the Oscar-winner for Best Picture eleven out of 23 times. Only twice has the Oscar for Best Picture gone to a film whose ensemble was not nominated for the Best Ensemble award: Braveheart and The Shape Of Water. Also in 2007, the SAGs introduced a category for Best Stunt Ensemble. Even though there is a World Stunt Awards, the SAGs decided to give its own accolade.

Predictions For This Year

This is actually my first year predicting for the SAGs. I think I will only do so this year since it’s a milestone year. So here goes for the film categories:

Best Motion Picture Ensemble

Winner: A Star Is Born

Most Likely Upsetter: Black Panther

Best Actor

Winner: Christian Bale – Vice

Most Likely Upsetter: Bradley Cooper – A Star Is Born

Best Actress

Winner: Glenn Close – The Wife

Most Likely Upsetter: Lady Gaga – A Star Is Born

Best Supporting Actor

Winner: Mahershala Ali – Green Book

Most Likely Upsetter: Richard E. Grant – Can You Ever Forgive Me?

Best Supporting Actress

Winner: Amy Adams – Vice

Most Likely Upsetter: Emma Stone – The Favourite

Best Stunt Ensemble

Winner: Avengers: Infinity War

Most Likely Upsetter: Black Panther

For television nominees, I will just predict the anticipated winner rather than add in a prediction for the upsetter:

Best Actor – Miniseries or TV Movie: Darren Criss – The Assassination of Versace: An American Crime Story

Best Actress – Miniseries or TV Movie: Patricia Arquette – Escape At Dannemora

Best Actor – Drama Series: Jason Bateman – Ozark

Best Actress – Drama Series: Sandra Oh – Killing Eve

Best Actor – Comedy Series: Bill Hader – Barry

Best Actress – Comedy Series: Rachel Brosnahan – The Marvelous Mrs. Maisel

Best Ensemble – Drama Series: The Americans

Best Ensemble – Comedy Series: The Kominsky Method

Best Stunt Ensemble – Television Series: Marvel’s Daredevil

And there you have it. My review of the SAG Awards and my predictions for this year’s awards. Tune in tomorrow to find out who wins!

 

 

 

 

My Predictions For The 2018 Academy Award Nominees

Chocolate Oscar

This has been an interesting year for the Academy. Last year’s Oscars suffered their lowest ratings ever and they were in a frustration. Hey, when they keep on giving Best Picture to movies with low grosses, they’ve got it coming. However nothing lasts forever.

This year looks like movies with good grosses have good chances. Yes, we do have the arthouse films and film fest films dominating, but this year looks good for popular fare too. So here are my predictions for the nominations of the 2018 Academy Awards:

BEST PICTURE

  • Black Panther
  • BlacKkKlansman
  • Bohemian Rhapsody
  • The Favourite
  • Green Book
  • If Beale Street Could Talk
  • A Quiet Place
  • A Star Is Born
  • Roma
  • Vice

BEST DIRECTOR

  • Bradley Cooper – A Star Is Born
  • Alfonso Cuaron – Roma
  • Peter Farrelly – Green Book
  • Spike Lee – BlacKkKlansman
  • Adam McKay – Vice

BEST ACTOR

  • Christian Bale – Vice
  • Bradley Cooper – A Star Is Born
  • Rami Malek – Bohemian Rhapsody
  • Viggo Mortenson – Green Book
  • John David Washington – BlacKkKlansman

BEST ACTRESS

  • Emily Blunt – Mary Poppins Returns
  • Glenn Close – The Wife
  • Olivia Colman – The Favourite
  • Lady Gaga – A Star Is Born
  • Melissa McCarthy – Can You Ever Forgive Me?

BEST SUPPORTING ACTOR

  • Mahershala Ali – Green Book
  • Timothee Chalamet – Beautiful Boy
  • Adam Driver – BlacKkKlansman
  • Richard E. Grant – Can You Ever Forgive Me?
  • Sam Rockwell – Vice

BEST SUPPORTING ACTRESS

  • Amy Adams – Vice
  • Regina King – If Beale Street Could Talk
  • Margot Robbie – Mary, Queen Of Scots
  • Emma Stone – The Favourite
  • Rachel Weisz – The Favourite

BEST ORIGINAL SCREENPLAY

  • Deborah Davis & Tony MacNamara – The Favourite
  • Paul Schrader – First Reformed
  • Brian Hayes Currie, Peter Farrelly & Nick Vallelonga – Green Book
  • Alfonso Cuaron – Roma
  • Adam McKay – Vice

BEST ADAPTED SCREENPLAY

  • Ryan Coogler & John Robert Cole – Black Planther
  • Charlie Wachtel. David Rabinowitz, Kevin Willmott & Spike Lee – BlacKkKlansman
  • Nicole Holofcener & Jeff Whitty – Can You Ever Forgive Me?
  • Barry Jenkins – If Beale Street Could Talk
  • Eric Roth, Bradley Cooper & Bill Fetters – A Star Is Born

BEST ANIMATED FEATURE

  • The Incredibles 2
  • Isle Of Dogs
  • Mirai
  • Ralph Breaks The Internet
  • SpiderMan: Into The Spider-Verse

BEST CINEMATOGRAPHY

  • Rachel Morrison – Black Panther
  • Robbie Ryan – The Favourite
  • Linus Sandgren – First Man
  • Alfonso Cuaron – Roma
  • Matthew Libatique – A Star Is Born

BEST COSTUME DESIGN

  • Alexandra Byrne – Mary Queen Of Scots
  • Ruth E. Carter – Black Panther
  • Julian Day – Bohemian Rhapsody
  • Sandy Powell – The Favourite
  • Sandy Powell – Mary Poppins Returns

BEST DOCUMENTARY FEATURE

  • Free Solo
  • Hale County This Morning, This Evening
  • RBG
  • Three Identical Strangers
  • Won’t You Be My Neighbor

BEST FILM EDITING

  • Alfonso Cuaron & Adam Gough – Roma
  • Tom Cross – First Man
  • Jay Cassidy – A Star Is Born
  • Hank Corwin – Vice
  • Yorgos Mavropsaridis – The Favourite

BEST FOREIGN LANGUAGE FILM

  • Burning – South Korea
  • Capernaum – Lebanon
  • Cold War – Poland
  • Roma – Mexico
  • Shoplifters – Japan

BEST HAIR AND MAKEUP

  • Black Panther
  • Mary Queen Of Scots
  • Vice

BEST ORIGINAL SCORE

  • Nicholas Brittell – If Beale Street Could Talk
  • Alexandre Desplat – Isle Of Dogs
  • Ludwig Goranson – Black Panther
  • Justin Hurwitz – First Man
  • Marc Shaiman – Mary Poppins Returns

BEST ORIGINAL SONG

  • “All The Stars” – Black Panther
  • “Girl In The Movies” – Dumplin’
  • “I’ll Fight” – RBG
  • “Revelation” – Boy Erased
  • “Shallow” – A Star Is Born

BEST PRODUCTION DESIGN

  • Hannah Beachler – Black Panther
  • Nelson Coates – Crazy Rich Asians
  • Fiona Crowley – The Favourite
  • Nathan Crowley – First Man
  • John Myhre – Mary Poppins Returns

BEST SOUND MIXING

  • Black Panther
  • Bohemian Rhapsody
  • First Man
  • A Star Is Born
  • A Quiet Place

BEST VISUAL EFFECTS

  • Avengers: Infinity War
  • Black Panther
  • Ready Player One
  • Mary Poppins Returns
  • Solo: A Star Wars Story

Those are my predictions for nominations. I also include predictions for possible upsetters for my main predictions. Not every category will include my picks for upsetters. Just for those in the case I feel they could get nominated instead of the favorites. Without further ado, here is my list for the most likely upsetters:

BEST PICTURE

  • Crazy Rich Asians
  • Mary Poppins Returns

BEST DIRECTOR

  • Yiorgos Lanthimos – The Favourite
  • Damien Chazelle – First Man

BEST ACTOR

  • Ethan Hawke – First Reformed
  • Willem Dafoe – At Eternity’s Gate

BEST ACTRESS

  • Elsie Fisher – Eighth Grade
  • Regina Hall – Support The Girls

BEST SUPPORTING ACTOR

  • Sam Elliott – A Star Is Born
  • Michael B. Jordan – Black Panther

BEST SUPPORTING ACTRESS

  • Emily Blunt – A Quiet Place
  • Claire Foy – First Man

BEST ORIGINAL SCREENPLAY

  • Bo Burnham – Eighth Grade
  • Bryan Woods, Scott Beck & John Krasinski – A Quiet Place

BEST ADAPTED SCREENPLAY

  • Josh Singer – First Man

BEST ANIMATED FEATURE

  • Dr. Seuss’ The Grinch
  • Ruben Brandt, Collector

BEST CINEMATOGRAPHY

  • Lukasz Zal – Cold War
  • James Laxton – If Beale Street Could Talk

BEST COSTUME DESIGN

  • Erin Benach – A Star Is Born

BEST DOCUMENTARY FEATURE

  • Minding The Gap

BEST FILM EDITING

  • Barry Alexander Brown – BlacKkKlansman
  • John Ottman – Bohemian Rhapsody

BEST FOREIGN LANGUAGE FILM

  • The Guilty – Denmark
  • Never Look Away – Germany

BEST HAIR AND MAKEUP

  • The Favourite

BEST ORIGINAL SCORE

  • Marco Beltrami – A Quiet Place

BEST ORIGINAL SONG

  • “The Place Where Lost Things Go” – Mary Poppins Returns
  • “Trip A Little Light Fantastic” – Mary Poppins Returns

BEST PRODUCTION DESIGN

  • Eugenio Caballero – Roma
  • Stuart Craig – Fantastic Beasts: The Crimes Of Grindenwald

BEST VISUAL EFFECTS

  • Christopher Robin
  • First Man

And those are my predictions for the nominations of this year’s Academy Awards. The actual nominees will be revealed bright and early Tuesday morning. It’s the only reason to wake up that early on a Tuesday!

 

Golden Globes 2018: My Predictions

Golden Globe

This year’s Golden Globes will be hosted by Andy Samberg and Sandra Oh. I’ll admit it’s awfully late for me to post my Golden Globe predictions, but I have been lacking the drive this holiday season. A late-minute alerting made me get myself into action. To start things off, here are my predictions for both the winners and their respective most likely upsetters in the film categories:

FILM:

Best Motion Picture, Drama
Winner: 
A Star Is Born
Most Likely Upsetter: BlacKkKlansman

Best Motion Picture, Musical or Comedy
Winner:
 The Favourite
Most Likely Upsetter: Green Book

Best Actor in a Motion Picture, Drama
Winner:
 Bradley Cooper, A Star Is Born
Most Likely Upsetter: Rami Malek, Bohemian Rhapsody

Best Actor in a Motion Picture, Musical or Comedy
Winner:
 Christian Bale, Vice
Most Likely Upsetter: Viggo Mortenson, Green Book

Best Actress in a Motion Picture, Drama
Winner:
 Lady Gaga, A Star Is Born
Most Likely Upsetter: Glenn Close, The Wife

Best Actress in a Motion Picture, Musical or Comedy
Winner:
 Olivia Colman, The Favourite
Most Likely Upsetter: Emily Blunt, Mary Poppins Returns

Best Supporting Actor in a Motion Picture
Winner:
 Mahershala Ali, Green Book
Most Likely Upsetter: Richard E. Grant, Can You Ever Forgive Me?

Best Supporting Actress in a Motion Picture
Winner: 
Amy Adams, Vice
Most Likely Upsetter: Regina King, If Beale Street Could Talk

Best Director
Winner: 
Alfonso Cuaron, Roma
Most Likely Upsetter: Peter Farrelly, Green Book

Best Screenplay, Motion Picture
Winner:
 Alfonso Cuaron, Roma
Most Likely Upsetter: Nick Vallelonga, Brian Currie & Peter Farrelly & Vanessa Taylor, Green Book

Best Foreign-Language Film
Winner:
 Roma (Mexico)
Most Likely Upsetter: Shoplifters (Japan)

Best Animated Feature Film
Winner:
 SpiderMan: Into The Spiderverse
Most Likely Upsetter: The Incredibles 2

Best Original Song, Motion Picture
Winner:
 “Shallow”, A Star Is Born
Most Likely Upsetter: “All The Stars”, Black Panther

Best Original Score, Motion Picture
Winner:
 Marc Shaiman, Mary Poppins Returns
Most Likely Upsetter: Marco Beltrami, A Quiet Place

Those who know me well enough know I will predict the winners for the television categories but not predict the most likely upsetters. Especially since this year’s crop of nominees come mostly from new shows for this season. So my predictions for the winners:

TELEVISION:

Best TV Movie or Miniseries: American Crime Story: The Assassination Of Versace

Best TV Series, Drama: The Americans

Best TV Series, Comedy: The Marvelous Mrs. Maisel

Best Actor in a TV Series, Drama: Matthew Rhys, The Americans

Best Actor in a TV Series, Comedy: Bill Hader, Barry

Best Actress in a TV Series, Drama: Sandra Oh, Killing Eve

Best Actress in a TV Series, Comedy: Rachel Brosnahan, The Marvelous Mrs. Maisel

Best Actor in a Miniseries or TV Movie: Darren Criss, American Crime Story: The Assassination Of Versace

Best Actress in a Miniseries or TV Movie: Regina King, Seven Seconds

Best Supporting Actor in a Series, Mini-Series or TV Movie: Henry Winkler, Barry

Best Supporting Actress in a Series, Miniseries, or TV Movie: Thandie Newton,  Westworld

And there you go. Those are my predictions for tonight’s Golden Globe awards. Winners to be revealed starting 8pm EST. That’s less than an hour!

2018 Grey Cup Preview

GreyCup Image

It’s the football event that defines us Canadians. Grey Cup Sunday is back. This year marks the 106th contesting of the Cup. Again it’s East vs. West. Like 2016, it’s Calgary vs. Ottawa.

FIFTH TIME FOR EDMONTON

This marks the fifth time the Grey Cup will be contested in Edmonton’s Commonwealth Stadium. The Stadium, which was built in 1978 to host the Commonwealth Games, is one of the biggest in Canada. It features a basic capacity of 56,302 and can be expanded to just over 63,000. Since 2016, the Stadium has been named ‘The Brick Field At Commonwealth Stadium.’

One thing about Edmonton is that they really love their football. It was announced back in February that they’d make Grey Cup festivities twice as big as they were in 2010: the last time Edmonton hosted. The five-day festival which started on Wednesday is to include things like a ZipLine, an artificial hill and a multitude of musical acts and theme parties. Since the Grey Cup would be taking place around the annual Santa’s Parade Of Lights, the event would be combined into one parade. For entertainment, The Reklaws will perform prior to the game as part of the Sirius XM Canada KickOff Show. The half-time show will be performed by Alessia Cara.

And Now The Game

As I mentioned earlier, this is going to be a 2016 rematch of the Calgary Stampeders vs. the Ottawa RedBlacks. The Stampeders are the heavy favorites again, but there are no guarantees in sports. The RedBlacks could win their second Grey Cup in only their fifth year of existence.

stampedersWEST: CALGARY STAMPEDERS

The Calgary Stampeders not only lead the Western division but the whole CFL too. They come as the heavy favorites for this year. But this is a constant repeat. This is the third year in a row the Stampeders have topped the CFL in Regular play and won the West Final. The thing is they lost the Grey Cup both times as the heavy favorite. In no way will they want this to be their third loss of the Cup in a row.

Going over their regular season, Calgary has had thirteen wins and five losses. All of their losses were from teams in the West. In the West Final, they won beating Winnipeg 22-14. They had just lost to Winnipeg three weeks earlier in regular season. That alone can send the message that Calgary can overcome a lot. Calgary has the best defense in the league and they will present a challenge when put to the test. However Ottawa does have a tough offence, which I will touch on later. That could be the one thing standing in the way of Calgary avoiding a three-peat of Grey Cup losses. Not to mention weather could be a factor. I still remember last year’s Grey Cup and how it snowed heavily. The snowy slippery field was too much for Calgary that day.

ottawaEAST: OTTAWA REDBLACKS

The East teams don’t have as jam-packed the combined talent the West does. However the Ottawa RedBlacks turned out to be the only team from the East this year to have more wins than losses in regular season. Their record of 11 wins and 7 losses would have them ranking third in the West. However don’t let sabermetrics fool you. They did beat the Eskimoes, the RoughRiders, the Lions and the Bombers in at least one game. The only loss to an East team was to a game against the Argonauts back in August.

The RedBlacks lost both their games against the Stampeders in the regular season, but both games were in June and July. The RedBlacks are a different team now. Calgary may have the best defense in the CFL, but Ottawa has a tough offense to match. On top of it, Ottawa has a star quarterback in Trevor Harris. In fact Harris scored a playoff-record six passes during Ottawa’s 46-27 win in the East Final. They could just pull another upset.

FINAL PREDICTION

I know it’s tough to pick. Sure, it’s easy to think Calgary’s going to win it, but I thought that in the last two Grey Cups. I think Calgary will do it this time 30-25. Plus the weather will look good for tomorrow.

So there you have it. That’s my prediction for tomorrow’s Grey Cup. I knew I had to complete my VIFF Wrap-Up before I gave my Grey Cup prediction. Glad I had the energy to do both. We’ll see who wins tomorrow!

VIFF 2018 Wraps Up Another Good Year

Cinema

I know I’m late in doing my VIFF Wrap-Up blog. It’s been a crazy time. It’s not just seeing a total of twenty-one films but craziness involving work, a computer with faults, illnesses and injury, and post-secondary classes. Nevertheless I finally have the ambition to complete it today.

The 2018 Vancouver Film Fest ended on Friday, October 12th. There were big crowds throughout the festival. There was a lot to see with over 300 films from almost 70 countries and territories.

The 2017 Vancouver Film Fest ended on Friday, October 12th. Crowds came again and again. There was a lot to offer with over 300 films from 69 countries. There were at least fifteen films that are official entries for the Academy Awards category of Best Foreign Language Film for this year. Fourteen films made their World Premiere at the Festival (six were from Canada and four were from BC), one their International Premiere, 38 their North American Premiere and 42 their Canadian Premiere.

Oscar Bingo

How about that? I got 21 out of 24 at VanCity’s Oscar Bingo…

The VIFF again offered Hub events and special lectures on film making topics from various professionals in its many fields.  There was the VIFF Immersed virtual reality exhibit in which I will reflect on later in this blog. The Director’s Guild of Canada held Creator Talks. The first Saturday was Totally Indie Day with focuses on independent film from project to creation to promotion. There was the VIFF AMP conference which was a series of talks about musical promotion, primarily in film. There was even a Sustainable Production Forum on topics of how to makes films through environmentally-friendly means to promoting environmentalism in films.

The award winners were announced at the closing gala on Friday:

BC Spotlight Awards

Sea To Sky Award

Presented by Telus

WINNER: Broken Bunny (dir. Meredith Hama-Brown)

Special Mention: Anthem Of A Teenage Prophet (dir. Robin Hays)

Best BC Film Award
Presented by the Harold Greenberg Fund, Encore by Deluxe
WINNER: Edge Of The Knife (dirs. Gwaii Edenshaw & Helen Haig-Brown)

BC Emerging Filmmaker Award
Presented by UBCP/ACTRA & William F. White
WINNER: Freaks (dirs. Zac Lipovsky & Adam Stein)

Canadian Film Awards

Narrative Features

Best Canadian Film
Presented by Directors’ Guild of Canada

WINNER: Edge Of The Knife (dirs. Gwaii Edenshaw & Helen Haig-Brown)

Special Mentions: Genesis (dir. Philippe Lesage) & the Grizzlies (dir. Miranda de Pencier)

Emerging Canadian Director
Presented by Directors’ Guild of Canada
WINNER: When The Storm Fades (dir. Sean Devlin)

Special Mention: M/M (dir. Drew Lint)

Documentary Features

Best Canadian Documentary
Presented by the Rogers Documentary Fund
WINNER: The Museum Of Forgotten Triumphs (dir. Bojan Bodruzic)

Special Mention: A Sister’s Song (dir. Danae Elon)

Short Film Awards
Best BC Short Film
Presented by CreativeBC
WINNER: Biidaaban (The Dawn Comes) (dir. Amanda Strong)

Best Canadian Short Film
Presented by Lexus
WINNER: Fauve (dir. Jeremy Comte)

Most Promising Director of a Canadian Short Film
Presented by Delta Air Lines
WINNER: EXIT (dir. Claire Edmonson)

VIFF Impact Award
Presented by The Lochmaddy Foundation

WINNER: The Devil We Know (dir. Stephanie Soechtig)

Special Mentions: The Silence Of Others (dirs. Almudena Carraceco & Robert Bahar) & Samouni Road (dir. Stefano Savona)

Vancouver Women In Film And Television Artistic Merit Awards:

Award For Drama:

WINNER: Mouthpiece (dir. Patricia Rozema)

Award For Documentary:

WINNER: What Walaa Wants (dir. Christy Garland)

Audience Awards

Super Channel People’s Choice Award
WINNER: Finding Big Country (dir. Kathleen Jayne)

VIFF Most Popular International Feature
WINNER: Shoplifters– Japan (dir. Kore-eda Hirokazu)

VIFF Most Popular International Documentary
WINNER: Bathtubs Over Broadway (dir. Dava Whisenant)

VIFF Most Popular Canadian Feature
WINNER: Edge Of The Knife (dirs. Gwaii Edenshaw & Helen Haig-Brown)

#mustseebc Presented by Storyhive
WINNER: Finding Big Country (dir. Kat Jayme)

As for my volunteer experience, this was a different time. I was originally given office work to do over at the head office. One of the more difficult things was that the office positions were only announced just two days or even a single day before the shift. That didn’t fit very well with me as I work a job from 830 to 430 and if I were to take one of those positions, I would have to let my place know a good three working days in advance, especially this time of year. I did however do a variety of volunteering. I did some ushering over at the SFU and International Village cinemas as well as the Centre For Performing Arts. I did some work over at the virtual reality exhibit, which I will focus on a bit later. I helped serve one morning at the VIFF AMP conference over at The Annex which I will also touch on a bit later. I ended my volunteering with the takedown at the International Village. Their takedown was Thursday the 11th: the day before the VIFF concluded. It was late at night and we finished at midnight. We were rewarded with free passes to VanCity Theatre films. The rewards of being a volunteer.

There was a volunteer party at the VanCity the following Friday. It was great. We had catered food with a Southern USA atmosphere. It consisted of a mix of vegetables and meats like pulled pork and roast chicken. There was also the VIFF bank playing bluegrass.

Platinum Pass

…and I won a VIFF Platinum Pass!

For those who didn’t know, I won a Platinum Pass on the day of the Oscars. How did it happen? The VanCity Theatre, the main venue for the VIFF, had their annual Oscar party and their Oscar Bingo Contest. How Oscar Bingo works is you fill out your predictions for all 24 categories on the bingo squares. Here’s how good my predictions were. I was the first to get a row. I soon got a second row, but that was it for minor prizes for me. At the end of the night, I got 21 out of 24 right. The Oscars were that predictable. Plus I took a gamble on guessing The Shape Of Water to win Best Picture, and it paid off! As the night ended, I found out one other person had 21 out of 24 right. We both won Platinum Passes! It was exciting as I would experience having a Platinum Pass for the first time.

As for the films I saw, here’s a list of them. I have the country of origin in brackets and an asterisk marking those that are their country’s official Best Foreign Language Film entry:

I’m happy with the choices I saw. Some I was able to choose well in advance while some I chose because of the time. Some I wanted to see I did. Some I wasn’t so lucky. Like Can You Ever Forgive Me? showed at the same time as Boy Erased. I can only choose one! However I did achieve my usual VIFF goals of seeing one shorts segment, one Canadian feature and one nation’s entry for the Best Foreign language Film Oscar. It was crazy juggling having my volunteer pass and my Platinum pass on the same chain. Often if I wanted to see a film, I’d use my Platinum Pass and I’d get any seat I wanted! That was the best thing about having a Platinum Pass.

The biggest thing I learned about having a Platinum Pass this year is that they’re best for people who have all sixteen days of the festival available. I see a lot of seniors with the Platinum Passes and they make good use out of it. They are the ones that can see five films in one day, if they have the tenacity to do so. I still had my jobs to attend to during the time so that really kept me from seeing a lot. Also volunteering kept me from seeing a lot too. I remember I told one of the VIFF supervisors during Oscar night “Even though I won, I still plan to volunteer.” It was a double-edged sword to do both volunteering and own a platinum pass as most of the time, you’re outside the action. If I ever pay $900 for a Platinum Pass in the future, it will be after I retire.

Virtual Reality

The VIFF isn’t all about big screen films. It also includes virtual reality films.

There were two things I attended as a volunteer that I could not attend for free via my Platinum Pass. That was the VIFF Immersed virtual reality exhibit and the VIFF AMP conference. If I wanted to attend it, I would have to pay full admission. Being a volunteer was a good experience in both cases. For virtual reality, I learned quite a lot about a new means of film making and animation. I’ll admit I haven’t caught onto the VR craze. I had my first experience with VR at the exhibit as volunteers were allow to try things out. It was nice to try two of the VR films; both films were made in BC. I also assisted in showing a VR exhibit to students from a Vancouver high school who were on a field trip. My shift was ending just as they were about to set the place up for ticketholders. As my shift ended, I tried a state-of-the-art animated VR show called Fire Escape. It was too technical for me to handle. It’s good that the VIFF have a virtual reality exhibit. One thing we shouldn’t forget is that VIFF focuses on all formats of film: not just feature-length. They also focus on writing in film and even music in film. It was a good experience to attend the VIFF AMP conference for the morning. I was given the duty to have musicians onstage sign waivers for VIFF promotional videos. I learned a lot from some of the musicians and producers and agents about the challenges of getting music promoted in your film as well as the worldwide promotion of music in general.

So overall I’d say it was an excellent VIFF and a unique experience this year. This was the first year I saw over twenty films! Next year’s VIFF is anticipated to be from September 26th to October 11th, 2019 and should also be a unique experience. No doubt I will be back to volunteer!

VIFF 2018 Review: Mega Time Squad

Mega Time Squad

Anton Tennet plays a young man who uses multiplicity to form his own gang in Mega Time Squad.

Every year I do the Vancouver Film Festival, I make the effort to end my VIFF with the very last show. Once again, it was at 11:15pm at the Rio Theatre on Friday, October 12th. This year, it was the New Zealand thriller-comedy Mega Time Squad. It wasn’t the best film to end it with, but it wasn’t one of the worst.

John has a life that’s going nowhere. His parents are deceased. He lives in a garage in a town full of aged people. The only way he can make any kind of money is for working with a crime boss named Shelton who’s hired him with a lot of other dim bulbs.

Shelton gives John and another dim bulb named Gaz a mission. He wasn’t them to intercept a money drop at a Chinese antique store being dropped off by a rival Chinese gang led by a man named Wen. This turns out to be a bad idea as Gaz says he’s tired of being Shelton’s bitch. The heist is successful as they grab the money, but John gets a lot more. From the antique store, he grabs a Chinese bracelet. The store-owner tells him not to take the bracelet, claiming it has a mysticism that could be harmful. John ignores and takes it.

The crazy thing about the heist is that it has the Chinese gang and his own gang after John. John doesn’t know what to do until he discovers a time machine that can transport him back into time and avoid whatever trouble they’re facing. The machine also duplicates the user, so John uses it to get more than one John around. Eventually all the Johns meet up. The lead John declares his group of selves the ‘Mega Time Squad.’

The good thing is that John can accomplish what he misses the first time with his duplicate selves. The bad news is none are brighter than the original John. Plus with the charm bracelet, it could mean all the Johns would die off soon, including him. The various Johns are able to accomplish the heist, win a fight win over Wen, and fool people while the real John has won over the affection of Shelton’s younger sister Kelly. Eventually the actions of the various Johns catch up to the real one as Wen’s gang is after him and Shelton has a mission involving a bomb for him to do, which he eventually fails. Kelly learns of this and is turned off John.

However John has to do right. John is able to fix the curse so that all the other Johns are in a room. He reverses the curse of the bracelet and all the other Johns die with Kelly witnessing. Also Wen is able to get the bag of money John stole. Meanwhile an infuriated Shelton wants to see him. Shelton is about to shoot him for not doing his part right, but John confronts him and tells him he gives everyone the risky business while Shelton sits back and calls orders. Shelton tries to shoot john, but the bullet is shot in the reverse direction. RIP Shelton! All the gang members are free and John is free to love Kelly. As for Wen and the bag of money, that’s for you to see.

Here we go again where we see a New Zealand film that tries to be a thriller-comedy. I’ve seen it before many times at the VIFF with Housebound and Deathgasm. Housebound was the best-done of the three I’ve seen. Deathgasm was more focused on the humor and the gore than it was on the story, but still delivered on entertainment. Mega Time Squad gave me the feeling like I was watching the same thing over again. Also it didn’t compare to the other two as a story or in humor. There were a lot of times in which I felt the story was dumb or lacking in thrills. There was a lot missing.

One thing I will not do is declare this movie to be a disappointment. This film wasn’t the disappointment Housewife was. The acting was still good, if not great. The story was consistent and made sense. Even the foolishness or ridiculousness of the story or the idiocy of the characters didn’t come across as stupid or confusing. I will admit that this is the type of film that could simply be a made-for-TV film on a sci-fi network. However the film does deliver on a consistent story line that is fun, entertaining and humorous. It may be boring or lackluster in comparison, but it still entertains and will make you laugh.

I wouldn’t say this is an accomplishment for writer/director Tim Van Dammen, who ironically was an actor in Deathgasm. However I will say that it delivers in entertainment. Sure, some of it was idiotic, but it was able to pull itself together at the end and even deliver a humorous ending. Anton Tennet was funny as the loser-turned-winner John. Even some of his acting looked idiotic, but it was on for the most part. Hetty Gaskell-Hahn was the scene-stealer as Shayna. She was solid in her character and she helped make the film too. Yoson An was also good as a humorous villain who meets a surprise at the end.

Mega Time Squad offers nothing new for the thriller genre. I’ve seen it done before and done better. Nevertheless it will entertain you and get you laughing. It is a welcome relief after watching a lot of heavy, intense fare at the VIFF. And a good way to end the VIFF, if not end it with a bang.

And there you go! That sums it up for all the films I saw at the Vancouver Film Festival. I know it took longer than I should, but I saw a lot of movies and had little time to write. But I’m finally done now. My review of the Fest will be coming very shortly within a day or two.