VIFF 2025 Review: The Scout

The Scout is about a film location scout names Sofia played by Mimi Davila (left) who discovers more than film locations.

With the Vancouver Film Festival, you can get a wide variety of styles of film showing throughout the Festival. One unique film is the American film The Scout. It’s unique in its own way, even if it is confusing.

Sofia is a location scout in New York City for a film company. Most of the day, she drops flyers into the mailboxes of surrounding houses or apartment suites saying she’s interested in having the inside of their places as set pieces with her phone number listed. After sending out a set of flyers, she makes a trip to an apartment of an older woman as she listens to her voicemail responses. The voicemail range from people interested to those thinking it’s stalking to some unhappy she hasn’t come to her place yet. As she photographs the suite of the older woman, she learns more about her life. She learns the mother has two grown children who have moved out and never returned to see her.

Her second trip is to another apartment. At the house is a man who works from home and often spends time looking after his infant daughter Sophia. Sofia takes a special liking as they’re names are similar. As she photographs the house, she learns more about him and has a sense from the talk that his marriage is falling apart. Her third trip is to another apartment, but that will require crew from the film company to also review. This will be busy for Sofia, the crew and the suite holders. The resident is quite welcoming. The talk from the film crew makes obvious a lot of thought is to go into selecting. Some like it, some are critical of it. Sofia is hoping it will work out.

The day continues as Sofia goes to another apartment of one who accepted. She finds out it’s her friend from her college days. Both of them are shocked. They reminisce about the good times of the past and they talk about what’s happening in the present. Not all of it is pleasant, especially in terms of their relationships. Sofia’s last appointment is to be with a pet store. She’s a half-hour late and the owner is unhappy with it as he’s locking his store. Despite his anger, she’s able to convince him for the appointment. The appointment goes so well, they even have dinner together going into the night. As great as that was, Sofia finds out it took so long, the traffic police clamped her car and she’ll have to pay a fine of more than $400!

The next morning, she attends a meeting at her company’s office. There they talk about certain locations for a scene. Judging by the discussion, it looks like one of Sofia’s discoveries won’t be considered for this scene. After the meeting, she spends the rest of the day over at an urban beach. She just goes there onto the sand holding a coffee and stands there looking out. You can tell on her face something is wrong.

The thing about this film is that it has a good beginning and a good end, but an unsolid middle. In seeing the film, it’s hard to understand what it’s all about. It does show a lot about what it’s like to be a location scout for a New York City film company, but it doesn’t fully make clear what it’s about. You don’t know if it’s intended to be a day-in-the-life film. You don’t know if it’s about the loneliness Sofia’s going through. You also don’t know if it’s to do about the frustration of working a film job in New York. The film could be a case that the director wants us to decide for ourselves what the story is, but I wish it was clearer.

If this film is intended to be one of those day-in-the-life films, it’s not an easy genre to accomplish as the day could present itself as a story to tell or just a portrait of daily life. The film does have a lot to say as Sofia goes from place to place and either meets with her crew or has an ordeal to deal with. It doesn’t make it too clear about what it’s trying to say. One can think of many themes this film could be about like the demandingness of a filming job, life inside different from what we see on the outside, or the story of a successful but lonely young woman. Scenes like when Sofia goes into her parents’ house and call out for her mother make you question if loneliness is the theme. You may have to watch it a second time to make up your own mind what this film is about.

This is the directorial debut of Paula Gonzales-Nasser and the first feature-length script she wrote. Paula has been in the New York film industry for eight years and has made a jack-of-all-trades of herself in doing set design, cinematography, art direction, location managing and producing. The first six years she spent being a location scout so it becomes pretty clear she’s basing this story on her own experiences. The story she writes and directs is a telling story of a location scout trying to make it, but it’s not the clearest in telling its story or making its main point of focus. Despite the lack of overall theme, the performance of Mimi Davila is great. Davila has had an acting career of over 15 years in various roles. In this film, she keeps her performance low-key but she can send a lot of messages even in her moment of silence. She makes for a very believable performance. The supporting performances from the people Sofia visits to the crew she works with also add to the film and make like you’re watching a real situation instead of seeing them act.

The Scout is a unique drama. It could easily be dismissed as a ‘boring movie,’ but you have to look closer. One thing is that the message or theme are not the clearest to understand.

Oscars 2017 Shorts Review: Live-Action and Animation

Cinema

Once again, I had the luck to see the shorts nominated for the Oscars for Best Live-Action Short Film and Best Animated Short Film. All were entertaining in their own way and all showed the qualities of why they were nominated.

Anyways here are my thoughts on this year’s nominated shorts:

LIVE ACTION SHORT FILMS:

Last year, all nominated shorts were in a language other than English. This year, four of the nominated shorts were in English. This year’s crop of stories are impressive to see. All five have a wide variety from the funny to the thought-provoking.

DeKalb Elementary: dir. Reed van Dyk – Today is supposed to be an ordinary day at an elementary school in the US, but a young man with an assault rifle comes in and threatens people. The receptionist tries deal one-on-one with him. She notices some mental instability and even some flaws in his thinking. She feels she can talk him into withdrawing his gun. She is able to talk with him, talk to law authorities, and get him to cooperate. In the end, the man is arrested and no one dies.

This is a remarkable story, especially since this is being shown during a time when a shooting incident in a Florida high school made headlines. It’s remarkable because it takes you there into the moment. You feel the intensity. Plus seeing in the film how brains win over brawn make this an incredible story to watch. That’s why this is my Will Win pick.

The Eleven O’Clock: dirs. Derin Seale & Josh Lawson  – A psychiatrist in 1980’s Australia has an appointment with a delusional mental patient who thinks he’s a psychiatrist. The doctor thinks he can handle it until he meets face to face with the patients. Soon it becomes an all-out verbal battle of madness and idiocies. Looks like he finally met his match.

For once, it’s nice to take a break from some of the more serious stuff and see something comedic. It was very enjoyable and can leave you hating the patient. However it has an appropriately bizarre ending where you’re left to wonder is he the doctor or the patient?

My Nephew Emmett: dir. Kevin Wilson Jr. – This is a depiction of what may have happened the night before the 1955 abduction and lynching of 14 year-old Chicago boy Emmett Till who was just staying with his uncle’s family in Money, Mississippi, but was a victim of racism instead. His murder and his alleged killer’s acquittal would play a part in the Civil Rights Movement.

This might be a fictional depiction of what happened before, but it was very good in sending the message that all Emmett Till was doing was being a typical 14 year-old boy. Having it from the uncle’s point of view is important as the uncle would be interviewed by the media shortly after. It does a very good job of storytelling from the uncle’s point of view as well as recapturing the moments as they happen.

The Silent Child: dirs. Chris Overton & Rachel Shenton – A rich family hires a tutor to help with their 4 year-old deaf daughter. The tutor works very well with the daughter and gets her to sign. The results are pleasing to the father and her siblings, but the mother has higher demands. It gets to the point the mother makes a questionable drastic choice for the daughter.

The story is very good. It also catches your intrigue whether the mother has these high demands because she has high expectations or because she’s trying to cover up a family secret? The story reminds us that the connection between the deaf child and the tutor is a bond we so easily forget about.

Watu Wote/ All Of Us: dirs. Katja Benrath & Tobias Rosen – This is based on a true story. This takes place on a bus trip close to the Kenyan-Somali border. Christians and Muslims travel in the same bus. All have animosity towards each other. One passenger, Jua, has a certain animosity towards Muslims. Her husband and child were killed by a Muslim. She lets the Islamic ‘teacher’ raising money for his student know it. Then the bus is attacked by the group Al-Shabaab. They demand that all Christians be brought forth, but the Muslims defend by quoting scriptures from the Koran to protect them. At the end, police arrive and the teacher is shot. Jua is the one looking after him as they drive to safety.

This is the only film not in the English language. This story may be the darkest of all the stories nominated, but it’s very thought-provoking and it sticks with you. It packs a lot in its 20 minutes of time. You can really feel the hurt in Jua and you’re surprised to see her compassion in the end. That’s why I make this my Should Win pick.

ANIMATED:

This year’s animated shorts made news of what was included and what was not included. Ever since In A Heartbeat, the animated short of boy meets boy, went viral on YouTube back in August, people predicted it would win the Oscar. Even though it made the shortlist of ten back in December, it did not get nominated. A shock to all fans of the short! As for those that did get nominated:

Dear Basketball: dirs. Glen Keane & Kobe Bryant – This is a pencil-and-paper style of animation drawn by Glen Keane, son of Family Circus cartoonist Bil Keane, and narrated by Kobe Bryant. It’s of the letter Kobe wrote to the sport of basketball upon his retirement.

The film is excellent in how it takes a simple style of animation and successfully makes the audience embrace the athlete’s story of passion. Excellently done. You’ll feel the heart and soul of the story within its four minutes. That’s why I choose this as my Will Win prediction.

Garden Party: dirs. Victor Caire & Gabriel Grapperon – This is funny. A bunch of frogs find themselves over at a mansion. They go around exploring and eating whatever comes their way. Then right as they make their way to the pool area, we learn it’s party time for all!

This is a fun humorous story. The events are slow, but they’re still fun to watch. They’re especially funny when the frogs accidentally find themselves in a mess. The ending is a complete surprise. Nevertheless the short is enjoyable from start to finish.

Lou: dirs. Dave Mullins & Diana Murray – This is the short shown before Cars 3. When kids come in from recess at an elementary school, you can guarantee there will be lots of things left behind. A certain ‘thing’ comes from the lost-and-found bin, which have its L, O and U missing, and gathers up all the stuff in the bin. The school bully J.J. steals the kids’ toys and it’s up for this thing to teach J.J. a lesson, and actually be a friend.

Pixar not only knows how to make a great feature, but they also know how to make a great short too. Even though there’s some dialogue in this short, it is definitely entertaining and fun to watch.

Negative Space: dirs. Max Porter & Ru Kuwahata – A son talks of how his father taught him how to pack and how it’s been passed on as a skill. The son reminisces about it at his father’s funeral.

This is an adaptation of a poem by Ron Koertge. This is a charming story with stop-motion animation. It has a humorous look at a story a son reflects around his father’s funeral. The story ends on a note one didn’t expect it to end on. Nevertheless it’s funny and it has its own unique charm.

Revolting Rhymes: dirs. Jakob Schuh & Jan Lachauer – This is done by the same studio that did the Gruffalo series. This time they return with a story of a babysitter meeting up with a wolf. There we learn the shocking truth of what happened to Little Red Riding Hood, Snow White, and The Three Little Pigs!

It’s a funny and charming short. Does get a bit confusing when you learn about these new ‘truths’ and even surprising when you learn some shocking things like the Seven Dwarfs’ gambling problem. Well-written, well-animated and very entertaining. That’s why I give it my Should Win pick.

And there’s my look at this year’s Oscar nominated short films. Lots of creativity and a lot of good storytelling. However the shorts are two of the hardest categories to predict the winner. The winners are often a surprise. Time will tell this Sunday.