Movie Reviews: 2013

VIFF 2013 Review: Heli

Jon The Blogcentric1 Comment
Heli isn't just about corruption in Mexico. It's also about those caught in the middle.
Heli isn’t just about corruption in Mexico. It’s also about those caught in the middle.

Heli is a Mexican film that has garnered huge buzz since its debut at the Cannes Film Festival. The question being is it worth the hype?

Heli is a 17 year-old young man in Mexico. However he is married and the father of a baby. Both his wife and his infant son live with his father and sister in a shabby house on the outskirts of town. Heli has a job as a laborer at an auto plant and makes a limited income.  His sister Estela is a 12 year-old girl in school who has fallen for a 17 year-old cadet in training named Alberto. Alberto is tired of the military life and wants to devote his time to Estela. However the age difference causes problems especially since Alberto wants to have a sexual relationship with her and she fears young pregnancy.

Alberto makes a decision just after the police and the government holds a public media event where they burn all seized marijuana and cocaine in declaring their war on drugs and war on corruption. Alberto knows of a secret place in the compound where there are bags of cocaine secretly held by the general. He agrees to sell two bags he stole in another town so that he can afford to marry Estela. This plan is unknown to the father but Heli discovers the bags inside the water tank on the roof. He disposes the cocaine in a distant remote location and punishes Estela by locking her up in her room.

Late one night, some members of police storm the house, kill the father and take Heli and Estela to their secret place along with a badly beaten Alberto. They throw the body of the father on the road once Heli confesses to destroying the bags of cocaine. All three are taken to a house within the police compound. Alberto is beaten and burned mercilessly. Heli is badly beaten but not as badly as Alberto and is spared the burning. The torturers hang Alberto from a bridge, keep Estela at their place and drop Heli off on a remote road to walk home.

Heli does return home much to the relief of Sabrina who was left distraught after seeing what happened inside the empty house. Estela is still missing however. The police cooperate to locate the father’s body but believe Heli and his father are involved with the drug trade. Even Heli is nervous about telling the whole story fearing he will be classified as a criminal. The aftermath and trauma affects Heli for days as he loses his job and even becomes abusive to his wife. To make matters worse, a female detective offers to close the case if Heli consents to her offer of a sexual favor, which Heli rejects.

In the passing days, the policemen who held them captive are later killed and decapitated. Heli sees the news on television including the images of the decapitated heads. Estela arrives home to the relief of both Heli and Sabrina. She too had to do the long walk Heli did. However Estela is scared from the violent events and the rape she suffered during the walk home to the point she can’t speak. She is however able to draw Heli the location to where she was raped. That paves the way for Heli to solve the problem in his own way and lead to an ending that makes it look like the right thing in the end.

This film is a story written based on actual events in the Mexican news. It is a depiction of the corruption happening in Mexico but it’s more. It tells the situation from a human perspective through a family that’s caught in the middle. We learn of why this happens, who gets hurt, who does the hurting, who survives and how they try to carry on in the aftermath. It’s not just about the events and incidents being played out. It’s also about who is involved in this too. That is apparent as both Heli and Estela try to carry on after the incident even to the point where it almost threatens Heli’s marriage to Sabrina and Estela’s sanity. Even seeing how this incident threatens to tear the surviving members of the family apart adds to the human aspect of the film. There’s also the subplot about young love. There’s Heli, a 17 year-old married father and his young wife. And there’s Estela, a 12 year-old falling in love for the first time and clueless about the potential realities of marriage, especially to someone as irresponsible as Alberto. That makes the film more than just a crime drama.

The best efforts in the film without a doubt are the efforts of Amat Escalante. His directing and co-writing of the script with Gabriel Reyes is a very good depiction of corruption in Mexico and how it won’t tear a family apart despite all that it takes away. I’ve never read of such a new story referenced but this is a good adaptation of such incidents into a feature film. The acting in this film including the young actors was also very good. Armando Espitia was very good as Heli. His performance told as much through his silence as it did when he was talking. That was also the same with the other young actors in the film. Also very good was the performance of Andrea Vergara as the young sister. She was very good in representing the young naivety of falling in love at 12 without being a typical cutesy kid performance. The film itself being played out without an added music score actually added to the intensity of the drama and the storytelling.

Heli has already received a lot of awards buzz. Director Amat Escalante won the Best Director award at this year’s Cannes Film Festival and the film itself was nominated for the Palme d’Or that was eventually won by Blue Is The Warmest Color. However the film has not received a lot of good buzz in terms of audience fair. In fact many critics have often questioned the watchability of such a film, especially the torture scene where Alberto has his gasoline-doused genitals lit on fire. It’s safe to assume it was prosthetic genitals that Juan Eduardo Palacios wore during that scene. I don’t see how else that scene could be done. Even as well the feel of the movie may come across as too down and depressing. I do believe that the film doesn’t end as sown and depressing as say movies like Kids or Thirteen. Instead I saw the ending as images of hope for the family even after all they’ve lost and all they were violated of.

Another criticism of Heli comes from people from the home country of Mexico. This film is Mexico’s official entry in the Best Foreign Language Film category for the 2013 Academy Awards. However many people both inside and outside of Mexico’s film industry are unhappy with the depiction of corruption in Mexico. Escalante responds that his film is not anti-Mexican. Co-writer Gabriel Reyes even added it would be socially irresponsible not to speak out about the bad things happening in Mexico.

Heli is a very good story about a young family sticking together despite the things that threaten their unity. Nevertheless it also a story that can be considered unwatchable to many.

VIFF 2013 Review: When I Walk

Jon The Blogcentric2 Comments
Filmmaker Jason DaSilva won't let MS stop him from living his life or even making films in When I Walk.
Filmmaker Jason DaSilva makes his MS and his life the focus in When I Walk.

When I Walk is a unique documentary where the documentarian is the complete subject of the film. It’s a very personal documentary. Possibly because this may be the last film he ever makes.

We meet Jason da Silva, a promising young documentarian of Indian heritage living in Vancouver. He lived the life of a budding 25 year-old filmmaker and had a promising future ahead. That all changed in 2006 during a family vacation in St. Maartens. His legs weakened and he was diagnosed with multiple sclerosis. His condition wasn’t fatal but it would lead to weakening of his body and other deteriorations. Jason was encouraged by his mother not to allow his disease to limit what he can do. So Jason decided to make his battle with MS his subject of his next film.

Jason is determined to fight it or deal with it the best way he can. He tries his hands as many different types of medicines and healings. He first travels to his parents’ hometown of Goa, India where he agrees to Ayurveda medicine. He then goes to Lourdes, France on the advice of his very religious Catholic grandmother and receives healing water. He also arranges an appointment for a wonder-surgery that’s a breakthrough in fighting MS and is highly advertised on Youtube by people cured through this surgery. The Ayurveda medicine procedures didn’t work. Lourdes didn’t heal. And this ‘wonder surgery’ only gave limited improvements that didn’t last.

Family unity is another theme in the film as Jason comes from a close family with relatives in Canada, New York and back home in India. His mother is the one who’s trying to encourage him to stay positive and hold his head up high. Though she cries near the end of the film and admits she didn’t know how bad it was and how limiting it would be. There’s another time when he visits a relative in India and tries to find out if his MS is inherited.

Despite his illness and its dehabilitation over time, Jason continues to be strong. He talks of difficulties going to restaurants and various other places in New York. He meet up with another person in a wheelchair and they decide to organize a blog of wheelchair accessible locations in New York. It’s not just simply taking restaurants that advertise themselves as ‘wheelchair accessible’ at face value. Both Jason and his colleague go to the various locations and test out how ‘wheelchair accessible’ the places are in both the facilities and the washrooms. Jason also purchases various filmmaking software and various computer accessories to assist him with his filmmaking as his body functioning lessens over time. They show one gadget which assists in functions as Jason makes commands in a microphone. Some days it’s so hard to talk, Alice–who I will talk about shortly– has to learn filmmaking and its functions in order to complete certain jobs for Jason.

Possibly the biggest plot of the documentary is not just simply overcoming his condition of MS in daily life but his relationship with Alice Cook. Before Alice, Jason was a frequent dater in the film making scene. He first thought MS would be the end of the dating road. Then he went to a support group for people with MS offered by his mother. He met a woman named Alice who was around the same age as him. Alice is a fully able person who attended the sessions in support of her stepfather who has MS. Alice took an interest in Jason. They started dating. Alice started helping and assisting Jason in his daily life. Then in 2009 they married. They even show Jason using his scooter with Alice on the back and a Just Married sign on the seat.

However right after the marriage came some new hurdles. First was the stress of being married to a physically limited person. Alice is a very cooperative and a very supportive wife but the stress does take its toll and Alice needs a vacation for a week to give herself relief. One of the things she sacrificed in her relationship with Jason was her love of hiking. She would have the chance to hike again after so many years. There’s also the effort of the two to have children. The film takes us to the doctor’s office where Jason learns he’s fertile and conception is possible. The first conception works but Alice miscarries.  SPOILER ALERT: However the film ends with Alice showing Jason the result of her home pregnancy test: a positive. The film’s last scene shows the two in the ultrasound lab and the screen showing a healthy fetus.

One thing about this documentary that stands out is how personal this is for the filmmaker. Before MS, Jason was no simple documentarian. He was already showing promise at a young age with short documentaries like Olivia’s Puzzle, Twins Of Mankala and a Song For Daniel. He also had two feature-length documentaries to his credit: Lest We Forget and From The Mouthpiece On Back. One would figure MS would be an end to a filmmaking career at such a young age but Jason’s determined not to let it stop him. The film is very personal as it not only hides nothing of Jason but also of Alice. We see an image of blood in the bathtub when Alice miscarries. We also hear Alice tell her side of the story at times and she holds nothing back. In fact there are times when she’s in tears when she talks of the stress of managing a physically challenged husband and her fears for the future as his condition deteriorates over time. This film is as much about the struggle of the two as it is the triumph. Even Jason admits there are times when he can’t handle it or wants to give up.

Another addition to the documentary is the animation. Often the documentary will go to animated images of Jason in his life, MS eating away at him showing the MS as ‘bugs,’ and various other images. That is another added bonus to the documentary that keeps it from getting mundane. Although the animation is not the most professional, it still adds to the documentary.

As a documentary, it’s questionable whether this is worthy of box office release. It has already made appearances at the Sundance Film Fest and the Hot Docs Film Festival where it even won an award. It’s still possible. One thing I know is that it is definitely eligible for broadcast on a documentary television channel.

When I Walk is a film worth seeing. It’s as truthful about the struggles and the setbacks as it is about the triumphs. Definitely worth seeing for all types of people.

BONUS: If you want to learn more about Jason and When I Walk just go to: http://wheniwalk.com/ There’s even a mailing list to subscribe to.

VIFF 2013 Review: The Closed Circuit (Układ Zamknięty)

Jon The BlogcentricLeave a comment
Janusz Gajos plays a tough-guy lawyer in search of a victim in The Closed Circuit.
Janusz Gajos plays a tough-guy lawyer playing a legal gamble in The Closed Circuit.

DISCLAIMER: This may be mistaken as a review for the movie Closed Circuit starring Eric Bana and Rebecca Hall. This is actually a review for the Polish movie Układ Zamknięty whose English title is The Closed Circuit, also released in 2013.

The Closed Circuit is a legal drama from Poland that’s become one of the highest-grossing Polish-made movies there. Does it have what it takes to entertain North American crowds?

The film begins in Gdansk in 2003 where computer business Navar has just had a grand opening for their new factory. The building of the factory with high-tech equipment had a huge boost thanks to a partnership with a Danish community. Shortly after the deal, another businessman tries to make a deal with CEO Piotr Maj to no avail. Later it’s brought to the attention of a legal office headed by district prosecutor Andrzej Kostrzewa that the company made an illegal deal; that this was a scam. He hires Kamil Slodowski–a good lawyer who’s relatively new at tackling corporations–to head the crackdown.

Unknown to Kostrzewa at the time is that the company is headed by Maj who happens to be the son of a professor whom Kostrzewa got into a bad dispute with during his own college days and had him fired from the University and exiled back to Israel. One should take into account that Kostrzewa was a former Communist and still believes: “there are no honest businessmen.” Professor Maj died recently and his memoirs could be the smoking gun for Kostrzewa.

The arrests fly to the three businessmen and they are brutal not only to them but other family members too, even Maj’s pregnant wife who miscarries during the arrest. They get thrown into jail accused of financial irregularities and money laundering. They face inhuman conditions in the prison including Maj suffering at the hands of another prisoner. Meanwhile the team of lawyers get various recordings ranging from a news reporter stating the case will make him famous to one of the Navar’s head’s relatives bringing a lawyer down.

Meanwhile Slodowski is getting to the bottom of the case but Kostrzewa is wheedling the shares from the significant others. Slodowski is successful in getting whatever evidence he can against the accused. However he himself is being challenged by the media and he starts feeling like he’s being used in Kostrzewa’s team instead of getting his own fair share.

Soon the truths begin to unravel. Kostrzewa and his team experience retaliation on their part which leads to their fate. The two main businessmen of the factory are released with Maj recovering in the hospital from a suicide attempt. This sets up for a smart but unexpected ending to the events.

I don’t know if director Ryszard Bugajski was trying to get a message out about Communism meeting capitalism in a post-Eastern Bloc Poland or if he was trying to play out a drama that’s actually based on true events. If he tried to get a message out of old Communists in Poland trying to use power in keeping the spirit alive, I don’t think it was clear enough. Besides Kostrzewa suffers setbacks of his own. I’ll admit I’ve never lived in Poland so I can’t really describe this as a depiction of Polish power struggle or not. I feel it was more about playing events out and creating a drama that would have the audience intrigued with what will happen next for both the heads of Navar and the team of lawyers and the families of both teams.

There was an additional quality to the story line. The story didn’t just simply play out the events in a legal crackdown on a company. The story added the human elements to it too. The events during and after the arrests of the heads of Navar showed the hurt done to family members. Numerous times we saw the feelings of those played out. There were a lot of scenes that stood out. One was of Maj’s wife as she is left depressed after the arrest of Piotr and her miscarriage. Another is of the two heads of Navar who look through the empty factory after their release from jail. Another came from Kostrzewa, among other characters. Kostrzewa frequently comes across a tough pitbull-like lawyer determined to win. However there’s that scene where he sees Piotr Maj in the hospital after a suicide attempt. It’s as if at that moment, he’s no longer Mr. Tough Guy and he feels sorry for him. In retrospect, I think of that scene where Kostrzewa starts having regret and hopes not to destroy a second Maj.

This is a great film by Ryszard Bugajski. Bugajski is a director who has been able to prove himself well in recent years. He actually worked with legendary Polish director Andrzej Wajda in his Studio X in the late 70’s. He fled Poland in 1985 and moved to Canada where he was able to acquire opportunities in writing and directing episodes for American television dramas in the 80’s. His film work only started coming to light once Communism fell in Poland and his films have since won Bugajski renown of his own including Interrogation: a film made in 1982 but was denied release until the fall of Communism in 1990. Once released, he was nominated with the film for a Palme d’Or in Cannes and a European Film Award.

He has followed it up with excellent film works since and this is now his chance to make a movie in his home country. His direction in this film along with the collaboration of writers Miroslaw Piepka and Michal Pruski is an excellent drama that could even rival the suspense levels of American legal dramas. The acting was also excellent too as there were many good performances from the main leads to the supporting parts. If there was one performance that stood out, it was from Janusz Gajos as the tough guy Kostrzewa. His portrayal of a tough lawyer who eventually gets weakened mentally when he’s reminded of past mistakes and has to confront his misdoings in this case was a very good performance and definitely the one that got the most attention from the film.

The Closed Circuit is another example of countries trying to shell out movies internationally. They may have shelled out movies before that would fare well in their home country but would end up substandard internationally in the past. Now they’re making the effort to shell out quality movies that can fare well outside their home country too. As I mentioned before, the main thing that separates movies from films is that they are more entertainment-focused. As a legal drama, it’s very good at including incidents to keep the audience intrigued from start to finish as well as include human elements inside the story. I’m sure North American audiences who don’t mind watching a movie with subtitles would also be taken in by the suspense of the events. One thing about the VIFF crowd I saw it with. They laughed during the scene where the bishop blesses the factory. I guess they don’t understand Polish society where they value the blessings of priests even in business locations.

The Closed Circuit was a top attraction at the VIFF. It is a very good drama and is an excellent choice for people who like legal dramas. This also takes Polish moviemaking to a new level.

NOTE TO VANCOUVERITES: This weekend (October 18-20) there will be the Vancouver Polish Film Festival over at the SFU Theatre at the Woodwards square. The Closed Circuit will be playing Saturday the 19th at 5:30. More info at: http://www.vpff.ca

VIFF 2013 Review: Viva Cuba Libre: Rap Is WAR

Jon The BlogcentricLeave a comment
Meet Los Aldeanos, a Cuban rap duo who are more than mere entertainers in Vibva Cuba Libre: Rap Is WAR.
Meet Los Aldeanos, a Cuban rap duo who are more than mere entertainers in Viva Cuba Libre: Rap Is WAR.

I won’t look the other way. The truth will find a way out.

You can’t ignore us much longer. People are beginning to wake up!

That motherfucker made this country a prison!

Put walls in front of me, I’ll knock ’em down!

If you stop my shows, I will sing on!

 -Los Aldeanos

When you think of revolutionary voices in rap, who first comes to mind? Public Enemy? N.W.A? 2pac? How about Los Aldeanos? Okay, I know you’re asking “Los Who?” In Viva Cuba Libre: Rap Is WAR, you’ll learn all about Los Aldeanos and why they should be considered revolutionary voices.

Los Aldeanos is a rap group beloved by the people of Cuba but greatly feared by the government. Why should the government fear them? We should remember that Cuba is a communist country. The Communist Party run by Fidel Castro in the late 50’s won a brutal war and started a revolution in Cuba. For decades Fidel was the charismatic leader of Cuba firm to the communist ideal. Fidel even stood by his communist beliefs and rulings during the late 80’s-early 90’s as many countries under communist regimes including the U.S.S.R. did away with communist rule. Fidel simply declared the moves to freedom in those countries as ‘terrible, terrible things.’ Tight Communism still stands in Cuba today even after various economic sanctions against the country, even after Fidel Castro’s daughter defected in 1993 and even after Fidel transferred rule over to his brother Raul upon retirement five years ago.

Rap Is WAR shows the difficulties of living in Cuba. Most of us in North America see Havana and the rest of Cuba as a beach paradise or a place where locals like to dance the samba at night spots. Here we see the shabby living conditions Cubans have to go through in cities like Havana and Holguin City or even local villages and farms. We also see of police brutality given to people even simply for speaking freely. Some of us older people may remember how we were taught that in Russia one could be jailed for free speech. It happens in Cuba today. We also learn of young people of how limited their future is and how it appears they don’t have much of a choice in the matter. We also see a crying child at a farm who misses his mother. She’s jailed for prostitution because she can’t afford to raise her family with the meager wage she received.

One pair of people who are not afraid to speak the truth about what’s happening in Cuba is the rap duo Los Aldeanos: two young men from Havana named Aldo ‘El Aldeano’ and Bian ‘El B’. “Los Aldeanos” is Spanish for “The Villagers.” Those two friends see and live the same daily life as the people in Havana and the rest of Cuba. However they refuse to be silenced. They will speak about the struggles about daily life in Cuba. They will rap about how phony those images of Cuba on those postcards are. They will rap about the limited future Cuban people are given. They will rap commemorating those Cubans who lost their lives seeking to escape the brutal Communist life in Cuba. They aren’t even afraid to rap about what cowards Fidel, Raul and the Communist Regime of Cuba are.

Their music is very well-known across Cuba. The music is not allowed any radio airplay or sales in stores. So the duo record their songs and burn them onto discs to give to the people to hear. The music has spread by the thousands or even millions across Cuba. The people on the streets love Los Aldeanos. They dance to it. They rap along to it. Many are proud of Los Aldeanos for speaking the truth. Many feel that Los Aldeanos speak the voice of Cuba that most Cubans are afraid to speak.

However it’s not to say it comes without consequences. Los Aldeanos use their ‘underground’ distribution methods because they know that what they say in their raps is breaking the law in Cuba and can subject them to imprisonment. In fact they often play to concerts without them on the bill as promoters ‘sneak’ them on stage during intermissions. Both men of Los Aldeanos know of the potential consequences their recorded raps and their rapping in their concerts can give them and it’s a gamble they’re willing to take. In fact the documentary shows two incidents where the two men of Los Aldeanos are arrested but released shortly after. Communists, even locals who believe in the Communist regime, would consider them unpatriotic. Truth is they’re very patriotic to the point they believe in a free Cuba.

The film shows images of Havana and the rest of Cuba as their raps are in the background. The film also shows them on stage at a concert only to have the sound shut off just after they say a few lines. That doesn’t stop the audience from rapping their lyrics out loud. We also see Los Aldeanos as they record their next disc Viva Cuba Libre: a disc they believe will be the ‘death of them’ but are not afraid. We see them preparing for a big street concert but the two struggling to negotiate with concert promoters. We also see as Bian’s girlfriend is pregnant. It’s a struggle for Bian especially since her girlfriend has had bad symptoms during her pregnancy and it threatens to put the duo on hold during their anticipated big show. The big show in the square in Havana goes as planned and they both are able to avoid arrest. Bian’s girlfriend did have to go to the hospital where she gave birth to a healthy boy. Bian proudly says that he will rap for a better Cuba for his son.

The film doesn’t strictly focus on the duo as they plan for their next disc or their big concert. The film also alternates from Havana where Las Aldeanos live and perform to Holguin City. There we meet the mother of the Cruz brothers who are in prison awaiting trial for ‘anti-government activities.’ Their crime? One night they played the music of Los Aldeanos out loud from the top of their house, waved the Cuban flag and shouted out “Viva Cuba Libre!” The police were fast as they came and beat the whole family and arrested the two sons. Their house which had freedom messages painted on it was painted over by the government. The mother talks tearfully of the prison conditions her sons are going through and her fears for the youth of the country. Even the father talks of the fears he has for this country. A reminder that even playing Los Aldeanos’ music can result in criminal punishment.

It’s at the end days after Los Aldeanos gave their grand performance that they meet with the parents and hear their story. They even decide to write a rap about the injustice the brothers have been receiving. The parents give the two huge praise. Looking at that, you could say the documentary is two stories in one. The story of the rap group and the story of the two brothers who are political prisoners for loving their music.

The film is an excellent depiction of a rap band, their music, and the status quo they threaten. It let the duo tell their story and the cameraman show the images uncensored instead of a narrator speaking a point of view. There were times when the cameraman had to turn the camera off but not without showing on film the reason why. Hidden cameras were often used in certain scenes. The film is also a risk to all those involved. It’s not just Los Aldeanos but also the villagers and city people who openly speak their mind about how terrible life in Cuba is. It’s also the fans of Los Aldeanos in the street who proudly say their reasons why they love their music and how true it is. They all risk going to jail for speaking the truth or supporting Los Aldeanos. In fact there’s a message at the beginning that names have been changed and identities protected because of fear of reprisal. Even the Americans involved with the film are subject to possible arrest and are unaccredited. The cameraman even is credited as (Anonymous). Director Jesse Acevedo even risks his own freedom for the sake of getting this documentary out. No one involved with this is immune.

One of the things of this documentary is that it restores the credibility of the term ‘underground rap.’ Underground Rap was a huge phenomenon in the 80’s as young people of a generation wanted music that was untouched and devoid of ‘watering down’ from the mainstream. That’s why underground rock and rap was huge during that time. Underground rap especially took off as a phenomenon during the late 80’s thanks to the release of N.W.A’s Straight Outta Compton. It received no radio airplay but the buzz of the anger in the songs spread like wildfire and made it go quadruple-platinum. The controversy of songs like Fuck Tha Police made headlines and made young people hungrier to buy the records. Its offensiveness to adult society made young people like it even more. It was only a matter of years when gangsta rap would become a huge phenomenon that would last for almost two decades. The ‘rebel spirit’ of gangsta rap and other underground rap was catchy enough for even white middle-class or upper-class kids to get a piece of the action and don the athletic wear gangsta baggy jeans, multiple tattoos, ghetto hand-gestures African-American accents and the walking swagger. Even though it was phony, it shows how catchy the ‘rebel spirit’ of rap was. Even if they couldn’t live it, they adopted the clothes and mannerisms of it to get the feel of it.

Nowadays ‘underground rap’ appears to be a thing of the past at least in the modern world. Underground music of the past had an impact on mainstream music and has caused changes to it. Much of underground rap was able to come above ground over time. Alternative music no longer has to rely on specialized record shops or independent labels to get their stuff hear. Apple’s iTunes has become a domain where even unsigned musicians can display their music and have the creative control alternative musicians in the past could only dream of. On top of it, the ‘rebel spirit’ of rap has faded over time. When the offensiveness of Eminem and 50 Cent faded, it took the flare and fire of rap with it. Rap music is still popular with the young but its phenomenon in terms of shelling out hot new music talent and dominating youth culture has faded over these past few years. Today’s hottest new rap talents seem simply to be ‘carbon copies’ of past phenomenons or just mere entertainers compared to those of the past. In fact I’ve often said: “Rap and hip-hop has faded in popularity so much over the last five years, it’s no longer sissyish for guys to wear skinny jeans anymore.”

One thing about Los Aldeanos is that they bring back the rebel spirit of rap. It’s rightly so because they are rebels. They’re the ones trying to shake the tight grip of Castro’s Communism in Cuba with their raps and the fans that agree with all they say. They do it at a huge risk knowing that they risk imprisonment for violating the tight Communist speech laws but they’re not afraid to do it or pay whatever price comes their way. It’s like one of their lines in their raps: “Rap is war!” Very true as they are battling the regime with the power of their rhymes. It’s been commonly said that the pen is mightier than the sword. Here’s a chance for their raps to be mightier than the sword in Cuba. In fact when I myself heard the raps of Los Aldeanos, I was reminded of Public Enemy. That’s how good they are.

Viva Cuba Libre: Rap Is War is an excellent depiction of a rap group few people know about and the country they come from. Those who have a chance to see this will see why Los Aldeanos is not only great for Cuba but necessary. I can’t think of any other people in Cuba inspiring the young for the hope of a better tomorrow.

BONUS: If you want to learn more about Los Aldeanos, here are a pair of sites to go to:

Official Music Site: http://www.losaldeanosmusic.com

WordPress: http://losaldeanos.wordpress.com/

VIFF 2013 Review: Big Bad Wolves

Jon The BlogcentricLeave a comment

Big_bad_wolves_3

DISCLAIMER: The 2013 Vancouver International Film Festival officially ended on Friday. Nevertheless I will continue to post reviews of films associated with it including repeat screenings shown within one week after the festival’s end.

Big Bad Wolves is one of those films at the VIFF that’s more movie than film. It’s Israel’s attempt at creating a thriller movie. How good is it?
The movie starts with a young girl going missing. The police first question Dror: a physically awkward religion teacher. He is accidentally released due to a police bungle. This upsets officer Miki and he decides to take things into his own hands. He hires men to beat up Dror into confessing but it doesn’t work. Unknown at the time is a teenager caught it on his camera phone. Within days the girl is found dead and beheaded. It is learned that the killer had the victim eat a cake full of sedatives before murdering her. Dror has become defamed at his teaching job and his ex-wife won’t even let him see his daughter. Meanwhile another girl is found killed and beheaded. She too was set up with the drugged-up cake. And word has come of the beating video appearing on YouTube. This leads Miki getting fired.
The firing doesn’t stop Miki from taking things into his own hands and getting to the bottom of this. He attempts to corner Dror and hopefully torture him into a confession. However Gidi, the father of the latest victim, also wants Dror to confess for his sake. Gidi and Miki first appear to form an alliance for getting Dror to confess only for things to turn ugly as Miki ends up attacked by Gidi too.
Gidi then takes Dror and Miki to the basement of his house. Miki is handcuffed to a pipe while Dror is strapped to a chair. Gidi attempts to be the one to get a confession out of Dror by torture. But no matter how hard he tries, Dror still maintains his innocence, even after Gidi rips off his toenails or disjoints his fingers. Gidi even has a cake full of sedatives ready. However just as he’s about to get Dror, interruptions occur like a phone call from his mother and a visit from his father Yoram. Things become surprising when Yoram joins with Gidi in the torture. Meanwhile Miki plans a getaway after one act from Yoram backfires and Dror gives an alleged burial location of the girls’ heads. Things have a twist of surprises that has the movie ending on a surprising note but a note that works with the story.
I don’t think the movie is trying to give a social message. I believe the movie is trying to play out a story while giving some comedic ironies at times. Like when the phone rings just as Gidi is about to torture Dror or the visit from his father or Yoram eating the sedative-loaded cake in front of Dror. It kind of gives the movie a bit of a dark humor like Fargo or even a Quentin Tarantino movie. It’s interesting that when you first see the movie, you’d think it would be a strictly serous drama but the humor added to the moment and to the surprises. The movie’s other great quality is it’s also full of surprises. There are a lot of unpredictable moments. Like who would have thought that Yoram the father would participate with Gidi in revenge? Or even Miki would receive the shocking news of his own? Also for those that saw the movie, did you really think it would end that way? I didn’t.
I’m not too familiar with the Israeli film scene or the entertainment business but I think this film is a positive move for them to create movies. As you know there’s a big difference between movies and films. Films are works of effort and creativity. Movies have ingredients to draw crowds. I’m sure anyone who likes suspense movies will find this to be a movie that will keep them intrigued in what happens next and what will happen in the end. There may be some that would think the basement torture scene went too long but some thought the intensity of that long scene was just right. I myself am appreciative of the story that was being drawn out. I may question the ending whether it should have ended that way but otherwise a very good story that had me thrilled and even laughing at times. I’m sure Hollywood will pay attention to something like this.
Surprisingly this is only the second work in both writing and directing for the duo of Aharon Keshales and Navot Papushado. You’d figure with an effort as professional and polished as this, they would have been veteran writers and directors. I am very impressed. It was an excellent script and excellent directing work. However there are times I’ve questioned whether the basement scene should have been that long.
There were a lot of great performances but I think the best performance came from Rotem Keinan. His portrayal as the victim Dror was very dead-on in terms of emotions and physical acting. He will often win your sympathy and have you believe he is an innocent man. Tzahi Grad was also very good as Gidi especially in making his role alternate between the dramatic and the comedic. Lior Ashkenazi was also very good but I think his part of Miki could have been more. Doval’e Glickman however came across as too cartoonish. The editing was very professional as well as the addition of the score in the movie. So overall I’m very impressed with how well-done this Israeli movie is. Sometimes I think it looks like something Hollywood would send out.
Big Bad Wolves is a very good thriller movie that will keep the viewer at the edge of their seat. It’s also an excellent effort from the Israeli film industry in movie making. I can see this as a crowd winner.

VIFF 2013 Review: Whitewash

Jon The Blogcentric1 Comment

whitewash

Every VIFF I have a goal of seeing at least one Canadian film. On Friday I chose to see Whitewash, a Quebec production. I didn’t get too big of an accomplishment of a movie but it was suspenseful.

The movie starts with a man walking down a street and a snowplow driving down the road. Then the shocker: the snowplow hits the man. The driver is shocked to see he’s dead. The driver then drives far north to drop the body off into a ditch and cover it with snow. Then the driver travels as far north as he can only to find him stuck in a forested area. The most he can do is make the plow his home and his shelter.

Soon we learn that collision was not a collision between strangers. It was his neighbor Paul. We also learn of the driver’s name: Bruce. Bruce does the first thing he can with whatever money Paul has. Go to a diner to eat. Unfortunately he learns that both he and Paul are in the news as missing people. It becomes apparent Bruce would have to use his stuck plow as a hideout. Over time, Bruce would use other places too like a store to buy all sorts of supplies and a house of a snowmobiling family whom he accidentally scares the daughter and pisses the father off.

It’s in flashbacks that we learn a dark secret of Paul. Paul has a gambling problem and he lost $15,000. He can’t tell his wife. Bruce has problems of his own. He lost his wife to cancer. He also lost his job as a plowman as he drove his plow into a building one night while drunk. He spent time in jail and was suspended from driving anything for one year, His only chance for making money right now are from wholeselling a set of decorations he owns.

It’s after Bruce steals a snowmobile that he accidentally spots a body of a woman frozen to death. Another body to hide, underneath a lake of breaking ice. Then we learn through a flashback of what Paul was doing inside Bruce’s house the night of the accident. This paves way to an ending that is surprising and gets a lot of people guessing their own end to Bruce’s situation.

I don’t think there’s any real social point to make in this film. All it does is tell the story from the protagonist’s point of view of how he’s hiding out and what events led to the fatal collision. Over time there becomes more that meets the eye. The film is mostly about Bruce but it’s also about Paul too. Sometimes it gets one questioning if that was an accident at all or an accident waiting to happen. Did Paul mean to avoid Bruce’s plow or did he think this was his chance for his suicide? The film has us asking.

Another thing to say about the ending is that it is unpredictable. Subtly humorous but unpredictable. We’re all expecting it to end either one way or the other. Instead it ends on a different note. Some will accept the ending for what it is but some will try to draw their own conclusions of what will happen later on. The unpredictable ending is one of the top highlights of the movie. Actually I believe that the unconventionality is the biggest quality of the movie. We all expect that this is one thing but it’s not. We think that the fatal collision was random but it was between two neighbors. We think that it was accidental but it’s possible Paul had a death wish. We all expect Bruce to face some sort of consequence in the end but it ends on a different note.

One thing about the Canadian film industry is that its in a confusing state: a state that’s been like that for decades. There’s the films of Quebec that have been able to chart its own territory and create its own legacy. Then there’s the films of English Canada which has a long way to catch up to Quebec’s level. English Canada knows how to hold its own in music and in television but it’d not able to do as well in film. All too often if they want to create a movie to get attention, they’d have to hire a big name even if it’s American or British. They do hire Canadian name actors but many who had their time in Hollywood that’s past. This is a unique situation where a Quebec director creates an English-language drama/comedy. He hires an American who’s made a name for himself–Thomas Haden Church: most famous for playing a villain in SpiderMan 3 and his Oscar-nominated performance in Sideways– as the protagonist. The rest of the cast are Quebec actors. Even the director and his brother play minor roles.

I don’t know how this will help cinema for English Canada. This may take things forward or this may be a repeat of what’s happening now. I will say it is a very good film in its own part. Emanuel Hoss-Desmarais does a very good job of directing this film. The script he co-wrote with Marc Tulin was very good, very honest and full of moments through both present moments and flashbacks that help make the film very good. In fact Hoss-Desmarais won an award at the Tribeca Film Fest for Best New Narrative Director for his effort. Thomas Haden Church gave a very good performance as Bruce that was very honest. Marc Labreche’s performance as Paul was also very good and honest but the writers could have made more of it. Supporting performances were also good too.

Whitewash is a very good film that may not do anything too new for film from English Canada but it’s a good story all of its own and will keep the audience intrigued from start to finish.

VIFF 2013 Review: The Priest’s Children (Svećenikova Djeca)

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Kresimir Mikic (right) plays a priest with a plan in The Priest's Children.
Kresimir Mikic (right) plays a priest with a plan for his island in The Priest’s Children.

The Priest’s Children is the first film from Croatia in four years to play at the VIFF. The question is does it have what it takes to entertain? And also how would it fare for a film coming from Croatia?

The story is about Don Fabijan: a weary village priest. But he’s not just any weary priest. Don Fabijan was to be the next priest in line at the church on a Dalmatian island. However it’s not just about filling the shoes of a veteran priest who has become like a father figure to the islanders. It’s also dealing with the village’s declining population. The past year there were no births and eight deaths. There was even fear from the villagers that the island might be taken over by immigrants from Africa and China.

So Don Fabijan decides to do something in cooperation with Petar the news agent. He decides to pierce the condoms He sells. Every one. The scheme works well but limited. Yes, sex is more delightful but not as many babies have come. It’s then he decides to take it one step further by getting Marin the town chemist to substitute the birth control pills with vitamins. Soon the birth rate gets better and even marriages are performed. The island even attracts news attention from across the nation and visitors from around the world.

Unfortunately schemes do backfire. Even though the scheme is approved by everyone inside and even the bishop, problems arise. One woman is carrying a baby of her boyfriend who recently died in an accident. His parents lock her up to prevent her from getting an abortion. One baby is found abandoned at Marin’s doorstep. A father grows hostile upon marriage and fatherhood. Even a suicide among the villagers. The scheme had caused great strife amongst the village and major stress among the priests in the end. Don Fabijan himself has to confront the wrongs of the scheme. This paves the way to an ending of humorous but touching resolve.

One thing film festivals like to do is showcase films that put envelopes. I don’t know if this film would push a lot of envelopes upon release in North America but I’m sure this film would raise eyebrows in the director’s home country of Croatia. We shouldn’t forget that Croatia’s a highly-conservative country. It has a lot of mainstream traits in its society common with most of Europe but the country still holds tight to its Roman Catholic roots and still looks at the Church quite highly for the most part. Bresan steps on a lot of touchy ground here when he focuses on the Church, its anti-birth control message, even its scandals in other countries and the subject of Croatia’s declining population and national feeling of xenophobia. It’s a wonder how Croats would take to that film. It’s also a wonder how Catholics will take to such a film.

There’s also question about how such a film would boost the Croatian film industry. We should not forget that Croatia has been a nation independent of Yugoslavia for 22 years and is a country of 4.5 million people. It has an entertainment system that’s capable of holding its own inside Croatia but not well enough to cross over. In fact I heard one Croatian rock singer once say that there’s no current rock scene in Croatia.

As for film, Croatia’s okay for producing entertainment for their own country but there hasn’t been a film style or signature director that is able to give a signature definition to Croatian film. Vinko Bresan is one director that has been able to make a name for himself in Croatia with some crossover success in other countries. Two of his films were Croatia’s official entry for the Academy Award for the Best Foreign Language Film category. For the record, no Croatian film has ever been nominated in that category nor has it made the nine-film Shortlist before nominations. He has received recognition for shelling out films that break taboos of society, especially Croatian society. His films range from comedies like 1999’s Marshall Tito’s Spirit and 2009’s Will Not End Here to dramas like 2004’s Witnesses. His films have done very well at the Croatian box office and have also won international awards at the Karlovy Vary Film Festival, the Pula Film Festival and Witness was even a nominee for the Golden Bear at the 2004 Berlin Film Festival.

As for The Priest’s Children, this film earned a nomination at Karlovy Vary. It doesn’t hold the same buzz as some of Bresan’s more celebrated works as far as awards go. As for seeing the film myself, I found the film humorous, has some edginess and even looked like one that could rattle cages. However there were many comedic elements that I’ve seen in films past. Also I didn’t notice anything in terms of its edginess or its distinctiveness that really stood out. The acting was goos from actors like Kresimir Mikic, Niksa Butijer and Marija Skaricic but nothing that really stood out. I will sum the film up as good for Croatia but not really one to take film to a new level or make a big statement.

The Priest’s Children is a humorous film that’s entertaining but not too original and doesn’t really stand out too much. Nevertheless it is an added boost to the developing Croatian film industry and Croatia’s developing arts scene.

Movie Review: Lee Daniels’ The Butler

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Forest Whitaker plays a butler in The Butler who serves the White House and includes himself in history.
Forest Whitaker plays a butler in The Butler who serves the White House and includes himself in history.

Lee Daniels’ The Butler is another surprise hit movie of the summer. It doesn’t feature the typical fare for what one would call a ‘summer movie.’ Actually it features more mature fair that’s meant for a release around October, November or even December. So how did it manage to become a hit this summer?

The Butler is a unique story of Cecil Gaines. Born in a cotton field, he was forced into labor by the Westfalls, a Georgia family who owned the plantation. Even though slavery was out of existence, it didn’t stop people from treating their black employees like slaves. The son raped Cecil’s mother and shot his father dead. The state’s caretaker, the mother, takes Cecil out of the farms and assigns him to be a house servant. However it would be a businessman whom encounters Cecil after he breaks into a bakery and steals a cake after running away. The businessman turns him into a successful butler who’s able to provide a good income for his wife and children. Something very rare for an African-American man to be able to do before 1960.

A breakthrough occurs when Cecil is offered a job as a butler at the White House. This is a big breakthrough for the Gaines family as they can improve their way of life. However it does not come without its prices as Gloria feels alienated from Cecil and his workaholic manner and turns to adultery. His son Louis becomes very involved with political activism and the Civil Rights Movement from restaurant sit-ins to the Black Panthers movement. That doesn’t sit well to Cecil at all to the point they fight and they don’t speak for years. His 34 year career as a butler in the White House takes some turns as he’s able to converse with the president and even influence many on how they deal with African-Americans. Cecil is also involved in other incidents such as the riots after Martin Luther King’s assassination to losing his son in the Vietnam War. The story intertwines with his career with social changes for Black America during that time period with his own family life from his childhood to his career to Obama’s inauguration.

A short while back when I was doing a Wikipedia search on the movie, I learned that this film is loosely based on Eugene Allen: an African-American butler who first served in the White House in 1952, advanced to Maitre d’Hotel in his career and finally retired in 1986. The movie admits that this is inspired by a true story rather than actually being a true story. Though one can doubt the truthfulness of the story, the script by Danny Strong does capture one’s attention and is able to mix the White House life of Cecil with moments of history and even the struggle of one family dealing with the changes and trying to make life better for themselves and for their race. It’s almost like Cecil could be labeled the ‘Black Forrest Gump.’ The relationship between Cecil and Louis also highlights the divisiveness between two generations of African Americans. One learned he had to work hard to get places. Another adopted the new attitudes of Black pride during the 60’s. The clashes between the two represent the clashes of the two generations of Black America. Lee Daniels also does a very good job of directing the movie with its complexities. This is a big move for him to go from something like Precious to something more polished. Nevertheless it’s a very good move and can allow him to replace Spike Lee as the top African American director in the business.

The actors were also excellent, especially Forest Whitaker as Cecil. I’m not sure if Forest is trying to imitate Eugene Allen or trying to make Cecil into his own character–I admit that I myself have never seen video footage of Eugene Allen–but he gave an excellent performance both in terms of the character’s personality and his aging. Oprah Winfrey also gave an excellent performance as Gloria encompassing the struggles of maintaining family unity while dealing with a husband that seems too preoccupied with success. David Oyelowo achieves a personal breakthrough here as Louis Gaines. He does a very good job of representing the new black attitude of his times in both life and personal political attitude through Louis Gaines. Supporting acting was also very good from star actors like Terrence Howard, Lenny Kravitz, Vanessa Redgrave, Mariah Carey and Jane Fonda. The supporting acting performances from the lesser-known actors like Mika Kelly, Nelsan Ellis, Elijah Kelley, Clarence Williams III and Yaya da Costa were also very good and added to the ensemble cast. One thing that struck me about Yaya da Costa’s performance of Louis’ girlfriend is the Black Panthers scene where she has a big afro and admits her desire to kill. Didn’t she remind you of Angela Davis in that scene?

There’s one glitch in the movie, it’s the casting for those who portray presidents in the past. At first I thought Robin Williams as Eisenhower was a good choice but the others didn’t seem so.  John Cusack made Richard Nixon seem awfully young as did Liev Schreiber as Lyndon Johnson and James Marsden as John F. Kennedy. All three of them were at least ten years younger than the presidents they played when they assumed office. I feel the biggest miscast was Alan Rickman as Ronald Reagan. Reagan had a charming personality and Reagan was not seen as charming at all in the film but rather a toughie. Makes me wonder what was with this? Was it miscasting? Or were those the ways the presidents looked to Lee Daniels or through the eyes of Cecil Gaines?

One final note of the movie. This was the scene near the end showing Obama’s election to the Presidency in 2008. I know that there has been a ton of flack given to Obama over what he’s done or what he’s failed to do as President of the United States. One thing you can’t deny is that even in the five year’s since his election, he’s still the face of hope for a race and other racial minorities. That’s one thing that can’t be taken away.

Lee Daniels’ The Butler is an excellent movie worth watching. I have sometimes co-related to movie to Forrest Gump where a man is part of history. Despite some of its flaws, it was an excellent intelligent alternative to the hyped-up summer stuff and still draws audiences now.

Movie Review: We’re The Millers

Jon The Blogcentric1 Comment
Jason Sudeikis (right) and Jennifer Aniston (left) lead an unorthodox trip in We're The Millers.
Jason Sudeikis (right) and Jennifer Aniston (left) lead an unorthodox trip in We’re The Millers.

At first I wasn’t too interested in seeing We’re The Millers back around when it opened across theatres August 7th. Well guess what? Its eighth weekend has passed and it’s still in the box office Top 10 so I figured I had to see why this is such a hit.

Before I review, I want to give the box office details that sparked my interest. When We’re The Millers first debuted at the box office, they were pitted that weekend against debuts from Elysium, Planes and the latest Percy Jackson movie that weekend. The big-budget Elysium was the winner that weekend with $29.8 million while We’re The Millers was second with $26.4 million. Actually Millers opened the Wednesday that week which gave them a healthy extra $9.5 million. That helped a lot in making back their $37 million budget that Sunday. The following weekend saw The Butler, which I will review at a later date, at the top with $24.6 million. As for last weekend’s debuters, the other three movies started to move down in terms of their weekend grosses while Millers remained in second with a healthy $18 million as compared to the humble $13.7 million Elysium racked up. Yeah, very humbling since Elysium came at a $115 million budget. The following week saw a repeat of the Top 2 with the Labor Day weekend only seeing the One Direction concert movie superseding the two. Even over the weekends in September, We’re The Millers still did consistently well and now sits at #9 in its eighth weekend with its total gross just recently passed the $140 million mark.

Firstly we have to admit that the situation of the comedy is humorously unusual. A veteran pot dealer has to make back money he lost by being a drug mule in Mexico for his boss. However being single makes him a dead giveaway to the police while families are often overlooked by the cops. So you have to admit creating a fake family with a runaway girl, a stripper neighbor who can’t stand him and a shy neglected boy in his block would make for an unusual premise and leave the audience wondering what will happen next. Having a bizarre drug-trading situation also adds to the story as well as another travelling family who’s uberfriendly and whose daughter captures the attention of Kenny adds too. Scenes like the strip-show getaway and the fake baby named Lebron add to the humor as well. The uberfriendly family having the father being a former FBI agent adds to the suspense in wondering what will happen next.  Many of the dramatic moments are somewhat predictable as you mostly know what will happen in the end but it’s still fun to see them played out. Also there are some surprise moments.

The actors themselves also added to the humor of the story. Jennifer Aniston is the one with the biggest resume in the movie. She has starred in hit after hit for so many years. Also adding to this is funny guy Jason Sudeikis. Many Saturday Night Live regulars in the past have gone on to bigger and better things once leaving, but it hasn’t happened to all of them. Very often the first few years after they leave determine whether their post-SNL success will be sink or swim. We’re The Millers is actually a very good boost for Jason Sudeikis. There’s no telling how far his next movies will go but Millers is already a good boost. Also good was the addition of Ed Helms. Funny thing that when I was watching this movie, I wondered if it was written by those involved with The Hangover because I saw a lot of similar humor elements. It wasn’t but including Ed as this off-the-wall cartoonish drug lord added to the humor. Makes you wonder how a yutz like Gurdlinger can be a successful kingpin. The young actors of Emma Roberts, Molly Quinn and Bill Poulter also added to the story as they appeared to be the ones closest to normal, even Casey the street girl. Actually I was surprised Poulter because I didn’t think he’d be the type for sexual slapstick or slapstick of any kind.

Another factor to the movie’s success could be as well is the timing of the movie. This comedy came as big-budget action flick after big-budget action flick were doing less than expected. It almost appeared the summer hype was fizzling out. I will admit that charmingly offensive humor doesn’t have the same heyday that it had back in the late 90’s-early 2000’s. You remember how gross out comedies like There’s Something About Mary, American Pie and Scary Movie surprised everyone by getting loads of people laughing with their low-brow humor and became bigger hits than expected. Since then there hasn’t been as mammoth of hits in the charmingly offensive comedy genre. Nevertheless it’s fair to say there was a steady diet of such thanks to the ‘Frat Pack’ or ‘Slacker Pack’ made up of Jack Black, Ben Stiller, Will Ferrell and Owen Wilson. They churned out comedies that kept everyone entertained continuously up until 2008 when people started to tire of them. Since then it hasn’t been as consistent but there have been some hits along the way. The first one being The Hangover. Its hit success proved that obnoxious and even lewd comedy could still draw good-sized crowds. Grown Ups soon followed. Last year was Ted. This year showed that the Hangover formula and the Grown Ups formula were fading. Fortunately We’re The Millers was able to take the place of both and became the surprise hit of the summer this year.

Actually from my own point of view, I found a lot of moment so We’re The Millers funny but also a lot of unfunny moments. Yes, there was the bag of dope disguised as a baby named Lebron. Yes, there was the stripper dance getaway. Yes, there was the idiot Gurdlinger. But all too often it seemed like they were resorting to sex humor or sexual languages for the sake of cheap laughs. It may be because I’ve aged but I’m okay with sex humor as long as it justifies itself in the movie or the script. All too often I can tell the sex humor or sex language is used for the sake of a shock effect or a cheap instant laugh. And that’s what it seemed to be doing all too often in Millers. I know I should be expecting this especially since the writers have The Wedding Crashers, She’s Out Of Your League and episodes of Married With Children to their writing credits. Even the director has Dodgeball to his directing credits. Nevertheless I felt it tried too hard to deliver shock-laughs at times. Hey, I know comedy is the hardest thing in the world to do but still…

We’re The Millers is a surprise hit of the summer and for a lot of good reasons. I often feel it’s National Lampoon’s Vacation meets The Hangover.  However it’s not to say that its over-the-top humor can come across as desperate for shock laughs at times. It’s all a matter for the audient to decide whether it’s funny or not.

VIFF 2013 Review: A Field In England

Jon The Blogcentric1 Comment

Field In England

A Field In England is intended to be a historical drama/dark comedy. This makes for a unique and daring combination but does it work?

The story is set in the British Civil war of the 1600’s. Whitehead, an alchemist’s assistant, flees from his strict commander and meets a deserter from his own side and two other deserters from “the enemy’s” side. They all try to leave the war behind in search of an alehouse. Meanwhile they have a stew made with the mushrooms they found along the ground. Along the way they meet with an Irishman whom Whitehead had been sent to hunt down for stealing his master’s documents.

The Irishman however tries to get control over the group by letting them know of a treasure in the ground underneath. Whitehead is able to locate the area while the other three are digging or supervising. The exhaustion if digging takes its toll on the two diggers as they get into a fight and one is shot by the one supervising. After all the others run off, the one who did the supervising must now do the digging himself where he learns there’s nothing more than a skull. The Irishman then shoots him and then goes after Whitehead and the one surviving deserter. The two manage to escape and head back to the camp. However one of the deserters originally thought to be dead returns only to get embroiled in a shooting with the Irishman. After an ensuing shootout between the others, Whitehead is the one left standing and he buries the four. After burial, he returns to the hedgerow he originally deserted and finds the three soldiers still standing.

The thing about this movie is that it often appears clueless. All too often I’m sitting there in the theatre wondering what the point of the movie is or what the point of certain scenes were. Was his point about the British Civil War? Was his point about the warring factions: the Royalists and the Roundheads? Was it about the attitude the deserters shared? Was it to be experimental as noted by the many bizarre images? Was it another case of Ben Wheatley getting into his violence obsession? I was left very confused. The violence and even the alleged sodomy part really had me questioning. Even the special visual effects like the exploding sun and the strobe images had me wondering if Wheatley was trying to be experimental in his work.

I will admit that this is just my judgment from watching as I am unfamiliar with Ben Wheatley’s work. He has established a reputation in England with seven years of film making and video making under his belt. He is also primed and ready for the mainstream as he has already been slated to make an American-made film Freakshift and a sci-fi series for HBO in the future. Nevertheless I’ve been left assuming that A Field In England, which is directed by Wheatley and written by his wife Amy Jump, is an experimental picture for Wheatley. I saw nothing in the storyline involving any facts or factoids about the British Civil War and more of a focus on torture, violence and hallucinations. Even the language used in there didn’t sound like talk that would be used from the 17th Century but contemporary times.

The film has already received some acclaim. It has already won a Special Jury Prize at the Karlovy Vary Film Festival and was a Crystal Globe nominee at that festival. It has also made its round of film festivals and has already been released on DVD.

A Field In England appears to be more of a trip of psychedelia and violence than historical documentation or historical fiction. The best I myself can classify this film is an experimental work.