Once again, the Oscar short films are back to watch in a reel of the nominees. Over the last few months, I learned there are film festivals either dedicated to short films or show a lot of them and the winners they decide have some impact on deciding the Oscar-nominated films. Here’s my look at this year’s nominated short films in animation and live-action:
BEST ANIMATED SHORT FILM:
Papillon/Butterfly (dirs. Florence Miailhe and Ron Dyens) – The film begins with an older man named Alfred swimming off the coast. As he swims, his life flashes by. We learn as a child in Algeria, he was too afraid to swim at first but became bolder as he grew up. As a young male in France, Alfred became world class but experienced a lot of anti-Semitism because he was Jewish. He won the affection of a Jewish diver and they had a daughter. He qualified for the Olympics, but it was the 1936 Nazi Olympics in Berlin. The French teammates treated him like a brother. As the years passed, France became more anti-Semitic as they faced pressure of possible invasion, but his teammates were there. During World War II, Alfred and his family were imprisoned during the Holocaust and shipped to Auschwitz. Alfred participated in a resistance movement and miraculously survived. His family was killed. Nevertheless he still was able to live his life and became seen as a swimming mentor on the coast.
This is a story of real-life French Olympic swimmer Alfred Nakache whom the father of director Florence Miailhe used to know. The story is told through a style of animation that looks like painting animate and about with colors. The images are dazzling to see and the colors mix delightfully. It’s an excellent blend of imagery and storytelling. That’s why I make it both my Should Win pick and my Will Win pick.
Forevergreen (dirs. Nathan Engelhardt and Jeremy Spears) – A young cub is lost in the woods. His path is broken apart by a valley. He’s lost his mother. A tree decides to lay the role of parent. He shelters him and feeds him. He treats the cub as if he’s his own. The tree, who I will call Father Tree, also plants a pine cone in front of the cub and promises him it will grow up to be a big tree like him. As the cub grows, he turns into an impatient teenage jerk and is unhappy with the slow growth of the pinecone. He even shows sass to Father Tree. One day, he decides he’s a grown bear and leaves Father Tree to go across to the other side of the valley. There, he meets other young bears like him and has fun eating up other people’s garbage. Unfortunately, he accidentally starts a forest fire. All the bears run away and his life is in danger. Fortunately father tree creates a bridge of himself allowing the bear to cross. Unfortunately, Father Tree dies in the blaze. He sees baby tree has grown up into a full tree. There he’s able to create a home for his wife and children.
It’s a charming story based off a bible verse done to stop-motion animation. The stop motion isn’t as smooth but it adds to the charm to the film as is a delight to watch. The story is charming and entertaining from start to finish. It does seem more like it’s aimed for young children but some adults can take a delight in this tory and the imagery.
The Girl Who Cried Pearls/La jeune fille qui pleurait des perles (dirs. Chris Lavis and Maciek Szczerbowski) – An elderly man tells a young girl his story as a child in old Montreal. He was an orphan child who found shelter in the room of a store. The room was right across from another room a family lived in. The family situation was terrible as the father was mentally ill and the mother was verbally abusive. It was especially terrible for the young daughter. One day, the boy noticed loose pearls coming from the room. How did they come? He learned the girl cries pearls. He takes two of the pearls to the pawn shop. The pawner suspects him to be a thief. The rabbi he consults uses the Genesis story of Eve crying pearls. The pawner reluctantly accepts and gives the boy two dollars. The most he’s seen. The pawner wants him to get more pearls, but that will mean seeing the girl cry more. He doesn’t want to but the greedy pawner is angry with his sentiments. He’s able to win her love by buying her chocolate and promise her a trip to Paris. Then one day, her father is killed by a streetcar. She cries endlessly and its able to give him enough pearls to give him hundreds of dollars. As he leaves for Paris, he notices a ship crate from Japan breaking and fake pearls spilling out. As it goes back to the old man, he tells her it’s about the story rather than the object. That causes her to question the truthfulness of it all.
This is another stop motion animation film. This film from the National Film Board Of Canada is more about telling a story artistically. Narrated by Colm Feore, the story is told through the magic of its images. Though the figures appear coarsely done, it’s part of the art. The endearing story is mixed with the charming images and makes the story a delight to see from start to finish.
Retirement Plan (dirs. John Kelly and Andrew Freedman) – A young man talks about his plan for retirement. He visualizes and talks of all the things he will catch up on. Lots of things undone. He visualizes also the things he will leave behind in the process. He visualizes all the life goals he plans to achieve before he dies. He also visualizes some of the plans he has for his afterlife! Including a haunting or two!
Narrated by Domnhall Gleeson, this film plays out in what appears to be coarsely-drawn two dimensional images but the coarse drawing is part of the film’s charm. As the man talks of his plans, all the images play out of his desires, shortcomings and fantasies. It’s both charming and humorous to watch. Despite it being a brief film, it makes for a nice film to enjoy.
The Three Sisters (dir. Konstantin Bronzit) – Three sisters live on a remote island with their own separate rooms to their house. They get a delivery of food and money on a Sunday but most of it is either eaten by the seagulls and the money is accidentally lost in the deep water. One sister, the shortest, decides to rent her room out to make the money back. On the Monday, an uncooked sailor arrives to make himself at home. The small sister then goes into the middle-height sister’s room. The middle-height sister will have to live with the tall sister. Tuesday, the sisters try to compete for the sailor’s love. One gives him coffee, the other washes his clothes and the other gives him his pipe. That leads to squabbling among the sisters. Wednesday, the fighting gets more intense but he finds the money they lost off the coast. Thursday, more fun and dancing but the women are shocked that he sees them naked. Friday, he leaves the island. What are the sisters to do? February, three men arrive, all differing heights, as they came across the rental ad!
This 2D film has its charm in the drawings but the bigger highlight is the story it tells. It tells its story without dialogue. Just minor sound effects are spoken of the people. The story will tell what they’re saying so you will get the message. It’s fun to watch from start to finish with humor anyone can understand.
BEST LIVE-ACTION SHORT FILM:
Butcher’s Stain (dirs. Meyer Levinson-Blount and Oron Caspi) – Samir is an Arab-Israeli who works as a butcher in a Tel Aviv supermarket. He serves his customers professionally and with courtesy. One day, the manager brings him into the office. She mentions of the poster of kidnapped Israelis in the break room on the floor. She claims someone said it was him. She mentions surveillance cameras are broken. This comes as he has to work extra time which interferes with a family occasion. One with his sister, her Israeli husband, and their mixed son. Over time, Samir becomes more suspicious and questions who of his co-workers would do it. He goes undercover to see what goes on. He notices one stealing items and one making the accusation and the boss admitting firing him will be hard because he’s minimum wage. In the butcher area, he confronts his co-worker who told the lies. That’s where the manager fires him. As he arrives home early he lets out his anger at his family situation. The film ends as he makes the effort to find peace.
The Israel-Palestine conflict has become a hot topic. This story tells a lot about the prejudice and increased suspicion from Israelis Palestinians face as they try to live their daily lives. It tells a story of the prejudice faced by the butcher as what he went through was something set up in the end. It also shows how it threatens peace with his family, but he chooses to go about his life peacefully. Something hard to do. The story makes you see his side of the story and what is happening now.
A Friend of Dorothy (dirs. Lee Knight and James Dean) -The film begins with the reading of an estate of an older woman. The grandson Scott is there and he’s shocked that this young man of African immigrants named JJ is here. He never knew him. The film flashes back. One day, JJ lost his football in a yard. He thinks it’s this elderly woman’s yard. He knocks to try to retrieve it. She is surprised by him. Also that he doesn’t know for sure if the football is actually in her yard. She asks him instead to help her open a can of prunes. That day, she’s impressed by his service. She also notices he has an interest in her books of plays. She makes aa deal with him. He opens her prunes on a daily basis and he can read her books. Over time he reads more. Also he notices his affection for his kind. One day she talks of how her son moved away a long time ago to another country and rarely talks to her. One day, Scott and JJ meet at her place and he’s surprised. During her daily meeting, she mentions her grandson Scott is just there to fill the void, but all Scott does is talk on his phone, does what he can and goes back to business. She also reveals her name is Dorothy. Like in The Wizard Of Oz. As the estate is read, the father inherits the house, grandson Scott inherits £50,000 to his dismay, and JJ inherits the drama collection, and something more.
This is a story about elderly neglect. Something that seems to be very common in today’s world. Nowadays it seems a lot more children are more concerned about their career pursuits in this unforgiving world and they often forget about their own parents. Despite the theme, it is a heartwarming story. The young man JJ may have come to her house to get his football, but he gets a lot more. He gets a woman who’s not afraid to let him be who he wants to. Drama instead of football and willing to admit he’s gay. Over that brief time, he becomes more of a son to Dorothy than her son and grandson are. While they’re self-absorbed, JJ gives himself to her. It makes for a nice warm story that still makes you think. That is why I declare this film my Should Win pick.
Jane Austen’s Period Drama (dirs. Julia Aks and Steve Pinder) – The film begins in a Jane Austen-style romance. Miss Talbot is finally proposed to her longtime lover Mr. Dickley. Unfortunately she menstruated and the blood spills on her white dress. Mr. Dickley thinks she was injured, but her sisters try to hide the truth from him as he appears unfamiliar with what menstruation is. Annoyed with it all, Miss Talbot takes it upon herself to tell the naive Mr. Dickley about menstruation herself, even if it means she might lose him. Miss Talbot talks to Mr. Dickley alone in a room as her family and servants eavesdrops through the door. Miss Talbot does her best to explain, but it’s hit and miss with Mr. Dickley. Then the final decision, Mr. Dickley is fine with Miss Talbot’s menstruation and will marry her. The family immediately celebrates, where we learn her name is Estrogenia!
Now menstruation humor is a very touchy subject. As a male, I refuse to tell menstruation jokes. Nevertheless, I’m fine if women joke about it. The story isn’t simply ‘period jokes.’ It is also about the naivety of the times and how people were protected from what were taboos back then. It does it in a humorous way. Some oof it may be shock humor, but most of the humor plays out well and doesn’t really. cross the line of vulgar. It’s a guilt-free guilty pleasure.
The Singers (dirs. Sam A. Davis and Jack Piatt) – A bar is full. Full of all sorts. Most of the men look like they’re weary of life. One man pesters others for either money or a drink. The bartender has had it and he says he’ll give the man a free drink if he outings an elder. The competition then spreads throughout the bar: $100 and free drinks for the best singer. Most of the patrons participate with the exception of a shy young man who actually has a good voice. The older patrons perform well without hesitation. A surprise abounds as the construction worker shows himself to be a good singer and pianist. Then the bartender delivers a moving version of ‘Unchained Melody’ that leads to a group hug from the bar. Then a surprise from one of the patrons still seated.
This is based off a 1852 short story from Russian writer Ivan Turgenev. Director Sam Davis does a great job of adapting it in the modern world and makes for an entertaining film. It makes for a great single-location short film that keeps audiences both intrigued and entertained. It can even make some feel like they’re part of the bar! Remarkable how it takes a singing contest to turn a bar full of down-on-life patrons into a celebration and a closeness with each other.
Two People Exchanging Saliva (dirs. Natalie Musteata and Alexandre Singh) – The film begins in a dystopian world with a carboard box with a living woman is tossed over a cliff by two men. The film goes back a few days. Malaise is a young woman working at a high-class department store just days before her 25th birthday. It’s a job that doesn’t look tough, but it is. All women must pass a human breathalyzer test before working. Malaise first starts serving patrons champagne. One day, she’s promoted in the women’s dress department. A wealthy housewife Angine goes looking for a dress. Malaise finds the right dress, but Angine is impressed with a lot more. Angine pays her, but not in cash. In this world, slaps taken to the face are currency. Her manager Petulante will let Malaise do her work. Over time, Petulante notices Angine coming back and coming back to Malaise. Petulant grows jealous. Angine also keeps photographs and artwork of kisses as public kissing is outlawed in this world. Soon, a woman gets arrested for public kissing. She is placed in a box sent out. A shocked Angine accidentally drops the pictures of kisses she collected. Then one day, Petulante finds out the connection between the two and has Malaise is ordered in the box. It’s as Angine goes to the clifffside where all the thrown boxes are. She finds Malaise’s body and is heartbroken. The film flashes back to a past moment of what could have been.
The story is told through black and white imagery and its dystopian world resembles the taboos and prudence of the past mixed with bizarre humor. It’s a story of two lesbians living in a prudent society where slaps are currency and public kissing is forbidden. It’s also a story of a bizarre love triangle where a boss wants to win the affection of her young worker but she’s being swayed more by her customer. Angry with her, she frames her for kissing. It’s a story told in bizarre humor of love kept private and jealous caught in the way. That’s why I pick this as my Will Win pick.
And there you have it! That’s my look at this year’s short films for the Oscars. I didn’t have the time this year to see the nominees for the documentary short but I’m sure I’ll have better luck next year.
Jon The Blogcentric 