VIFF 2025 Review: Idiotka

Anna Baryshnikov plays a fashion designer looking for her big break on a reality TV contest in Idiotka.

The VIFF will be full of dramatic films this year, so it’s kind of understanding why I would want to look for a comedy break. I was lucky to get it with Idiotka. It’s an American comedic film that can make you laugh.

Margarita Levlansky is a woman who dreams of becoming a fashion designer. Trouble is she lives in the Russian section of West Hollywood where it’s hard to get notice. She also has a flimsy sewing machine. The only way she can make money from her fashions is when she sells them with a big-name designer label on them and sell on eBay. Margarita’s family are full of hard times in America. Her brother Nerses is an unsuccessful musician, het father Samuel was a doctor who spend eight years in prison because of medical fraud and was depressed enough to leave his practice, and grandmother Gita is physically unable to work thanks to chain-smoking. To complicate things, they’re waiting for a house being constructed and they’re five months behind in rent at their apartment. Their landlord, restaurant owner Vlad, is not happy at all about it.

One day, Margarita finds a chance for a big break. A fashion television channel is starting a new reality competition for fashion designers from underprivileged backgrounds called Slay, Serve and Survive. At the audition, she meets the shows top producer Nicol Garcia. She let’s Margarita know from the start that this fashion contest will involve a lot of playing to the camera. That will mean things like a likable personality, a relatable scenario and even exposing personal things about her family is she progresses in the rounds. Margarita accepts. Within time, she is one of the final five for the big prize of $100,000. The family is excited for Margarita. Finally, a chance for a way out of the financial mess for them.

At the start, Margarita is nervous when she learns who her four rivals are. They also have attention-getting backgrounds of their own. To add to it, she also learns of the flamboyancy and ego of the two other judges: Candy and Emma Wexler. The first round starts where they all have to take various types of yellow-colored pieces of clothing and work them to make something nice and eye catching. They all have a limited amount of time to make it work. At the end, all five show their works off. Then the judges decide. One has to go home. It’s not Margarita! She’s still in the running!

As each round progresses, the fashions get more and more personal and the competition gets that much tighter. They even go as far as showing off one’s ethnic background. The producers are looking for more chaos from Margarita but she’s reluctant. Grandmother Gita wants to be on camera but father Samuel is reluctant. He still doesn’t want to admit his failings. Soon bad news hits the family as Vlad is evicting them from the house and Gita has been diagnosed with lung cancer.

The two finalists have been narrowed down. It’s Margarita and Jung-soo. For the final episode, only one will walk away with the $100,000. In the days leading up, Margarita is still uncertain how things will go. Her father is still reluctant, she has no place to show her clothes, and her sewing machine works terrible. She’s just about to quit. The night before the main event, she has drinks with Jung-soo and he talks about his own nervousness for this contest. Soon things look up. Gita used her last money to buy Margarita a new sewing machine. One that works effortlessly! Vlad learned of Margarita on television and is willing to forgive the family of the money they owe as long his restaurant is shown in the final episode. Right just an hour before Margarita is to give her show, the father is finally willing to go along and be on camera.

The final show is on. Filming takes place in Vlad’s restaurant. All of Margarita’s family wear fashions showing off the shortcomings of their lives. Nerses shows himself off as the flop singer. Gita shows herself off as the smoking grandmother and tosses cigarettes to the hosts and producers. Samuel comes on with his MD uniform and takes it off to unveil a prison uniform. Finally Margarita comes out in one of her hand-made outfits with all the designer labels she uses sewn all about. Then it’s up to the judges to decide who the $100,000 winner is. The ending gives us a sense that things will get better for the family, but not without some heartbreak along the way.

It’s not that often I go to see a comedy at the VIFF. I just took the film because it was available at the time. I’m glad I did. This comedy does have a lot of relatable teams. A young budding fashion designer who longs for her big break. Her family that’s full of flaws and problems. A fashion contest/reality show that’s a chance to be her breakthrough. It gives a lot to identify with and laugh about. Especially for the young.

I know that films about a reality TV competition have been done very frequently in the past, so this comedy doesn’t offer anything too new. What this comedy does do is it gives a relatable situation about a family with problems and one person trying to find a way out of it. It will require family cooperation and it gets messy, but it does work out in the end. The story is also about how the child of the family has the biggest responsibilities with her being the breadwinner. To do all that she does and then risk it big time to win on reality TV, that is one big challenge. Nevertheless the story pulls itself off well. It may get messy at times in the story, but it succeeds in the end.

This is the first feature-length film for Nastasya Popov. She has directed short films including documentaries before. Here she delivers a compelling comedy about trying for a big break while hanging by a string. It’s a funny story, if it’s not always together. Popov has gotten some acclaim for this as she won a New Director award at the San Francisco film festival.

Anna Baryshnikov holds the film together as the protagonist. The daughter of legendary ballet dancer Mikhail Baryshnykov, she’s had a steady acting career for over eight years and she looks great here. She’s able to balance the humorous with the dramatic and be able to be the centre of a story of a messy family drama. The chemistry of the family also made the film work. Mark Ivanir is great as the father too prideful to fess up to the mistakes he made. Nerses Stamos is also good as the son who can’t get a break. Galina Jovovich often steals the film as Gita the fierce grandmother. Camila Mendes adds to the humor as Nicol as do both Julia Fox and Saweetie as exaggerated versions of themselves.

Idiotka may follow a common story line found in most comedies, but it succeeds in delivering its own story. It has a mix of relatable and unrelatable ingredients that will make you enjoy it.

Movie Review – Spider-Man: Into The Spider-Verse

Spider-Verse
Spider-Man: Into The Spider-Verse is about a teen who becomes a Spider-Man and becomes part of a ‘Spider-team.’

We’ve seen many live-action films of Spider-Man in this century. This year, we had an animated twist with the Spider-Man story with Spider-Man: Into The Spider-Verse. The big question is will this story work? Or will it be an insult to Spider-Man fans?

Miles Morales is having the difficulty of going to a special private school, which includes a dorm. He doesn’t want to go to that school, but his police-officer father insists because of his intelligence. After school, Miles visits his uncle Aaron Davis to watch him spray paint graffiti, but is bitten by a radioactive spider. Miles son learns he has superpowers of his own.

Miles goes searching in the same area for the spider, but comes across a particle accelerator built by Wilson Fisk who desires to find the universe where his deceased wife and son are. Soon Peter Parker as Spider-man appears to destroy it, but is confronted by Fisk’s enforcers Green Goblin and Prowler. It’s a losing battle for Spider-Man as he lays dying, but hands Miles the USB drive to disable the accelerator before he dies. While still trying to learn his abilities, Miles damages the USB.

The whole of New York is in mourning over the death of Peter Parker. While at the grave, Miles meets up with Peter B. Parker: a down-and-out Spider-man who’s divorced from his wife. Peter B. had just been dropped out of the accelerator. To get back in, he agrees to train Miles. They soon learn after breaking into Kingpin’s laboratory and confronted by Fisk’s female associate in crime, Peter will die if he doesn’t get back into the accelerator to his universe.

Soon they’re rescued by Gwen Stacy: Miles’ classmate and also part of the universe. Gwen brings them to Peter’s Aunt May, whom Peter thought was dead. May is sheltering other displaced and deteriorating heroes of the Spider-Verse like Spider-Man Noir, Peni Parker and Spider-Ham, the spider bit by a radioactive pig. Miles attempts to help them, but his lack of experience with his new-found powers gives the Spider-Verse members a lack of confidence.

Things get worse for Miles as he learns his uncle Aaron is Prowler. He returns to May’s house, where Peni has the drive prepared, but he is followed by the team of villains of Wilson Fisk. Miles is able to free but is captured by Prowler. When Miles unmasks himself, Aaron is willing to be killed by Fisk rather than kill Miles. Miles’ father makes the conclusion Spider-Man killed Aaron.

The Spider-people retreat to Miles’ dorm and Peter B. webs him up and his mouth, feeling he doesn’t have what it takes to battle Fisk. Miles’ father, thinking that Miles isn’t talking, confesses his feelings for him and tries to make peace. However Miles soon learns he can master his powers.

Miles then goes to Aunt May where he’s able to help the other Spider-people work the accelerator and get back to their universe. However they leave Miles to defeat Fisk, insuring him they believe in him. Miles does face the courage to defeat Fisk, help the Spider-people return to their dimensions, and his team and make peace with his father.

Now one thing few people except die-hard Marvel comics fans knew about was that the Spider-Verse was not a new thing. The Spider-Verse came to be back in 2014. So those who think that this is something new and original, they’re wrong. In fact the Spider-Verse includes a Gwen Stacey. However one will be entertained by the Spider-Verse. This is rare in a movie that we get to see six ‘Spider-beings’ get together and be heroes. However the story does put the focus on one individual: Miles Morales, the new person into the Spider-Verse. It is a shame because we were just starting to get into this Spider-Verse. Nevertheless the movie allows it mostly to be Miles’ story and the other members of the Spider-Verse give Miles his chance to prove himself.

The story is very good as it does have a good beginning, middle and end. It actually had to have more of an extended beginning because it’s not just Miles who is affected by the radioactive spider, but five others too. Also it uses the death of a Peter Parker/Spider-Man set the road up for the story of the Spider-Verse to come. The story is not just about the Spider-Verse or even solely about Miles’ role in it. It’s also about family relations too. Miles has a hard time with his father sending him to a private school he hates. Miles idolizes his uncle Aaron, but would have to soon learn that Miles is The Prowler and keep it a secret from his father. That part of the story adds into the drama. However with this being an animated telling of the Spider-Verse, the story has to have humor in it. There’s no shortage of that here.

As for the animation, the animation is excellent. It’s not just 3D animation, but a mesh of comic-book images that add to the film. The mix of the imagery adds into the story, especially with this being a Marvel comic story.

Kudos to Phil Lord and Rodney Rothman for bringing the Spider-Verse to the big screen and creating a story that’s entertaining but not too confusing with all these Spider-beings. The directing team of Persichetti/Ramsey/Rothman do a great job of making the film work in both the story and its imagery. The vocal talent was very good, but top marks go to Shameik Moore for his performance as Miles Morales. He had the big task of being the voice of the lead and he did an excellent job. Mahershala Ali and Bryan Tyree Henry were both great as the uncle and father, respectively. Hailee Steinfeld was a scene-stealer as Gwen Stacy as was John Mulaney as Peter Porker.

Spider-Man: Into The Spider-Verse was the animated movie we all needed this year in which the only winning animated movies seemed to be sequels. This animated story of a team of ‘Spider-Beings’ all teaming up at once and then doing their own duties did not do any damage to the Spider-Man story at all. Instead it added an entertaining twist. Stan Lee would be proud.