DISCLAIMER: This is from a blog of four reviews I originally posted on March 2, 2024. The original blog has been removed.
Not that often are the Academy Awards friendly to comedy films. American Fiction is just the type of comedy that can do the trick.
Those of you on social media must be very familiar with the #OscarsSoWhite campaign. Despite there being seven acting nominees that are racial minorities this year, we need to have things more consistent over the years. Focusing back on the film, the Oscars and their lack of consistency in making their nominees diverse is just one of the problems with Hollywood and the entertainment system as a whole in dealing with racial minorities. Hollywood is gratefully responsible for this. Those who’ve seen classic films of the past will have seen a negative or mocking depiction of a racial minority. Awareness groups in the last decade have helped to make Hollywood think twice about how racial minorities are depicted in entertainment. Even though they won’t stop an insulting depiction from happening again, they will raise hell when it does and make people think twice.
In this film, it’s very obvious the theme of the film is about African-Americans depicted in all forms of arts and entertainment. It’s not only about how they’re depicted in entertainment. It’s also about an entertainment system where top sales and ratings are the bottom line. African Americans have various personalities and life goals and directions, but it’s always about the images that sell the most. And that’s the problem Thelonious “Monk” Ellison has to deal with. His novels are of excellent quality and good for how they give a good atypical depiction of African American life. Nevertheless there’s the problem of his works not selling. That frustrates him to the point he feels he has to sell out and do a “gangsta” novel. I’m sure many others feel the same pressure.
The film is a humorous look of an African-American author trying to get respect in the literary world which all-too-often seems to favor quantity over quality. It spoofs the whole system and how the white-dominated public treats works from African-Americans from his latest manuscript being rejected for not being “black enough” to his books being sold in the African-American section of a bookstore to his adding clout to his author’s guise as a criminal on the run from the law to a jury of a book festival consisting mostly of white limousine liberals lauding his upcoming novel. It also includes the irony of the one African-American member of the jury, rival author Sintara Golden, panning his novel as pandering. Meanwhile Monk himself finds her novel pandering.
Although the story is obviously about a significant topic, the story also has a lot of personal elements for Monk. This story is also about the author’s difficulty of trying to create and market his breakthrough novel right during a load of sudden complications in his life. He’s put on a sabbatical by his college because of his frequent confrontations with students. While reuniting with his family in Boston, his sister suddenly dies. His mother’s Alzheimer’s worsens and she needs to be placed in a care facility. The maid who he grew up with has to leave her job and eventually marries. His brother is going through a divorce and drug addiction after his wife caught him with another man. In addition, he is developing a relationship with an established lawyer named Coraline but the relationship ends as he disagrees with her about Sintara’s book. Try plugging a breakthrough novel with all this happening!
Top respect should go to director/writer Cord Jefferson. This film is actually based from a 2001 novel Erasure. Jefferson does a great job in satirizing the difficulty of trying to make it as a “black writer” from the difficulty of doing his work his way to the pressure of dropping his artistic integrity and selling out by writing a pandering “gangsta” work to the “liberal elite” (full of mostly white people) taking it as serious literature worthy of acclaim to the media machine building up the hype to Monk taking his pandering further to add to the hype. It’s both funny and smart at the same time. Mixed with its humor, it’s very much an eye opener about the pressures African-Americans go through to make it in arts and entertainment. It pokes fun at the expectations of what African-American literature is expected to be from the elite of the arts who are mostly not African-American and an entertainment industry where top sales have always been the bottom line. It also pokes fun at the “liberal elite” who are mostly of white people who want diversity but are clueless in how to do it right, despite being the ones pulling the strings. Despite the themes, it also includes the human elements like Monk’s connection with his family and love interest and how it helps him understand himself better as a writer and as a person. Even that element of Monk dealing with his ‘genius’ characteristic adds to the story.
Respect should also go to Jeffrey Wright in playing Monk Ellison. It’s not an easy thing to do a comedic performance with intelligence, even though the story does just that. Wright does a great job of a ‘genius’ writer who feels compelled to throw away his dignity as he’s on a sabbatical and just sell out with a pandering novel. At the same time, Wright adds dimension with his role as Monk tries to keep family ties together and tries to start a relationship with Coraline, only for his ‘genius’ characteristics to interfere. That’s quite an effort to do and to keep comedic for the sake of the film. There are some great supporting performances. First is from Sterling K. Brown as the brother dealing with the frustrating addiction and troubling changes in his life. There’s Lessie Uggams as the mother with Alzheimer’s robbing her of her quality of life but also able to say something to help Monk get a better focus of himself. There’s also Erika Alexander as the girlfriend who knows how to draw the line with Monk’s attitude and arrogance. With the musical score of Laura Karpman added in, you have a winning film.
American Fiction is just the intelligent comedy we need right now. It makes the difficulties of African Americans trying to make it in arts mixed with the attitudes of the mostly-white elites in the business look like the circus that it is. At the same time, it makes it as much about the author as a friend and a member of the family and his difficulty with his personality interfering with that. Already I declare this the Comedy Of The Year.
England: Women’s football has really grown a lot since England finished third at the last Women’s World Cup. The team they fielded looked like one that could pose the best challenge to the United States. Unfortunately it was not to be as the US beat them 2-1. To add insult to the injury, the US’s Alex Morgan appeared to do a tea-sipping gesture after scoring the winning goal. Many have taken this to be an insult to the English.
Sweden: Before the semifinal, I’m sure most of you predicted Sweden to beat the Netherlands. I mean Sweden had the clout. They’ve been to every Women’s World Cup since it began in 1991. They’ve finished in the Top 3 three times before. They’ve even beat the Netherlands way more often than they lost to them. However things did not go according to plan. Before the match, Fridolina Rolfö received a second yellow card during the match against Germany which meant she will miss the next match. The Netherlands turned out to be a more formidable opponent than they expected. Regulation play resulted in no score. Then there was the goal from Jackie Groenen in the 99th minute. Then there was the shocking injury to Kosovare Asllani where she was carried off on a stretcher.
United States: The United States is the team that is most expected to win this Women’s World Cup. They’re the defending champs from 2015. They’re ranked #1 in the World. They have some of the biggest stars in women’s football who are seen as trailblazers. However they have also earned naysayers too. It all started when they won 13-0 against Thailand and celebrated after each goal. Many thought it was disrespectful. Then Megan Rapinoe made headlines for taking a knee during the play of the Star-Spangled Banner. She followed that by saying she won’t be going to the White House to a reporter. Most recently, Alex Morgan made England fans mad when she celebrated her game-winning goal by doing a tea-sipping gesture. Despite the negative press, they’ve delivered each time. They’ve won all their games, scoring 24 goals and only conceding three.
Netherlands: Before Women’s Euro 2017, people did not expect much of the Netherlands. Why should they after they finished in the Round of 16 in Canada 2015 and failed to qualify for the Olympics? However they surprised everybody by winning all their games and would win the final by beating Denmark 4-2. This made it the first Women’s Euro since 1993 that Germany didn’t win! Here at this Women’s World Cup, expectations were good but not that big. Canada was expected to top Group E, but the Netherlands did it by winning all their games, including beating Canada 2-1. Then in the Round of 16, they were pitted against Japan whom they lost to in Canada 2015. This time the Netherlands won. They were pitted against Italy in the quarterfinals and won 2-0. Then came Sweden who was more expected to win the game. It started with nil-nil after regulation, but a goal from Jackie Groenen in the 99th changed it all. Now it’s the Netherlands in the final.
Jon The Blogcentric 