UEFA Euro 2024: Group D Focus

Jon The Blogcentric2 Comments

I’ll admit some of my talk outside the team talk in my last blog was pretty boring. For this blog, I will try something new. After my focus on the teams, I will give a focus on the ten venues that will be used to contest the games of this Euro. To save space and time, I will just talk about the venues with ‘fast facts.’

Anyways to start my blog off, here now is my look at the teams of Group D. Crazy thing is two teams in Group D played each other in the same qualifying group! Crazy that they meet again here! Who does these draws?:

– Poland (28): Poland is a team with a good reputation. The Orly or Biało-czerwon have finished third at two World Cups and weer Olympic champions in 1972. At Euro 2016, they made it to the quarterfinals for the first time. One of the problems with Poland is that the current team is big on talent but has a reputation of underperforming at big tournaments. They ended in the group stage at the last Euro and at the last two World Cups, they were out in group play in 2018 and out in the Round Of 16 in 2022.

Since World Cup 2022, the team has dropped Fernando Santos as coach and has gone back to a coach from their own nation: Michal Probierz. Robert Lewandowski, the most capped Polish player ever, is back, but Lewandowski can’t do it alone. The team has a lot of young talent 25 and under, but they also have some other established veterans like midfielders Kamil Grosicki and Piotr Zielinski and goalkeeper Wojciech Szczesny. In play since the World Cup, they’ve had wins to Germany, Ukraine, Estonia, Turkey and Latvia. They’ve had a win and a loss to Albania and two cases of a draw and a loss to Moldova and Czechia. Here in Germany, it’s a chance to write another chapter for the Polish team.

-Netherlands (7): The Oranje are considered to be the best team in the world to never have won a World Cup. At the Euro, they won in 1988 and have finished third four times. Since 2020, they’ve been underperforming. Euro 2020 saw them lose their Round of 16 match to Czechia 2-0, and after winning all three of their group play games! The last World Cup saw them lose to eventual champions Argentina on penalty kicks in the quarterfinals. Even losses in their recent play are quite telling.

Since the 2022 World Cup, they’ve dropped Louis Van Gaal as coach and are now back to being headed by Ronald Koeman who has played in two World Cups and was a key part of Oranje’s win of Euro 1988! The team’s stars include defender Daley Blind, midfielder Georginio Wijnaldum and forward Memphis Depay. Since World Cup 2022, they’ve had wins against Scotland, Greece, Canada and Ireland. They’ve also had losses to France, Croatia, Germany and Italy. Anything can happen at Euro. Germany offers the stage for a possible second win.

-Austria (25): There was a time The Burschen were one of the top teams in the world. They made the semifinals of World Cup 1934. World Cup 1954 saw them finish third. They last qualified for a World Cup in 1998. Austria only competed in their first Euro in 2008 when they hosted. Since then, they’ve worked to come back as a stronger team. At the last Euro, they made it to the Round of 16 for the first time ever.

Austria is coached by Germany’s Ralf Rangnick who was hired in April 2022. The team members mostly play in clubs with Germany’s Bundesliga or Austria’s own Bundesliga. Star players include goalkeeper Heinz Lindner, midfielder Marcel Sabitzer and forward Marko Amautovic, who is Austria’s most capped player. Since World Cup 2022 ended, they’ve had wins to Turkey, Slovakia, Sweden, Estonia and Serbia. They’ve also had a draw to Switzerland and a draw and a loss to Belgium. Anything can happen this month in June and Austria has the opportunity to prove themselves again.

-France (2): One thing about the lats ten years has been about the rebounding of Les Bleus. Sure, they’ve won the Euro before in 1984 and 2000, but their excitement these last ten years have ben remarkable. Finalists in Euro 2016 which they hosted, World Cup winners in 2018 and World Cup finalists in 2022. Their play in the final of the 2022 World Cup should be admired since many members were recovering from food poisoning.

The team is coached by Didier Deschamps, a former player for the 1998 World Cup winning team, who has coached since Euro 2012. His coaching has a lot to do with France regaining their form as the best in the world. Star players include defender Benjamin Pavard, midfielder N’Golo Kante and forwards Antoine Griezmann, Olivier Giroud and Kylian Mbappe. Since the World Cup final, they’ve had wins over Ireland, Scotland and the Netherlands. They’ve also endured a win and a draw to Greece, a draw to Canada, and losses to Germany. It’s very possible France could win their third Euro here in 2024. It’s all about the team being all together.

My Predictions: That’s often it. Four great teams, but they will have to be ranked in the end. I think the qualifiers here will be France and The Netherlands with Poland being the wildcard qualifier.

VENUES OF EURO 2024

It should be no surprise that Germany should have the venues to host a twenty-four nation major football tournament on its own. A nation who Bundesliga could be a challenge to the Premier League can do it. Germany has ten venues. They range in age from a few years old to 101 years old! Of course some of the older venues have had renovations, even one completely demolished to rebuild, but they still stand strong. Four are in the North Rhine-Westphalia region (with very little travel time between them), one is in the former East Germany and one hosted an Olympic Games. For this Euro, all of them will have group play games and at least one knockout match as well. For most of them, their Euro capacity is smaller than their respective team’s game capacity because standing areas are not allowed in the Euro.

This focus here is a brief focus. My focus is only giving a brief telling of the venues and its main facts like which city, year first completed, capacity and tenant team. I’ll be starting with venues that will only go as far as the Round Of 16 progressing to venues playing additional knockout matches to the Grand Venue which is to hold the final for the cup:

Venues Up To Round Of 16

  • Cologne Stadium: City – Cologne (Koln)
    Year Opened: 1923
    Euro Capacity: 46,922
    Current Tenant: Viktoria Koln
  • Leipzig Stadium: City – Leipzig
    Year Opened: 2004
    Euro Capacity: 46,635
    Current Tenant: RB Leipzig
  • Frankfurt Arena: City – Frankfurt
    Year Opened: 1925
    Euro Capacity: 48,057
    Current Tenant: Eintracht Frankfurt
  • Arena AufSchalke: City – Gelsenkirchen
    Year Opened: 2001
    Euro Capacity: 49,471
    Current Tenant: FC Schalke 04

Venues For Further Matches

  • Dusseldorf Arena: City – Dusseldorf
    Year Opened: 2004
    Euro Capacity: 46,264
    Current Tenant: Fortuna Dusseldorf
  • Volksparkstadion: City – Hamburg
    Year Opened: 1953
    Euro Capacity: 50,215
    Current Tenant: Hamburger SV
  • Stuttgart Arena: City – Stuttgart
    Year Opened: 1933
    Euro Capacity: 50,998
    Current Tenant: V1B Stuttgart
  • Westfalenstadion: City – Dortmund
    Year Opened: 1974
    Euro Capacity: 61,524
    Current Tenant: Borussia Dortmund
  • Fussball Arena Munchen: City – Munich (Munchen)
    Year Opened: 2005
    Euro Capacity: 66,026
    Current Tenant: Bayern Munich

GRAND VENUE

  • Olympiastadion Berlin: City – Berlin
    Year Opened: 1936
    Capacity: 70,023
    Current Tenant: Hertha BSC

And there you go. This is my look at the teams of Group D as well as a look at the ten venues for Germany 2024. Only two more groups left to review.

WORK CITED:

WIKIPEDIA: UEFA Euro 2024. Wikipedia.com. 2024. Wikimedia Foundation Inc. <https://en.wikipedia.org/wiki/UEFA_Euro_2024>

UEFA Euro 2024: Group C Focus

Jon The Blogcentric2 Comments

Group C has an interesting allotment of teams. First, there are two Balkan teams. Second, there are two teams that met in the semifinals at the last Euro. I mentioned that Group B is commonly scene as the “group of death” because of having three of the best teams in the World, but this group looks like a group where anything can go. It’s possible any of the teams can be ranked anywhere in the end. So with our further ado, here’s a look at the teams from Group C:

-Slovenia (57): One thing about the Balkan nations is that they know how to pull surprises. Slovenia is one such team that knows how to surprise. From the tiny Balkan/Alpine nation of just slightly over 2 million comes a team that was last at the Euro in 2000 and has played in two World Cups. It’s even won against some big names like Italy and Portugal. Among the teams they’re playing here, they’ve never won against England or Denmark but have beat Serbia once.

The team, which is one of only two teams at Euro 2024 that doesn’t have an official nickname, has been coached by Matjaz Kek since 2018. Kek played with the very first Slovenian national team. The players play for various teams in Europe and North America. Stars are Atletico Madrid goalkeeper Jan Oblak, midfielder Jasmin Kurtic and striker Josip Ilicic. Over the past year and a half, they’ve had wins to Northern Ireland, San Marino, Portugal and Armenia. They’ve had a draw to Bulgaria, a win and a loss to Finland, and a draw and a loss to Denmark. Euro 2024 is a new chance for Slovenia to prove itself. They could be the minnows that break through!

-Denmark (21): If there’s one team that’s unpredictable, it’s Denmark: the lone Nordic team to qualify for Euro 2024. De Rød-Hvide were the surprise winner of 1992. They also delivered shockers in Euro 2020. The first was after teammate Christian Erikson suffered cardiac arrest. The team played on and ended up in the semifinals. Some say it was because of Eriksen that they had the spirit to go that far. The team would go on to return to the World Cup in 2022.

Denmark has been coached by Kasper Hjulmand since August 2020. Star players include goalkeeper Kaspar Schmeichel, midfielder Eriksen and defender Simon Kjaer. In the last year and a half, they’ve won against Finland, San Marino, Sweden and Norway. They drew to Switzerland and had a win and a draw to Slovenia. They’ve also had a win and a loss to both Kazakhstan and Northern Ireland. It’s possible Germany can be the place for Denmark to prove its team one of the best in Europe. A surprise win again like in 1992? Never say never in football!

-Serbia (33): It seems as though the Orlovi struggle to relive the glory days of Yugoslavia where they finished fourth twice at the World Cup and finished runner-up in two Euros. Ever since Yugoslavia split up in the 1990’s, it first started as Serbia-Montenegro which was a single Euro in 2000 and a single World Cup in 2006. On its own, Serbia has successfully qualified for three World Cups in four attempts but has only now qualified for its first Euro out of five tries.

The team has been coached by Dragan Stojkovic for over three years. The players play for various clubs in Europe and Arabia with most players playing for Greek teams. Their stars include midfielder Dusan Tadic and forward Aleksandar Mitrovic. The team has had wins to Lithuania, Cyprus, Sweden and the United States. They’ve had draws to Bulgaria and losses to Hungary, Austria and Belgium. It’s quite possible Serbia can make their Euro debut a bang and go further than most predict!

-England (4): People have a love-hate relationship with the Three Lions. They always bring the finest combined football talent in the world onto their team, but they often can’t play as a team. You figure a team as talented as England would have won a plethora of awards! One thing in the last eight years is England sure has changed as a team as there has been more team unity in play. The World Cup saw them in the semifinals in 2018 and quarterfinals in 2022. At the last Euro, England made it to their first-ever championship final. They scored five minutes into the game, but it was downhill from there as Italy equalized and it led to penalty kicks where England, of course, lost.

Despite their biting losses, the team has played with the most team unity it’s had in decades. You can thank coach Gareth Southgate for that ever since he became coach in 2016. All members play for Premier League teams except two, including captain Harry Kane who plays for Bayern Munich. England brings a team full of top players but it also brings in a lot of young talent too. Since World Cup 2022, they’ve had wins against Italy, Scotland, Australia and Bosnia. They’ve had a win and a draw against both Ukraine and North Macedonia. They only had two loss since the World Cup and they were against Brazil and Iceland. Euro 2024 could be another chance for England to clinch its first-ever win.

My Predictions: It never fails. At the end of play, all four teams will have to be ranked. I believe the qualifiers from this group will be England and Denmark. Serbia will be in third, but I don’t think they will have enough points to qualify.

And there you go. That’s another look at a Euro 2024 group. This time Group C. Hard to believe I’m halfway done! Well it’s in good time as Euro starts in a week!

UEFA Euro 2024: Group B Focus

Jon The Blogcentric2 Comments

It’s crazy how they arrange these groups. Sometimes you wonder how do they organize these draws? Especially if you look at Group B. Of all groups in this Euro, Group B is the one group that can best be called the “group of death.” Look at the roster of teams! Three of them are ranked in FIFA’s most recent Top 10! Not only that but three of those teams were also in Group C in Euro 2012! Coincidence? Hmmm.

For those curious about what happened in 2012, Euro 2012 was a case only the Top 2 qualified. Spain and Italy not only qualified, but they would go on to be the two finalists, which Spain won!

In the meantime, let’s see how the four teams of Group B stack up and which teams will be the qualifiers:

-Spain (8): La Furia Roja may often come across as the World Cup’s greatest underachievers but they do very little underachieving at the Euro. Just like Germany, Spain also has three Euro wins. They were also semi finalists in the previous Euro tournament. They continued their achievements last year as they won the UEFA Nations League. The two Nations League teams they played against last year, Spain will be facing again right here in group play! One thing to point out about Spain is they’ve had a habit of slacking off in the early stages of group play and they can’t afford to do it here!

Spain is currently managed by Luis de la Fuente who has managed the team since their Round Of 16 ouster at the 2022 World Cup. The team is a mix of young and old and most play in Spain’s La Liga. Since then, they’ve had impressive wins over Norway, Italy, and Georgia, drawn against Brazil and Croatia in the Nations League final (which they won on penalty kicks) , had a win and a loss to Scotland and lost to Colombia. Germany is another chance for Spain to excel and possibly win a record-setting fourth Euro trophy!

-Croatia (10): I don’t call Vatreni or The Blazers “the little nation that can” for nothing. A nation under 5 million people and they’ve finished in the Top 3 in three World Cups including third in the most recent World Cup of 2022! Euro play, however, tells a different story. Ever since their existence as their own nation, they’ve qualified for the Euro six out of seven times, they’ve progressed to the knockout round four times, but have never won a knockout match at the Euro. That’s something to take into account.

Croatia has been managed by Zlatko Dalic since 2017. The legendary Luka Modric is the team captain. He will be joined by greats like forward Ivan Perisic, midfielders Mateo Kovacic and Nikola Vlasic and defenders Domagoj Vida and Josko Gvardiol. Their play since the 2022 World Cup has included wins against Netherlands, Armenia, Portugal and Egypt, a win and a loss to Turkey and a draw and a loss to Wales. This Euro is a chance for Croatia to go further than they ever have at the tournament, and even possibly win. Don’t count them out.

-Italy (9): The Gli Azzurri have always been seen as a major powerhouse in football with their superb showings at the Euro and the World Cup. Now they’re an enigma. Ever since they won the World Cup in 2006, they followed it up with two straight outs in the Group Stage and they’ve failed to qualify for the last two World Cups. Their failure to qualify for the 2022 World Cup was especially shocking since they won the Euro 2020 eight months earlier and they looked like they were on their way to redeeming themselves.

Since then, the Italian system had to reform itself and they hired Napoli’s Luciano Spalletti as the national coach back in September 2023. The lineup for Italy’s team for the Euro consists of all but three players who play for Italy’s Serie A, eight members who were part of Italy’s Euro-winning team from three years ago and only one from the last World Cup team Italy sent back in 2014! The focus as of late has been getting new talent to rise. Since World Cup 2022 ended, they’ve acquired wins against the Netherlands, Ukraine, Ecuador, Bosnia-Hercegovina and even got revenge against North Macedonia who ended their World Cup 2022 chances! They’ve also had a draw to Turkey and losses to England and Spain. Euro 2024 offers a chance for Italy to redeem itself and regain its reputation as a football great.

-Albania (66): It’s tempting to dismiss the Kuqezinjtë as the weakest link of this group. You shouldn’t jump to conclusions. They’ve won a Euro qualifying game against Portugal in 2014, a friendly against France in 2015, a friendly against Wales in 2018, and both World Cup 2022 qualifying match against Hungary in 2021. Even in their first Euro back in 2016, they achieved a win over Romania. Although they’ve always lost against Italy and Spain and has never played Croatia, history has proven Albania can deliver a shocker. Even their play in the last year helped them move from a C status in UFEA’s Nations League to a B status.

Maybe their recent success is because since the very beginning of 2023, they’ve been coached by a Brazilian: Sylvinho. His coaching has led the team to five wins in eleven games and qualifying for only their second Euro. None of Albania’s team play in teams in their own country and most play in teams for Italy’s Serie A. They’ve achieved wins against Bulgaria, Azerbaijan and the Faroe Islands, a win and a draw to Czechia and Moldova, a win and a loss to Poland, and a loss to Sweden. Germany 2024 is an opportunity for Albania to deliver a shocker of a result and even qualify. Never rule Albania out!

My Predictions: The crazy thing about a group called “Group Of Death” is that eventually predictors will still have to rank first from fourth. It will be a close one which I feel will have the most draws. In the end, I will have to go with recent Nation’s League action and I feel Spain will top, Croatia will be second. Italy will be third but will have enough points and stats to qualify.

And there you go. That’s my look at the four teams of Euro 2024’s Group B. It may be seen by most as the “group of death,” but don’t rule out the other groups. They could have tight rivals too.

UEFA Euro 2024: Intro and Group A Focus

Jon The Blogcentric2 Comments

The 2024 UEFA European Football Championships, commonly referred to as Euro 2024, will be starting very soon! There will be a lot of differences from that of the previous Euro 2020. For starters, there will be no full-year delay because of a pandemic and there will be no regulated seating like it was in some stadiums. Secondly, it has returned to a single-nation hosting format. This year, Germany hosts and it will be held in ten different venues. All of the stadiums have been built long before but the Stuttgart Arena and Hamburg’s Volksparkstadion went through renovations or expansions in time for this tournament.

THE GROUPS OF EURO 2024

Qualifying for Euro 2024 was no easy feat as it would involve team’s play for almost a full year for some, starting in late-March 2023. Twenty of the teams would secure their berths by November of 2023 with twelve more nations needing to play in the playoffs in March of this year to secure the last three berths. Drawings of the groups were done through a system of UEFA”s Nations League rankings that don’t make too much sense. Russia was banned from the tournament because of their role in the Russo-Ukrainian War. Even the system of qualifying didn’t make too much sense. The top two of each of the ten groups would qualify; that made sense. Finishing third, however, didn’t guarantee qualifying for the repechage playoff round as Nations League points would supersede it in some cases. Some groups didn’t have any teams qualify for the playoff route, some teams that finished lower than third in their group would advance to the playoff round, and Group J had their 3rd, 4th and 5th place teams advance! The playoffs were the most straightforward as the twelve qualified teams were drawn into three groups of four and it was a knockout tournament with the last team standing in its group advancing and completing the last three berths.

GROUP A FOCUS

After all that, the twenty-four teams competing in Euro 2024 have been decided. Nineteen of the teams are returnees from Euro 2020, one team will be in its first Euro since 2000 and one team is making their Euro debut! Now to start with my look at each group’s teams and my prediction of who will most likely qualify form the groups. FIFA rankings are in brackets:

-Germany (16): They may be known as the DFB-Team or The Mannschaft, but Germany has one of the biggest legacies among European teams. It’s not just their World Cup success with four wins but at the Euro, they’ve won three times and qualified for an additional three finals! Nevertheless, it all feels like a distant memory as Germany have struggled these past six years. Disappointments include going out in the Group Stage at the 2018 World Cup, a lousy ranking in the Nations League and an ouster in the Round Of 16 at Euro 2020. This led them to drop longtime coach Joaquin Low and take on former Bayern Munich manager Hansi Flick. Troubles continued as Germany again was out in the Group Stage at World Cup 2022. After more lackluster results, Flick was dismissed in September 2023. To add further shock, it was announced this March the German team would switch their national kit supplier to Nike in 2027 from Adidas: a brand they’ve been with for seven decades.

Although Germany is going through tough times, this is not the lowest they’ve ranked on FIFA’s list. Their lowest ever is 22nd in March 2006, just three months before World Cup 2006 which Germany hosted. The team is now headed by former Bayern Munich manager Julian Nagelsmann. The only members of the 2014 World Cup winning team that are still there are goalkeeper Manuel Neuer, midfielder Toni Kroos and striker Thomas Muller. The rest of the team consists of a lot of young rising talent with other established members. 2023 was a bad year with losing six of their eleven friendlies. Ever since Nagelsmann was made head, they’ve had struggles with a 3-2 loss to Turkey and a 2-0 loss to Austria. They’ve also had some wins with 3-1 against the USA, 2-0 against France and 2-1 wins against both the Netherlands and Greece. This tournament will give Germany a chance to rebuild its reputation as a major world football force in the world’s eyes.

-Scotland (39): The Tartan Army is commonly seen as the hard luck team in major tournaments. Not only have they played in the most World Cups without advancing past the opening Group Stage, but they’ve also played the most Euros without ever advancing to the Group Stage: three in total! I remember one Scottish comedian saying they have the most creative ways in getting eliminated from major tournaments.

The team has been coached by Steve Clarke since 2019. His success in getting Scotland to Euro 2020, their first Euro in 24 years, helped keep him coach despite the team not qualifying for the 2022 World Cup. Most of the team’s players hail from either teams from the Premier League or the Scottish Premiership. They did an excellent job in their Euro qualifying play, winning all games except one to Spain. Play since has been troubling as they have drawn to Georgia, Finland and Norway and have lost to England, France, the Netherlands and Northern Ireland. Germany 2024 is another chance for Scotland to take its team to new heights and possibly their first-ever knockout round in a major tournament.

-Hungary (26): Sometimes it does seem like the days of the Magical Magyars are a thing of the past with being in two World Cup finals, winning three Olympic gold medals and finishing third at only the second Euro ever. As Hungary made the move from Communism to freedom in the late 80’s, it actually caused a decline in football as the fall of Communism caused financial problems for many Hungarian clubs including some of their bigger clubs declaring bankruptcy in the 90’s. The resurgence of Hungarian football started in the 2010’s with qualifying for the past three Euros starting in 2016.

The team has been coached by Italian Marco Rossi since 2018. The team has a wide variety of players that play for various leagues, but it has done a lot of promotion of its younger talent. In fact the team captain, midfielder Dominik Szoboszlai who plays for Liverpool, is only 23 years old. Since 2023 began, Hungary has had a great record, achieving wins against Turkey, Serbia (twice) and Lithuania, and its only loss coming from Ireland. Euro 2024 can be another opportunity to bring Hungary’s past magic back!

-Switzerland (19): Switzerland is often seen by many as a sleeping giant. La Nati have not had that much of a legacy but the team shows potential to achieve greatness at any time. They’ve qualified for the last five World Cup and have made it to the Round Of 16 in four of them. The first Euro where they qualified for the knockout round was in 2016 and in 2020, they made it to the quarterfinals.

Switzerland is coached by Yurat Makin, who became their coach in August 2021, shortly after Euro 2020. Veteran greats like Granit Xhaka and Xherdan Shaqiri will be returning, but the team will feature a mix of old and new talent. They were consistent in group play in Euro qualifying. They’ve managed wins against Israel, Belarus, Estonia and Ireland but they’ve also had losses to Romania and draws to Denmark, Austria and Kosovo. Germany could be the stage for the Swiss team to reach new heights.

My Predictions: And now is that hard part of the blog. Predicting the two or three teams that will qualify for the knockout round. I will say Germany and Hungary with Switzerland a wildcard.

And there you go! That’s my first blog for Euro 2024 where I do a group breakdown. More to come over the next two weeks.

My Predictions For The 2023 Academy Awards

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Once again it’s another year of seeing all the Best Pictures nominees before Oscar night! How do I do it? Actually how do I afford it? Anyways the Oscars are again to be held on the second Sunday of March. Jimmy Kimmel is back as the host. Its’ so refreshing to have a host back! Once again, I make my predictions for who I think will win. Here’s who I think will be the winners of the 2023 Academy Awards:

BEST PICTURE

Just when I thought Olly Gibbs and his tradition to do the image of the Oscar nominees ended last year, he does it again. Maybe he just likes doing it for fun! And of the love he gets for it!

Now about my blogging of Best Pictures reviews, a funny thing happened. When I started, I intended to divide the reviews into a blog of four and two blogs of three. Before I finished the first blog, I did a Word check for spelling, grammar and the word count. Each time I did a single movie review, I noticed each review was either close to a total of a thousand words or had already surpassed it. I published that four-review blog at first but as I was working on the second blog, I noticed the reviews for all three films were over a thousand words. I figured having blogs of three or more reviews would be too much to digest. Like seriously, would you read a blog that becomes over five-thousand words long? I didn’t think so. That’s why I did the single movie blogs after that! Glad I came to my senses!

Now the nitty gritty of the ten nominated pictures. Did you know if you only see the Best Picture nominees alone, you will have seen the films that make up a total of 71 nominations? That makes up almost 60% of the nominations this year! Four are comedies, four are depictions of people that existed or events that happened, most are releases from late in the year, two were the biggest hits of the summer, three are directed by women, and two were the biggest darlings of the 2023 Cannes Film Festival.

The Best Picture nominees have some interesting nomination statistics. All but one of the ten had their script nominated in the screenplay category while five of the films’ directors make up all the Best Director nominees. Eight of the films have acting nominations and 16 of the 20 nominated acting performances come from Best Picture contenders. The films make up all the Best Film Editing nominations. The nominated films own four of the five nominations for Cinematography, Costuming, Production Design and Original Score. The combined ten-set also own three of the five nominees in Original Song (with two Barbie songs nominated), Makeup and Hairstyling, and Production Design. The only category outside of Animated Feature, Documentary Feature or the short films categories where none of them got a nomination is in Visual Effects.

Without further ado, here are my opinions of the Oscar chances of the ten Best Picture nominees with links to my reviews in the title:

American Fiction –  In my review of the film, I declared it the best comedy of the year. It is a funny sad comedy. It lampoons the expectations of the white-dominated “liberal elite” on black literature or black arts. It taunts how most white people like to eat up certain common depictions of African-Americans, including negative ones. Monk and his plugging of the release of his pandering “gangsta” novel showcases it all well. It’s not an angry satire which one would expect from Spike Lee, but the comedy is sensible and you’ll laugh at the truthfulness. Despite how good it is, there are films with bigger buzz and bigger chances of winning the big award.

Anatomy Of A Fall – This is a courtroom drama story with a lot of intrigue. A suspicious fatal fall, a wife who’s a public figure and a bisexual, a husband who suffered from depression, a blind son who looks like he was given a sheltered life, a prosecutor who looks determined to win the case, a defense team who wants to make the facts clear, and a dog that could hold the key to the truth. All of which make for a story that will get one intrigued and all a great drama. I found the film worthy of a Best Picture win, but there are other films that have more of what it takes.

Barbie – This movie definitely had the biggest fanfare and the biggest advertising I’ve seen in a long time. As the movie made its way into theatres, it became beloved by critics and became the biggest box office hit of the summer! It even had enough endurance to make its way into the awards accolades. As you know, it got a good amount of Oscar nods but snubbed in the two most anticipated categories: Actress for Robbie and Director for Gerwig. I’m sure it will win two Oscars but its Best Picture chances faded fast.

The Holdovers – When was the last time a Christmas-themed film was nominated for Best Picture? Seems like eons ago. This is a charming story of three lonely people at a prep school spending Christmas together and it ended up being the best thing for all three. The film has its heartbreaking moments and its humorous moments. They mix well together and they give the other its own time. The film ends with the feeling of hope for all three. It’s one of the best comedies of the year but I see it having rough competition to win Best Picture.

Killers Of The Flower Moon –  Scorsese does it again! He takes a moment of historic infamy in the United States and makes an excellent depiction of the people and events. I don’t think it was worth being 3 1/2 hours long but it was a good story that keeps one intrigued and helped Scorsese nab his tenth Best Director nomination. Also despite Hollywood being known for its bad depictions of Native Americans, this film did an excellent respectful depiction of them. Although it looks like Best Pictures material, it’s missing a key nomination. This is the only one of the Best Picture nominees whose screenplay wasn’t nominated. I feel that will hurt its Best Picture chances.

Maestro – Biography films are usually loved by the Academy. It’s no wonder a film about Leonard Bernstein should appeal to the Academy. And for Bradley Cooper to direct, co-write and play Bernstein himself to boot! One thing this film succeeds in doing is it keeps from being the common biography film. It’s also about his wife Felicia, definitely about his music and it shows a hidden side to Bernstein most never new. This film is worthy of the Best Pictures win but there’s one other that has the right stuff.

Oppenheimer – You can describe J. Robert Oppenheimer however you see him. Brilliant genius? Imaginative? A pioneer? A hero? A killer? A communist? An unfaithful husband? An arrogant man? You be the judge. This film does more than show Oppenheimer and him leading the project to create the atomic bomb. It is three-dimensional in depicting the person. It does a great job of capturing his imagination. It also shows the aftermath of his work and how it haunts him for the rest of his life.

I make this film my Should Win and Will Win pick. Also I have to say if it wins, it will be refreshing to see a blockbuster back as the Best Pictures winner. To think the last time a film that grossed $100 million won Best Pictures is 2012’s Argo! Yeah, that long ago!

Past Lives – It’s very rare for a film about a slow, mostly quiet story can win people over. Often a story like that gets dismissed as “boring.” Also it’s not often for a story of something distinct with one’s culture can be embraced by different people. This film succeeds in getting people engaged with a quiet story of childhood lovers reuniting and the Korean element of In-Yun added in engaging to filmgoers. I admire it for being a story that gets people engaged. The problem for winning Best Picture is its only other nomination is for the screenplay. That eliminates its chances of winning Best Pictures right there.

Poor Things – There seems like every Oscar season, there’s at least one Best Pictures contenders that’s either odd or absurd or eccentric, but charming. This is the film for this year. Yorgos Lanthimos knows how to take the absurd and turn it into a charming story. Here he takes a story that appears like Dr. Frankenstein meets female empowerment. It’s a film that’s sci-fi, absurdist drama, romance and comedy rolled into one. Although it seems like Oppenheimer is a lock to win Best Pictures, this film and it’s late buzz looks to be the Most Likely Upstter. Who knows? Best Pictures surprise wins have happened before.

The Zone Of Interest – Another darling of Cannes 2023 starring Sandra Huller. Must be her lucky year. Of all the Best Pictures contenders, this is a film whose biggest storytelling assets aren’t the actors or the script. It’s about what’s happening around them. It’s what’s happening behind the walls. It’s a story that appears to have simplistic scenes but when you look back, those scenes tell a lot more. Also while this is not a Holocaust film that gives you what you want in the end, it does send a strong message at the end of the Nazi’s eventual fate. Great film and a deserving Best Pictures nominee, but I feel it’s missing some qualities to win Best Pictures, like standout acting performances.

BEST DIRECTOR

Should Win and Will Win: Christopher Nolan – Oppenheimer

We have a lot of super directors that are quite active. Steven Spielberg, Martin Scorsese and James Cameron come to mind. One director that should rank with them is British director Christopher Nolan. He’s had a wide array of films he directed to success. It started with 2001’s Memento, had his big Hollywood break with 2008’s The Dark Knight, taken further with 2011’s Inception and finally got his first Best Director nomination with 2017’s Dunkirk. I’m sure all of us can name at least one Nolan film we like. Finally he proves his mettle as Oppenheimer is the most renowned film of 2023. It’s won critics and audiences alike and has won the lion’s share of awards. Christopher Nolan’s time is finally now.

BEST ACTOR

Should Win and Will Win: Cillian Murphy – Oppenheimer

There’s a quote from Leonard Bernstein — another person who’s portrayal in a film earned the actor a Best Actor nomination — that went approximately “Art shouldn’t answer questions. Rather art should provoke questions.” I believe that’s what Cillian Murphy does here in Oppenheimer. Without a doubt, he gets into the character of J. Robert Oppenheimer, but his portrayal leaves you questioning how you should see J. Robert. Should you see him as a hero? A killer? An unfaithful man? An arrogant person? A backstabber? The movie is about that, but it is Cillian’s performance that helps make it.

BEST ACTRESS

Should Win: Lily Gladstone – Killers Of The Flower Moon
Will Win: Emma Stone – Poor Things

The buzz is all there. Lily Gladstone has won a ton of awards. Her performance of Mollie Burkhart who goes from loving wife to betrayed in the end had a lot to do with how great Killers Of The Flower Moon is. She even stole the show from Leonardo and made it her film. If she wins, she will become the first Native American actress to win an Oscar. Only thing is hot on her heels is Emma Stone in Poor Things. Emma’s performance of a woman with a baby’s brain who develops into a more empowered version of herself is also an excellent work. Emma has also clinched a few wins of her own like the Critics Choice and the Bafta. Something is telling me that despite Lily being highly favored, Emma will win.

BEST SUPPORTING ACTOR

Should Win and Will Win: Robert Downey Jr. – Oppenheimer

Very often, an actor or actress who’s famous for notable roles will get a lot of renown for playing a character completely different from what you expect. Robert Downey Jr. may be recognized by face but he will become unrecognizable through his acting as you watch. Just like Cillian Murphy will make you question how to see J. Robert Oppenheimer, Downey Jr. will also make you question how to regard Lewis Strauss. Should you see him as an enemy of Oppenheimer’s? Is he jealous? Does he feel betrayed? Or through it all, does he still hold an admiration for him? Downey Jr. succeeds in doing all that.

BEST SUPPORTING ACTRESS

Should Win and Will Win: Da’Vine Joy Randolph – The Holdovers

Performances in comedies commonly get the short end of the stick come Oscar time. Da’Vine Joy Randolph’s performance as Mary Lamb is deserving of the win. It often seems unorthodox for a heartbreaking scene to be shown in a comedy, but we get it when Mary has that moment of heartbreak as she hurts over the loss of her son. It’s one of the most heartbreaking scenes of the year, but The Holdovers still manages to be a comedy. Even Mary seems like a role fit for a comedy as she learns to live again as she’s reunited with her sister. It’s her transformations from starting off living her daily life to going to one extreme of emotions to the polar opposite at the end as why she deserves to win.

BEST ADAPTED SCREENPLAY

Should Win and Will Win: Cord Jefferson – American Fiction

One of the most interesting things to happen in this category is the screenplay for Barbie had mostly received its awards and nominations in the Original screenplay category. A script based on a doll doesn’t seem like an adaptation of any kind. Despite that and despite winning the Critics Choice award in the Original category, weeks before the nominations were to be announced, they announced they would make a running in the Adapted category. The Barbie script succeeded in getting nominated.

Despite that, it’s still the script of American Fiction from Cord Jefferson that has won most of the awards and deserves to win. I mean the lack of proper representation of African Americans in the arts world is enough to disappoint people and even outrage some. Something makes me think if Spike Lee were to do his own adaptation of Erasure, it would be an angry drama. But Jefferson turns it into a comedy and lampoons the whole system of how the mostly-white liberal scene treats an obviously-pandering novel before release. The more Monk panders, the more buzz and renown he gets. Jefferson succeeds in making a story of a serious topic look like the circus it can be.

BEST ORIGINAL SCREENPLAY

Should Win and Will Win: Justine Triet – Anatomy Of A Fall

If you’ve seen Anatomy Of A Fall. you too can get drawn into the story and never let go. It presents a fictional story you could see happening in real life and the big question of is the accused innocent or guilty? When you learn of the friction of the marriage, that will cause you to question even more. Meanwhile this is happening as the blind son doesn’t know what to think of his mother. Triet gives us a story that allows us to make our own judgement of the accused as well as through our judgement as the story goes, expose our own way of thinking and even possibly our prejudices. Even at the end, were still left with only our own judgement of Sandra as we reflect back. That’s why I feel she deserves to win.

ADDITIONAL CATEGORIES:

It’s usually in the major categories when I give my long-winded opinions. The only case I will give a long-winded opinion in the technical category section down below will be for the Animated Feature category. Only in very few categories where I feel I’m qualified to make such a judgement will you see me give a Should Win pick. So here are my picks for the technical winners:

BEST ANIMATED FEATURE

This is the one technical Oscar category in which you’ll see me write a paragraph about since I’ve seen all three. For a look at my thoughts on all five, click here for my blog from yesterday. This year’s five contenders are a big mix. One is a Disney film or a Disney collaboration; it does seem like each year there need to be at least one Disney nominee. Two are foreign productions. One is from Netflix. Two are 2D animation and the three others with the latest 3D technology. Looking them over I give The Boy And The Heron my Should Win pick and Spider-Man: Across The Spider-Verse my Will Win pick. The awards race has been a tight race between the two but I think the Spider-Verse film has the edge.

BEST CINEMATOGRAPHY

Should Win and Will Win: Hoyte van Hoytema – Oppenheimer

BEST COSTUME DESIGN

Should Win: Jacqueline Durran – Barbie
Will Win: Holly Waddington – Poor Things

BEST DOCUMENTARY FEATURE

Will Win: 20 Days In Mariupol

BEST FILM EDITING

Should Win: Thelma Schoonmaker – Killers Of The Flower Moon
Will Win: Jennifer Lame – Oppenheimer

BEST INTERNATIONAL FEATURE FILM

Will Win: The Zone Of Interest (United Kingdom)

BEST MAKEUP AND HAIRSTYLING

Will Win: Kazu Hiro, Kay Georgiou and Lori McCoy-Bell – Maestro

BEST ORIGINAL SCORE

Should Win and Will Win: Ludwig Goransson – Oppenheimer

BEST ORIGINAL SONG

Should Win: “I’m Just Ken” – Barbie
Will Win: “What Was I Made For” – Barbie

BEST PRODUCTION DESIGN

Will Win: James Price, Shona Heath and Zsuzsa Mihalek – Poor Things

BEST SOUND

Will Win: Oppenheimer

BEST VISUAL EFFECTS

Should Win and Will Win: The Creator

BEST AMINATED SHORT FILM

Click here for reviews and predictions in this category.

BEST LIVE-ACTION SHORT FILM

Click here for reviews and predictions in this category.

BEST DOCUMENTARY SHORT SUBJECT

Click here for reviews and predictions in this category.

JUST ONE MORE – MOST LIKELY OSCAR UPSETTERS

Once again with my predictions comes six possible upsets that I most think can happen tomorrow night. Remember that despite the big awards buzz and predictions and awards clout, nothing is completely guaranteed. Here are the six biggest surprises I anticipate, and they’re listed in category order:

  • Lily Gladstone for Best Actress for Killers Of The Flower Moon
  • Tony McNamara for Best Adapted Screenplay for Poor Things.
  • The Boy And The Heron for Best Animated Feature
  • Jacqueline Durran for Best Costuming for Barbie
  • Robbie Robertson for Best Original Score for Killers Of The Flower Moon
  • Guardians of The Galaxy, Vol. 3 for Best Visual Effects

And there you have it! Those are my predictions for the 96th Academy Awards. Hopefully the show will run as smoothly as it went last year and without incident! I trust Jimmy Kimmel will do a good job like he did last year.

Oscars 2023 Review: Best Animated Feature Nominees

Jon The Blogcentric1 Comment

This year makes it the first year I had the luck to see all five nominees for the Best Animated Feature. A lot of good films. Most are family-oriented but some have some adult appeal. Three are American made with one from Japan and one from Spain. Here are my reviews of the Best Animated Feature nominees:

The Boy And The Heron

Anime may or may not be to your liking. but Hayao Miyazaki makes anime films worth liking. If you’re familiar with Miyazaki, his film Spirited Away won the very second Oscar in this category. This film is his fourth film to be nominated in this category and his first in ten years when he went into retirement.

Here he ends his retirement to return with a story about a boy who lost his mother during World War II and doesn’t know how to deal with a new stepmother, an upcoming baby brother and a new school. He thinks he can fake a rock attack from a school bully to get out of his problem but a mystic heron who speaks to him has clues to how he can encounter his mother.

In many ways, this story is quite similar to Spirited Away. The path the boy Mahito takes is very similar to the labyrinth Chihiro in Spirited Away took. Both children begin the story as they face a difficult change in their life. Both children find a place that takes them to a supernatural world which they would find themselves imprisoned in and facing obstacles. Both would see imagery of beings that represent their parents or parent. In Mahito’s case, he’s led to an underground world led by a Heron and then to an image of who he thinks is his deceased moth, only to learn she’s made of water. It’s as Mahito learns he has to fight his way out of the society of parakeets that he’s able to come across his long lost mother, although she comes across as a different image.

Once again, Miyazaki succeeds in creating a world that is mystical, frightening and colorful. His films are known for capturing people’s imagination with mesmerizing imagery and dazzling colors. He’s one of few who know how to continue to innovate with 2D animation. His use of animal characters to represent the demons the child is trying to fight is present again here. With this film, it’s a human living inside a heron that is the one to guide Mahito with the ability to resolve with his new mother, fight his way out of the kingdom of parakeets and and meet his mother. The film shows Miyazaki’s magic is not lost. In fact it’s very active even after almost ten years of retirement. Miyazaki and Studio Ghjibli do it again!

This film has had a lot of awards buzz. For all the buzz in winning the Best Animated Feature Oscar, it’s seen by many as a rivalry between this film and Spider-Man: Across The Spider-Verse as the two most likely to win. This film has won the Golden Globe and the BAFTA. It also finished second at the Toronto Film Festival’s People’s Choice award, won many critics circle awards and was nominated for seven Annie Awards winning two. Although the Spider-Verse film, which I will review later, has more awards, this film’s big wins show it can upset.

The Boy And The Heron is one of the few animated films this year that can impress older viewers. It has what it takes to help the audience escape into a hugely imaginative world.

Elemental

In the 21st Century, it’s the team of Disney/Pixar who has delivered the most in animated films. Their films have won this category eleven times in seventeen previous nominations. They’ve done a lot to reshape the way animated films are done starting with 1995’s Toy Story. Their impact has been noticed by how other film companies do their films. So much so, Disney/Pixar is no longer alone at the top. Now they have rivalry from Walt Disney Studios whom have experienced a 3D renaissance with their films, DreamWorks Animation who pioneered Shrek, Sony Pictures Animation, Laika Studios and Netflix Animation.

I hate to complain to those that like this film, but it’s one Disney/Pixar film that isn’t all that innovative. We’ve seen their magic with toys in the Toy Story movies, insects in A Bug’s Life, monsters with Monsters Inc., fish in Finding Nemo, feelings in Inside Out and souls in Soul. Their past films have even been nominated for the Best Pictures Oscar. Here, I get the sense I’ve seen this before. It’s a case of the four natural elements of the earth trying to co-exist but those belonging to the fire element are most shunned and she falls in love with a water man. Something tells me I’ve seen better and more innovative from Pixar.

Despite this feeling like something common of expected from Pixar, it does keep Pixar’s reputation for quality and perfection in animation intact. Once again, we see Pixar deliver quality images without a glitch. Not even the appearance of the characters has an image of something out of place. On the topic of animation, Pixar again succeeds in taking the viewer to an incredible universe. Element City is a sight to behold and a world to mesmerize audiences, just like the worlds in their previous films have done. Also the story itself is another case of how Pixar can take a serious issue and turn it into a film enlightening for the whole family. Here, it’s  the theme of systemic racism and xenophobia. It’s an intense topic but this film succeeds in sending a positive message about overcoming prejudices.

It’s interesting with the awards clout this year. In almost every type of awards with the Best Animated Feature category, this film has not won but found itself a nominee or finishing second or third. The big shocker was at the Annie Awards. They earned six nominations at that awards but not Best Feature!

Elemental offers nothing really original or innovative for a Disney/Pixar film. It does, however, still keep alive Pixar’s reputation for delivering top notch animation, dazzling effects, and a good story. Pixar keeps on delivering!

Nimona

This is a unique story of how a defamed knight is rescued by a troubled shapeshifter girl who is just the friend he needs. This is one story that will catch you off guard as two unlikely people become the best of friends and what each other need to overcome their biggest obstacles. For Ballister, it’s to get his reputation, his freedom and his honor back. For Nimona, it’s the false image of her being seen as a monster: an image going back 1,000 years ago and bestowed by Gloreth. Both have social alienation in common. One is looked upon as a monster. The other is regarded with contempt for being a commoner trying to be a knight.

It’s also about a villain who will do whatever she can to control things and make things their way. She doesn’t want a commoner like Ballister as a knight while the queen is willing to break down that barrier. So she secretly gives Ballister the sword that will kill the queen. She also tries to keep the myth of Nimona being the black monster alive to all those in the town. Just as the truth is revealed, the Director won’t quit and will deliver one last seize of power.

Just like Elemental is great at creating Element City, Nimona does a great job in creating the kingdom. It’s a town that mixes in the tradition of knighthood with the technology of the modern world and the common imagery of future worlds. It’s also a place that will capture your imagination as you watch.

This is a story that’s great and entertaining. This is the third film from Big Sky Studios to be nominated in this category. This is also the third straight year an animated film shown on Netflix is a nominee in this category. Seems like Netflix has become a challenger for top animated films. Last year, they delivered the winner: Guillermo Del Toro’s Pinocchio. Looks like Disney and DreamWorks have a future threat on their heels!

Nimona is an excellent enjoyable animated film. It offers a unique story that will have you laughing, dazzled and entertained.

Robot Dreams

Usually in this category, it’s common to have an independent nominee or two. This year, the independent nominee is the French/Spanish film Robot Dreams. It’s worth checking out if you are up for something different.

This is a charming two-dimensional story of a lonely dog in New York who’s lonely. He decides to buy a robot to be that friend. It works that summer as the two have a great time after great time. Then the robot is stuck in the beach and the beach doesn’t open until June 1st. During that whole time, the dog patiently waits while trying to make new friends. The robot still lies on the beach with colorful dreams and hopes of reuniting again. Then things take a turn for the shocking come spring. This leads to the happy ending you didn’t expect with the Earth, Wind and Fire song “September” reminding them both they’ll still be together one way or another.

This is not the first time an animated film without dialogue has been nominated in this category. This is one film that relies on facial expressions, body language, and the various images and sounds to tell its story. It does an entertaining job, especially in the various scenes it has and the switches from dreams to reality. The addition of music also adds a boost to the film.

This is a great creation from Spanish writer/director Pablo Berger. For this film, he hired French animation director Benoit Feroumont whose works include The Triplets Of Bellville and The Secret Of Kells. It’s a fun story that turns New York to look like Zootopia. The film is full of humor, a good mix of original music and past hits, of a few sad moments and even a couple of shockers. You might think you won’t like a story with no dialogue but it works from start to finish. Not a boring moment.

Robot Dreams is the independent threat in this category. It’s a fun story of friendship, the long wait, an unexpected change and a different kind of happy ending.

Spider-Man: Across The Spider-Verse

Five years after the first movie, the Spider-Verse is back! Once again, Miles Morales is the central Spider-Man. This time, there’s a Spider-woman in his life named Gwen Stacey who’s also a teenager like him. While the first Spider-Verse film was more comedic, this film was more dramatic. It’s not just the villains they have to fight, but they also rival each other. Animosity between the Spider-people start and disunity and even Gwen’s expulsion happened. Meanwhile Miles and Miguel become enemies.

This is not a story of a beginning, middle and an end. This is a beginning, middle and a cliffhanger obviously to set up for the third Spider-Verse movie. The film can get confusing as there are so many Spider-men and Spider-women and they don’t all meet. The film does its best to keep it all intact and keep us the viewer understanding the story

For me, the highlight of the film has to be the mix of various styles of animation. When I go see an animated film, a great animated film is not just about the story. It’s also about animation that dazzles the eyes. Writers Phil Lord and Christopher Miller learned some new animation styles after working in The Mitchell’s vs. The Machines. Lord and Miller along with the direction team made a smart move when they decided to have a different artist do each different universe. Six different animation styles were used in this film. They all make for a delight to watch as the story progresses over time.

The awards buzz has been quite something for this film. I mentioned during The Boy And The Heron that this is their biggest rival. For the Animated Feature category, Spider-verse has won the Critics Choice award, the Producers Guild Award and the Annie Award as well as the six other Annie categories it was nominated in. It has won numerous critics circle awards and their sound mixing and visual effects have won awards of their own competing against many live-action films. It has a good chance of winning the Oscar here but I know in this category, they’re not too friendly to sequels. And the first Spider-verse film won in 2018.

Spider-Man: Across The Spider-Verse keeps the excitement from the first Spider-Verse movie alive. It also has its own drama and a new batch of dazzling animation styles, and a cliffhanger that makes us hungry for the next Spider-Verse film!

And there you go. My look at the films nominated in the Best Animated Feature category. I saved my Should Win and Will Win picks for my blog of Oscar predictions tomorrow.

2023 Oscars Best Picture Review: The Zone Of Interest

Jon The Blogcentric1 Comment
Sandra Huller plays the wife of a top Nazi in Auschwitz in the haunting The Zone Of Interest.

It would be naturally impulsive to dismiss The Zone Of Interest as ‘another Holocaust film.’ If you watch it, you will see it’s about more than just the Holocaust.

Many people will say that Holocaust films have done countless times before. Even if it is true, there are many angles one can see the Holocaust. This is a story of a different kind. There are a lot of things that will remind people of certain overlooked aspects of the Holocaust that will also disgust them further. First is the Höss’ house built just outside the walls of Auschwitz. I don’t know if there were ever houses built just outside the walls of Auschwitz, but having such in the film is very representative of the two worlds of Germany in World War II. There were the Nazis who had their day in the sun at the time and the Jews and other people Hitler deemed inferior being killed, tortured and even made slaves for the high-ranking Nazis.

Second is the Nazis lived very comfortably. What you see in the film is the Hoss family living their daily home life like a common family. You also see General Hoss following his genocidal Nazi orders and planning out methods and arrangements of the deaths of millions as your common “business as usual.” Seeing that in the film will bring back your feelings of disgust seeing people live “the good life” at the cost of human torture. Seeing how the Höss family sleeps comfortably while the sounds of gunshots and screaming coming from the behind the walls shows how close but far apart those two Germanys were. Even seeing how Hoss and the Nazis treat their genocidal plans to look like a simple day at the office shows the insensitivity at the time and how the Nazis felt that’s how it should be. Making all this destruction of a continent and the planning for genocide look like simplicity is all it’ll take to want to infuriate you.

Additional scenes include the train coming in and out of Auschwitz to drop new prisoners off, the smoke coming from the camp’s gas ovens and crematoriums, and the Höss’ ordering the prisoners they use as slaves around will add to your anger. We forget that the Nazis intended for most prisoners to be killed and a small percent to be used as slaves. Even seeing Hedwig threaten one of her servants to have her gassed will remind you of how remorseless they were.

Despite the Höss family representing the comfortable live from the torture of the War, there are signs of humanity still happening. The most notable is the two scenes of the Polish girl sneaking out and giving food for the prisoners to eat. It’s a reminder that even in the times of the worst of human activity, the values of humanity still existed. They were often hidden or done so at the risk of one’s life, but they did make themselves present at that time.

SPOILER PARAGRAPH: Another thing that will make some people made is that the film doesn’t have an ending with the Hoss’ and all the other Nazis get their day of reckoning. That’s frequently the case in Holocaust movies and that’s normally the ending we want in such a movie. Even though the ending of the Nazis getting a brutal defeat, there are signs on Rudolf that their comeuppance is looming. That the separate worlds of the Nazis living the good life and the torture at Auschwitz will collide. The first scene is when Rudolf and the children are swimming in the river. Soon they’re dirtied by the flow of bones and ash thrown from the camp into the river. Another sign comes when Rudolf gets a female prisoner to perform a favor of a fellatio on him. The third being right after Rudolf speaks to Hedwig after a phone call in Berlin and he gets sick in the empty hallways. Then as it fast forwards to the present where the cleaning women in the Auschwitz-Birkenau State Museum clean the gas ovens and the windows of displays, that scene shows the fate Rudolf sealed for himself. A fate of an executed criminal after the war ends and a name that will live in infamy.

Top respect should go to director/writer Jonathan Glazer. The film is based on a 2014 novel of the same title. Interestingly, the novel features the first half of an unnamed Nazi meant to mirror the life of Hoss and his family. In the second half, it’s the aftermath set in 1948. Here it appears the film is based completely on the first half. Nevertheless, it is a telling tale of a Nazi and his family living a normal daily life, making his work look like a typical day at the office and a feud between him and Hedwig about his promotion to Berlin look like a common husband/wife feud. Also raising eyebrows is how it mirrored Hoss’ life well from fathering five children, the last born in 1943, his orchestration in Auschwitz and even the months he was away in Berlin. It’s obvious in doing so, Glazer wanted to send a message about how people, especially the Nazis, can live next door to the evil they’ve created and live comfortably. He does an excellent job in doing that with the story and the various camera effects.

One thing about the acting is it’s very low-key compared to most of the acting in the other Best Picture nominees. The standout of this film is the storytelling. Nevertheless, the acting in the film is still very good. Christian Friedel did a very good portrayal of Rudolf Hoss. Despite his performance not being too showy, his acting added to the storytelling. Also great is Sandra Huller as Hedwig. Although her performance pales in comparison to that of Anatomy Of A Fall, she also does a good job in making a hateful Nazi seem like an everyday person and even a common wife. She’s even able to get you thinking at times the film is more about Hedwig than about Rudolf.

The technical elements of the film also add to the story and the message to get across. The cinematography from Lukasz Zal really added to the theme of the film. He features many scenes with unorthodox imagery in the film. Most noteworthy, the scenes of the Polish girl giving prisoners food done looking like a film negative added to the statement Glazer intended to make. The music from Mica Levi helps create the atmosphere for this dark subject matter. The sound crew have to have delivered possibly the most profound contribution to the film. The mixing of sounds like the gunshots and screaming mixed with scenes of the Hoss’ living the comfortable life serve as a reminder of the hidden things that are happening.

This film has had a lot of awards buzz in 2023. It first gained notice at the Cannes Film Festival. Although Anatomy Of A Fall won, this film was a nominee and director Glazer won the Grand Prix and the FIPRESCI Prize. How about that? Two films starring Sandra Huller at the 2023 Cannes Film Fest and both were the most lauded! Interestingly, this film is the UK’s third Oscar nomination in the Best International Feature Film award. It does seem odd for the UK to even have a submission, but Jonathan Glazer being British and the film being in German, Yiddish and Polish, the UK can submit I as their entry. Those other two nominations were back in the 1990’s and were for Welsh-language films. At the time, entries had to be in a language native to the nation. Not anymore. It’s now more about the citizenship of the director. Oscar rules are interesting, aren’t they?

The Zone Of Interest is not the Holocaust film you expect it to be. It’s a film about the Holocaust which Glazer has something to say and is often told through sights and sounds.

And there you go! That’s the last of my reviews of the ten Best Pictures nominees. My blog of my predictions for the Oscar wins coming soon!

2023 Oscars Best Picture Review: Poor Things

Jon The Blogcentric1 Comment
Emma Stone plays a woman whom, thanks to a transplanted brain, is able to rid herself of the nasty men in her life in Poor Things.

There have been oddball romances before but Poor Things is something else. It’s interesting how some weird science can change a woman’s life for the better.

If you’ve seen Yorgos Lanthimos’ past films, you’ll know he doesn’t shy away from bizarre stories or an eccentric way of storytelling. Here, we have the story of a pregnant woman in Victorian England Dr. Godwin Baxter finds in the river dead from a suicide jump. Dr. Baxter brings her back to life, thanks to the transplant of the brain of her deceased unborn child and names her Bella. Soon his assistant Max McCandless falls in love with her. Unfortunately as Max is about to marry her, she is pursued by a swindler named Duncan Wedderburn who knows the story and wants to take full advantage of her naivety by being the one who marries her. He taker on travels to Lisbon, Alexandria and France with her but she’s too much for him to handle from giving away all his gambling money to the poor of Alexandria to living in a brothel in Paris. It’s through the women in the Paris brothel that she develops her empowerment and Duncan’s engagement with Bella falls apart. Just as she’s ready to marry Max, Duncan has a revenge plan. He reunites her with her former husband: a General named Alfie Blessington. It’s as he reminds her of her past as a woman named Victoria that she falls for him again. it’s of his controlling abusive nature that she’s reminded why she did her suicide jump from a bridge. Alfie things he’s got her, but Bella isn’t Victoria anymore and things change.

It’s funny how there are two films with the theme of female empowerment nominated for an Oscar. The first is Barbie and the messages of trying to achieve empowerment when you’re seen as the exact opposite was found very entertaining by the summer movie crowd. This film is not exactly a film that would win huge crowds. The film, nevertheless, is oddly charming. It is a surprise how a doctor who appears to be a Victorian Dr. Frankenstein is able to bring back the life of a wife who committed suicide through her unborn child’s brain, have her develop, and then find her empowerment though her bumpy road to recovering her thought. In her recovery, there were many opportunities for her to become prey again from Duncan to Alfie, but she always won in the end. Her naivety makes her give Duncan’s money winnings away in Alexandria, causing him to find her too much. Her time with the prostitutes in Paris gives her a great education with love and herself. Her new-found empowerment helped her see Alfie Farrington as the brute husband he was and why she jumped in the first place. This time, she knows how to deal with the man that drove her to kill herself in the first place.

Another funny thing is this film is not only the story of Bella but also the story about the men in her life. At first, you want to think that Dr. Baxter is the controlling one. He took her when he found her dead, removed the deceased unborn child, and performed the lobotomy. When you see all of his creations and all the living creatures of half-and-half animals, you think Bella is the latest subject for him to toy with. You also want to think Max McCandless is just a man who sheepishly does whatever Dr. Baxter tells him to do. That is until you learn of the other men that come into her life. Just as the two try to raise her, Duncan tries to take her into being his own toy, only to lose big-time. Just as McCandless tries to marry Bella, Duncan “reunites” her with Alfie and reminds her of her life as Victoria and of his brutish controlling nature which never changed. In the end, it’s Dr. Baxter and Max who end up being the best men in her life. Dr. Baxter performed the lobotomy that helped her forget herself as Victoria and become Bella. Max is the one who truly loved her and cared about her. It’s no wonder the two are happy to continue Dr. Baxter’s works post mortem.

Top respect should go to Yorgos Lanthimos. Hard to believe this is his first feature since The Favourite. Lanthimos is known for creating absurd situations and somehow make them understandable and watchable. Here, he does it again. He takes a case of a Frankenstein-like experiment and it succeeds in creating a story a woman stronger than she was before her suicide jump. And through her unborn infant’s brain! He knows how to make the odd entertaining and make it work. Also worth acknowledging is scriptwriter Tony McNamara. This story, which he adapts from an Alastair Gray novel, makes the bizarreness of it all understandable, oddly intelligent, and enjoyable. A story like this is one of the least likely places you’ll see a story of female empowerment, but it happens here!

Also excellent is the acting from Emma Stone as Bella/Victoria. Just as this film is Lanthimos’ comeback film, he reunites with Stone to do it! Doing a role of a woman with a transplanted infant brain and having to rapidly mature from and infant’s thinking to an adult’s thinking is a hard task to do even if this were a dramatic film. This role could have been a joke, but Emma knew how to make it work for the story. She makes Bella/Victoria into a believable character from her infant-like ways to her child-like naivety to her sexual maturity to her new-found empowerment. And to make the comedy of it all work to boot! An excellent accomplishment.

The film also has a lot of great supporting performances like Mark Ruffalo as the swindling Duncan Wedderburn who loses in the end. Also great is Willem Dafoe as Dr. Godwin Baxter. He is great in convincing you he’s less of a controlling mad scientist and more the best father figure Bella could have. Ramy Youssef is also great as Max McCandless. He does great work playing the man you think has the least chance of winning Bella’s heart, but does.

Where do I start with the technical accomplishments? I never anticipated a science fiction love story to come from Yorgos Lanthimos The costuming from Holly Waddington, the makeup and hairstyling team, the set design team, they all did a great job of taking the audience back to the past and mixing in futurism to fit the times. The cinematography from Robbie Ryan and the  music from Jerskin Hendrix add to the film’s enjoyment. The visual effects also did a great job in creating the mad science of Dr. Baxter. Especially the half-and-half animals. The effects were both funny and amazing.

Poor Things is a delightful mix of science fiction, romance and comedy. It first seems like the type of film you would not go out to see, but you’ll be glad you did.

2023 Oscars Best Picture Review: Past Lives

Jon The Blogcentric1 Comment
Teo Yoo and Great Lee star as two childhood sweethearts who could be destined to be for each other after all these years in Past Lives.

Do you believe in destiny? Do you believe in reincarnation? Past Lives is a story that examines it and how it pertains to love.

Reincarnation and a person’s belief they had a past life or many past lives is a topic popular with many. It’s also a topic of great skepticism. This story is unique as it shows the cultural significance of the topic of reincarnation. Specifically reincarnation commonly regarded through Korean people. This concept is called In-Yun. It’s hard to understand, but protagonist Nora Moon does a good example of simplifying it by saying a simple action could mean they’ve met before in a past life. Even a simple brush of each other’s clothing can send that message of In-Yun between two strangers that simply pass by and never see each other again. The concept of reincarnation itself is completely something someone will choose to accept or not, but something like In-Yun experienced through simple encounters like those are even harder for someone outside of Korea to understand and accept.

Nora is one who believes in In-Yun, despite her non-Korean husband being skeptical. What makes this story unique is how it relates in terms of romance. Could it be that destiny would make Hae Sung and Nora lovers in past lives?  Is it also destiny that they should be lovers in the present? And will it come at the cost of the end of Nora and Arthur? This is a romance story of a different kind! Also how does this belief of In-Yun sit well with Arthur who was never taught In-Yun? It’s not clear of Arthur’s beliefs himself but not being Korean, how will Arthur take to Nora’s belief of In-Yun? Will something he himself doesn’t understand mean this is something that is supernatural and beyond his control and something sending him the message he and Nora were not meant to be?

One thing I learned in my college courses of literature that for a work themed on the culture or popular attitudes of a region the protagonist lives in or a culture the protagonist comes from, it has to find ways to transcend the physical and cultural borders to make it understandable and relatable to “outsiders.” This concept of In-Yun is definitely something most people outside Korea can’t understand, but it gives the viewer a better understanding. Various scenes in the story like their reuniting online twelve years later or even Nora and Hae Sung visiting New York landmarks together, one’s Nora and Arthur didn’t go to together, will also stimulate your interest and question if these former schoolmates are soul mates. Making it not just a story about the two, but also about the man caught in the middle adds to the intrigue. If they’re soul mates, will it come at the cost of the man who loves her? It’s a story with a pace that’s slow and even quiet, but it succeeds in keeping your intrigue of the three involved and of the In-Yun most non-Koreans are just learning about.

This is an excellent film from director/writer Celine Song. A mostly fresh writer on the scene, Song has had experience writing for the stage and for television for The Wheel Of Time. This film is her first-ever work for film. The life of character Nora mirrors her own life as she herself  was born in South Korea in 1988, emigrated to Canada in 2000, achieved her MFA from New York University and worked her way to the New York theatre industry. Like Nora, she married a Jewish-American writer. Even the scenario mirrors her life as five years ago, a childhood sweetheart came to New York to visit. That must have been the making for this and it’s an excellent work.

The film starts with a lounge scene of Nora and Hae Sung talking happily while Arthur is looking down. You don’t hear them talking but you see them and hear the talk from two white observers. Then the story begins. Throughout the film, she takes this personal story and makes it into a story engaging for the audiences of all backgrounds. That’s another thing too. You might dismiss this as a “boring story” at first, but it will spark your intrigue over time. She helps the audience get a better standing and makes them a believer of In-Yun, if only during the film. Even the ending when Arthur gives Hae Sung a warm friendly goodbye seems right and fitting, even if it wouldn’t be your nature to do so. A very excellent film debut from Song.

Also excellent is the performance of Greta Lee. She has been active on the acting scene for the last ten years. She does a great performance as one who strongly believes in this In-Yun, even if it might threaten her marriage. Nevertheless she also exhibits confusion and heartbreak well. For a performance that’s not too demanding, Greta does a graceful job with it. Teo Yoo is also great as Hae Sung. It’s quite the effort playing someone whole heartedly believing in a soul mate only to learn right there it was not meant to be. Also great is John Magaro as Arthur. He played the frustration of being the man who might lose Nora to something she believes in and he doesn’t understand. He also makes the befriending of Hae Sung at the end believable.

Past Lives takes a love story about destiny some could dismiss as a joke and turns it into something great and something believable. It becomes a more engaging story as you continue watching.

2023 Oscars Best Picture Review: Oppenheimer

Jon The Blogcentric1 Comment
Oppenheimer will get you questioning whether J. Robert Oppenheimer (played by Cillian Murphy) deserves to seen as a hero or villain, or neither.

Would a film about J. Robert Oppenheimer attract crowds to the cinema this summer? Oppenheimer proved to have the right stuff to make it happen.

When the film first arrived, there was the big question. Would a film about the inventor of the atomic bomb fly or would it flop? Would today’s audience care about a story of the inventor of the atomic bomb? Especially with this being a film with a budget of almost $100 million. Would it be a box office hit during the summer? In addition, does the film justify its three-hour running time? Oppenheimer surprised all naysayers by answering “yes” in all cases. It even succeeded in being a hit right while the Barbie phenomenon was in full-swing. No wonder 2023 will be remembered as the summer of “Barbenheimer!”

This film succeeds in justifying it’s importance. It’s easy to develop a fascination for the man who pioneered the “Nuclear Age.” Hiroshima and Nagasaki are still as intriguing and haunting today as they were when the bombs were dropped in August 1945. Even how this would pave the way for the introduction of the nuclear bomb and how it would cause the most intense moments of the Cold War of the past can make people intrigued in the man that started it all. Even though the most intense days are gone, it doesn’t mean the threat is no longer. There’s still Communist China, North Korea and even Putin taunting the world with threats. As long as nuclear bombs exist and are ready to use, J. Robert Oppenheimer will remain a man of intrigue.

The film can’t just be about building the nuclear bomb. The film is about the man himself. Oppenheimer himself started his career off as an aggressively ambition physics professor who had a clever and creative way of describing complicated things. It’s after he learns of nuclear fission in 1938 that he senses that it’s something that can be weaponized. The timing of this comes just as World War II dawns. The Manhattan Project is commissioned in 1942 to create such a weapon. J. Robert, who was Jewish himself, knew of the importance of stopping the Nazis. J. Robert didn’t simply agree to create such a bomb for the sake of having one created. He created one because he sensed the Germans themselves could learn of this and create one of their own. The war ends in Germany without a single use of such a weapon, but as its relevance is questioned, J. Robert suggests it could end the war in the Pacific. The bomb is tested successfully and that prompts President Truman to order them used in the war.

Then Hiroshima and Nagasaki happen. Everything changes for Oppenheimer. He is now ridden with guilt, feeling responsible for all the deaths that happened. The American people, on the other hand, see him as a hero for ending the war. President Truman, full of excitement with winning the war, taunts J. Robert’s empathy and rejects his wish to end further atomic development. It’s at the 1954 hearings that J. Robert, his legacy and his ties to communists are put under question and he has to confront himself on who he is. Eventually his arrogance and competitiveness would take his toll on him in the end. He’d have to face the music of the new world order he helped pioneer.

It’s also about the personal side of the man. J. Robert was a man of ambition in his early days of studies. He was also a man who thrived on knowledge and frequently consulted with Albert Einstein many times, relying on his knowledge. He was a man who liked difficult things and took an interest in the mystical and the cryptic. He was also the husband of Kitty Puening, but the marriage was rocky and riddled with J. Robert’s infidelity. His ties to communists in the intellectual community, and even with wife Kitty being a former writer for a communist newspaper, is something that could easily cause the suspicion in the 1950’s communist crackdown. J. Robert Oppenheimer was as much a complicated person as he was an important part of history.

This film should be seen as the crowning achievement of writer/director Christopher Nolan. His career has spanned over half a century starting in 1998 with Following, making his North American breakthrough with 2001’s Memento. His career would be full of landmark films like The Prestige, The Dark Knight, Inception, Interstellar, and Dunkirk. Until this film, only the latter has earned him an Oscar nomination in directing. He’s frequently delivered remarkable storytelling and has often found big box-office success, but many feel he’s missing the big renown he deserves. This film, which is an adaptation of the 2005 book American Prometheus, not only makes us take interest in the man who pioneered the nuclear age, but take us into the times and in the person Oppenheimer was. He succeeds greatly in creating a film that keeps out intrigue in the man himself as our intrigue into the creation of his bomb. Definitely the best film in an illustrious career he’s created.

We should also give many top accolades to Cillian Murphy. As much as this is Nolan’s masterpiece, we should also admire Cillian for making the film work for his portrayal of J. Robert. He does a great job in portraying the man and his genius, his weaknesses, his arrogance, and his hidden frailties. Definitely one of the film’s biggest highlights. Also excellent is the performance of Emily Blunt as Kitty Oppenheimer. Not only does she show her struggles with J. Robert’s infidelity and the potentially-destructive work he’s carrying out, but she’s able to tell J. Robert bluntly some awful truths about him, the world and all he caused. Also excellent is Robert Downey Jr. playing Lewis Strauss, the former colleague who turns against him and vilifies him in the end. Additional excellent performances come from Matt Damon as Ge. Leslie Groves who’s cynical and fearful of J. Robert’s work, Florence Pugh as J. Robert’s “other woman,” and Tom Conti as Albert Einstein, whom J. Robert often confides in and confesses to.

The technical feats of Oppenheimer are also excellent. There’s the cinematography of Hoyte van Hoytema, a frequent collaborator of Nolan’s, who did a great job of using the black-and-white and color imagery to showcase the two sides of the story. There’s the excellent editing from Jennifer Lame which showcased the story well and justified the film’s three-hour length. There’s also the costuming, hairstylists and makeup personnel that did a great job in recreating the looks of the past. The production design team also did a great job in their recreation of past buildings and the empty town meant to test the bomb’s effects. There’s also the great musical score from composer Ludwig Goransson that adds to the suspense and eeriness of the film and the sound team that delivers the right sound mixing needed for the story.

Oppenheimer is a deserving summer movie hit, an accomplishment for Christopher Nolan, and one of the best films of 2023. It’s a film that can get you feeling sorry for a historical person we should really hate and also show how important the story of his invention is for our times.