Movie Review: Thor

Once again, Marvel Comics had another superhero movie for release. This time it was Thor and it’s directed by Kenneth Branagh. The big question is does Thor stack up? And is Branagh able to direct sci-fi action?

Before I give my review, I have to confess that I’ve never read the Thor comic books so I am unable to compare the movie with the comics. I can just judge the movie for what it is.

The movie takes place between two worlds. The first is in the supernatural world of Asgard in 965 A.D. The second is in present day New Mexico. Odin, king of Asgard is in a war against the Frost Giants in their quest to conquer the Nine Realms, including Earth. The Asgardian army wins and seizes the Casket of Ancient Winters. Just as Odin is about to crown Thor the new king, Frost Giants attempt to retrieve the Casket. Against Odin’s order, Thor battles Laufey and the Giants along with his brother Loki, childhood friend and the Warriors Three. The battle destroys the fragile truce between the two races and Thor is stripped of his godly power by Odin for his arrogance. He is banished via a Bifrost to present day Earth along with his hammer–the source of his power–protected by an enchantment only allowing the worthy to wield it.

Thor lands in present-day New Mexico where he is found by astrophysicist Jane Parker, her assistant Darcy Lewis and her mentor Dr. Selvig. However Thor and the hammer also caught the attention of a S.H.I.E.L.D. agent who soon commandeers the hammer area building a security-tight shield and and forcibly acquires Jane’s data about the wormhole that delivered Thor to earth. Thor learns of his hammer inside the S.H.I.E.L.D. area and breaks in to retrieve it. He’s unable to lift it and is captured by the S.H.I.E.L.D. team. Selvig is able to break him free and is left exiled on Earth clueless of his surroundings. He does develop a romance with Jane.

In the supernatural world, Loki learns he is the son of Laufey, the leader of the Frost Giants who the king adopted after the war ended. Loki is able to manipulate his way to becoming king when a stressed-out Odin falls into a deep recuperating ‘Odinsleep’. He offers Laufey the chance to kill Odin and retrieve the Casket. His rule does not sit well with the Warriors Three and try to find a way to enter the Bifrost but Loki soon learns of the plan and sends a warrior to Earth to kill Thor. The Warriors find Thor, but the Destroyer attacks and defeats them, which prompts Thor to offer himself instead. After he’s hit by the the Destroyer by a potentially fatal strike, his self-sacrifice now makes him worthy to wield the hammer. As he finally retrieves his hammer, his powers return to him and allows him to defeat the Destroyer. Before he leaves back to Asgard with his fellow Asgardians, he kisses Jane goodbye and vows to return.

As Thor and the Asgardians return to Asgard, Loki kills Laufey in an attempt to destroy the Frost Giants land with the Bifrost Bridge to appear worthy of the crown to Odin. Thor arrives and fights Loki while destroying the Bifrost Bridge to destroy Loki’s plan. Thor is left to battle Loki stranded on Asgard in danger of falling into the Abyss.  Odin awakes and prevents the brothers from falling into the abyss, but Loki does a suicide fall. Before Odin coronates Thor, Thor admits he’s not ready to be king while back on Earth, Jane and her colleagues seek for a way to open the portal to Asgard.

Overall the movie has the predictable thick drama one would come to expect from a superhero movie. The special effects were excellent and top notch. The set design of the world of Thor was excellent. The action scenes were scenes that can keep one thrilled. The acting was the type of thick and casual acting one would expect from a popcorn movie, so no really bravado performance from Natalie Portman here. There’s no doubt the role of Thor was intended to make Chris Hemsworth a star. The directing was done right. Kenneth Branagh did a good job. The writing was also well done but sometimes went over the top during some of the more comical scenes. Overall Thor is the type of movie that would impress people who like action hero movies or your expected summer blockbuster fare.

Thor was a very good start to the summer movie season. It has what it takes to charm audiences of action movies and superhero movies as well as get summer movie crowds excited.

Movie Review: Kung Fu Panda 2

Yes, I’m playing catch-up with my movie reviews of the summer. Hope you like this late review.

I’m sure you remember the first Kung Fu Panda. Po was the lumpy clumsy Panda who came from nowhere to become the Dragon Warrior. It charmed audiences, made people laugh and even rivaled Disney/Pixar in making 3D animated movies. Now Po’s back in Kung Fu Panda 2. But does this new version of Kung Fu Panda still have its kick?

We begin the movie learning of the clash between the peacock clan and their son Lord Shen stealing the power of the fireworks and using them as weapons. When Shen learned from a soothsayer that a warrior in black and white would defeat him, Shen exiled the pandas from the village. Shen’s parents exiled him soon after to which Shen swore revenge.

Flash forward 20 years, we see Po as the Dragon Warrior protecting the Valley Of Peace with the Furious Five who are now his friends and allies. Master Shifu senses Po lacks inner peace. At first Po doesn’t know what he meant until the five attack a band of wolf bandits. During the fight, Po is distracted by a symbol on the head wolf’s armor which causes a flashback to memories of his birthmother. He then learns from his father, the goose Mr. Ping, that he found him as a baby in a radish basket and adopted him since. Learning that truth leaves Po frustrated and upset.

Later Master Shifu learns that Master Thundering Rhino has been killed by Lord Shen with a cannon he build and plans to use to destroy kung fu tradition and conquer China. Po and the five go to Gongmen City to end Shen’s control. They come across two imprisoned council members and try to chase down Shen’s wofl pack, only to be captured. Upon being brought before Shen, Po and the Five break free and destroy Shen’s cannon. However Po is again distracted by the symbol that caused flashbacks of his mother which allows Shen to escape and destroy the tower with an arsenal of cannons. After escaping, a concerned Tigress confronts Po of his distraction. Po knows of Shen’s presence on the day he was separated from his parents and has to ask him about his past

Despite Tigress fearing for him, Po breaks into Shen’s cannon factory and confronts him. Shen tells Po his parents abandoned him before blasting him out of the factory and capturing the Five. Po finds himself rescued by an exiled Soothsayer in the city he was born in. The Soothsayer guides him to embrace his past where Po learns his village was raided at the time he was born as Shen’s forces killed every panda and burned the village. Po’s father was fighting the war and told Po’s mother to run and escape with their baby. Po’s mother ran throughout the snow and left him in a radish box at a place she knew he’d be safe, Mr. Ping’s place. It’s upon returning to his old home and finding his childhood toy that he learns he was given up out of love and raised out of love. Finally he attains inner peace.

Po then returns to Gongmen City to save the Five and stop Shen from conquering China. Po and the Five along with Ox and Croc block the gates to shop Shen but Shen’s cannon clears the way and lands them all in the ocean. While Shen attacks Po with his cannon, Po is able to use his inner peace to redirect Shen’s cannon fires to Shen’s cannon, destroying it. He then urges Shen to let go of his past, but Shen refuses and attacks Po. In the fight, Shen accidentally cuts the ropes to his own cannon and is crushed to death. Po achieves victory and freedom for Gongmen City. He returns to Mr. Ping and lovingly declares him as his father. The very end may hint to many that there may be a Kung Fu Panda 3.

While I’m not a big fan of most Holywood sequels, I have to say that I was impressed with Kung Fu Panda 2. It managed to have a story different from the first movie. Its fights and special effects were just as dazzling as the first. The characters still had their charm from the original and especially kept the appeal of Po. The movie had an excellent range of voice-over talent with renowned actors like Jack Black, Angelina Jolie, Dustin Hoffman, Jackie Chan, Michelle Yeoh and many others. The animation graphics were excellent and top notch to the slightest detail.

For the most part, I believe the movie would be fine for parents of children but not for most adults. It is a movie that doesn’t have the same level of adult appeal as a Disney/Pixar animated movie would. Some things that may appeal to parents is the actors doing the voiceovers. Overall, the movie, storyline and humor are more tailor made for families of young children.

 Overall Kung Fu Panda 2 makes for an enjoyable night out at the movies for families of young children. Even some older children or teenage fans of the first movie will enjoy it.

Movie Review: Paul

Okay, you’re probably wondering why on earth am I just posting this review now when Paul has been out for at least a month? Here’s the thing. I don’t immediately rush out to the theatres whenever a movie comes out. I see them when I see them. Often when there’s a big hit movie, I wait weeks until the crowds die down to go see it. So that explains why you get my review of Paul later than most. So after explaining all that…

Who is Paul? He’s a fugitive. He’s a celebrity. He’s a slacker. He’s a joker…He’s an alien. Paul is all those things, and the subject of a recent comedy movie. The latest concoction of the British writing/acting collaboration of Simon Pegg and Nick Frost. So how does this close encounter of the funny kind end up?

Graeme Willy and Clive Gollings are two British comic book dweebs with a passion for sci-fi and alien encounters. The love it so much, they rent an RV and take it from San Diego’s Comic-Con all across the US for their own alien encounter tour. Little do they know they’d find themselves in trouble. First they come across some homophobic hunters who suspect them to be a couple. They head off, accidentally denting their truck. On the run, they get hit by a car driven by, among other things, an alien named Paul. The two bring Paul along in the RV. Little do they know that Paul is actually in pursuit by a shady government agent named Zoil who even recruits two inept FBI agents in the capture.

Later during a campfire over at a campground run by Moses, a strict Christian and his daughter Ruth, Paul tells the twosome that while captured by the government, he helped with Spielberg’s E.T. and the X-Files’ Mulder. Ever since he learned the government planned to dissect his brain, he’s been on the run since. Ruth is then kidnapped by the two. Once in the RV, she learns of Paul and refuses to trust him as it contradicts her devout beliefs. Once Paul heals her blind eye, blind since she was four, she trusts him to the point she becomes eager to sin.

Meanwhile Zoil and the two agents question Moses who says she was abducted by demons. Graeme, Ruth and Willy once again meet up with the homophobic hunters, but Paul comes to the rescue. Upon pursuit of Paul, Zoil and the agents come across him. Once Paul makes his escape, all three are after him but for their own separate pursuits each. Meanwhile Moses is chasing for Ruth.

Paul finds refuge in an old house which is owned by Tara, a young girl who saved his live back in 1947 and is all grown up, reclusive because of the ostracism she received throughout her life. Tara is relieved to find that Paul is real. After turning on the stove, a shootout ensues at her house, causing it to explode with Paul, Graeme, Clive, Ruth and Tara on the run. The three agents go on their pursuits again but only Zoil survives in meeting up with Paul, who is in a field waiting for his UFO to take him home. Instead, it’s a helicopter with ‘The Big Guy’, Zoil’s superior. Zoil reveals he was the one who helped Paul get away. Zoil disarms the men but is shot in the shoulder. Tara punches out ‘The Big Guy’. Moses shoots Clive dead. Paul heals him but his healing powers come at the risk of his own life. After Clive is revived, it appears Paul is dead but he’s just exhausted. Paul’s ship arrives, crushing ‘The Big Guy’. Heading for home, he invites Tara to come with him and finally live a life. Two years later, Clive, Graeme and Ruth return to Comic-Con. This time, they are on stage as successful comic book writers thanks to their comic book Paul.

I have to say the biggest overall glitch with this movie is that it often appears to rely on the crude and rude one-liners in many parts. It has enough humorous subject matter and comedic characters without having to resort too often to such lines. First off,  the incorporation of the subject lines of many alien shows of past, like Star Wars, Close Encounters, E.T. and the X-Files. Second off, there are already a lot of talented actors that have been able to prove of recent that they can do comedy well. Kristin Wiig and Bill Hader have proved their humor in Saturday Night Live and other movies they’ve acted in. Blythe Danner, Sigourney Weaver and Jason Bateman were also able to make their roles work in the movie. Seth Rogen, already a reputed funny man himself, did a good job in the voice over as Paul. Pegg and Frost are already known for their comedic acting as well as their writing for Shaun Of The Dead and Hot Fuzz. They don’t have to resort too often to such low brow material.

Outside of that, the movie was a good job of meshing 3D animation with live-action, an alien encounter story with comedy, and even romance with sci-fi dweebs. Pegg and Frost once again show that they’re at their best when they’re together. They also showed they can do a good job with an American story line for the first time. Also it was unique to see a comedy not just revolve around an alien encounter but also with San Diego’s Comic-Con, which has grown in popularity in recent years to the point even A-listers make appearances.

Simon Pegg and Nick Frost, who both wrote and star in Paul, describe it as a ‘love letter to Steven Spielberg’. You could describe their two previous big-screen comedies, Shaun OIf The Dead and Hot Fuzz, as ‘love letters’ too. If you saw Shaun Of The Dead, you’d tell it was a love letter to all those zombie movies. If you saw Hot Fuzz, you’d definitely know it was a love letter to all those gunslinger action movies of the 80’s and 90’s. I don’t think Paul is so much a love letter to Spielberg as much as it is a love letter to sci-fi as a whole. Good mesh of stories but I feel this movie is more of a salute to sci-fi dweebs and comic books geeks the world over.

Paul is an enjoyable movie. Even though I felt it could be better with the humor in the script, it is a delight to watch. Pegg and Forst know how to do enjoyable movies and they do it again here.

Elizabeth Taylor 1932-2011

I’ll start by asking a series of questions. When you think of the term movie star, who comes to mind? Or what comes to mind? Is it their captivating looks? is it their ability to epitomize fame and fortune? Is it their ability to win crowds to the big screen time after time? Is it a presence that captivates the audience in their seats? Or is it their ability to do great acting time and time again? Do the standards of those that deserve the term movie star change over time? Or are the standards of a movie star timeless? When you think of the term movie star, how many from the past deserve that title? How many current actors deserve to have such a title bestowed upon them?

On Wednesday morning, we lost one who deserved to fit the term movie star in any or possibly every definition of the term. Her name was Elizabeth Taylor. She’s possibly one of the last of a breed that fit the term movie star as we know it to a tee. She had the looks, she lived large in more ways than one, she was able to attract crowds to the theatres and grab hold of their attention, and she knew how to give wonderful acting performances time after time.

Her acting career started early. She was discovered and signed on by both MGM and Universal at the age of ten. She had a great career as a child actor in gems like Lassie Come Home and Jane Eyre but it was her performance in 1944’s National Velvet that was her signature turn as a child actor. She was also successful in making a transition to adult actor almost immediately when she starred in 1950’s Father Of The Bride. Her career as an adult actress would accelerate starting with her role in 1956’s Giant opposite Rock Husdon and James Dean. She would then be nominated for an Academy Award for Best Actress four years in a row starting with 1957’s Raintree County opposite Montgomery Clift, 1958’s Cat On A Hot Tin Roof opposite Paul Newman, 1959’s Suddenly, Last Summer opposite Montgomery Clift and finally a Winner for 1960’s Butterfield 8 which she acted opposite then-husband Eddie Fisher. In 1960, she became the highest paid actress in Hollywood and more starring roles continued, including for 1963’s Cleopatra, 1967’s The Taming Of The Shrew and her second Best Actress Oscar winning role in 1966’s Who’s Afraid Of Virginia Woolf? Soon after, the movies she starred were flopping and her bankability faded. It wouldn’t stop her from acting in movies, television and stage. Her last movie role was in 1994’s live-action version of The Flintstones. Immediately after, she announced her retirement from films.

She also had one-of-a-kind winning looks. Her looks were definitely that of a movie star. Even at a young age, you knew she had a face for the screen. The smooth face and glowing violet eyes. You could tell in her earlier moviesthat she had the looks. Even in adolescence, she matured with grace and beauty and would have the looks perfect for Hollywood’s Golden Age. She also knew how to live the glamorous life. She was always seen with the most glamorous dresses and was renowned for her huge collection of jewelry including huge diamond rings and diamond necklaces. She even launched two fragrances in the 1990’s.

She also had the ability to be the subject of much publicity, both while active in her acting career and after. She was known for her eight marriages to seven husbands: starting with hotel mogul Conrad Hilton and ending with Larry Fortensky. Her relationship and eventual marriage to Eddie Fisher made headlines because it interfered with his marriage to Eddie Fisher. She married Richard Burton twice over a period of twelve years. Only her marriage to Michael Todd lasted until his death. She was known for her weight gain battles, frequently lampooned in Joan Rivers’ standup comedy material. She had well-publicized substance abuse battles that included a stay at the Betty Ford Clinic where she met her final husband Larry Fortensky. Her friendship with Michael Jackson also made tabloid headlines. Fact: she is the godmother of Michael’s two oldest children. She also battled constant health problems and they would always make for good tabloid copy. She broke her back five times and had two hip replacements. She also battled life-threatening illnesses like a brain tumor, two bouts of pneumonia and numerous heart problems. 

Despite her life of luxury and her questionable relationships, she was also one who knew how to use her celebrity to attract a cause. She supported AIDS causes starting in 1984 when they were not popular but became more active after her friend actor Rock Hudson died of the disease in 1985. She founded or co-founded two major AIDS charities and promoted major AIDS fundraising events. He also devoted herself to many causes relating to Israel and Zionism. She herself converted to Judaism in 1959. She would use her celebrity for many fundraising events and for awareness for the causes she believed in. In turn, she has been awarded humanitarian awards during her life. She was even named a Dame in 2000.

When she died on Wednesday, many believe we lost the last great movie star of Hollywood’s Golden Era. Although that’s disputable, we did lose a one-of-a-kind. She had the picture perfect looks for Hollywood but she delivered solid acting every time. What mistakes she made in her personal life, she made up for in her charm and grace. She lived every inch of the definition ‘fame and fortune’ but was still in touch with what was happening in the world. Many leading ladies came before her and many have come since but she will never be equaled. Elizabeth, we’ll miss you.

2010 Oscars Best Picture Nominee: True Grit

Personally I feel there are not enough Westerns in the movies nowadays. True Grit is a remake of a past movie starring John Wayne in 1969.With remakes, there’s always a question of will it succeed or will it fail to stack up to the original? Also a question for remaking is if the Coen Brothers are an ideal fit for direction. To the surprise of many,  the Coen brothers do their own version of the movie with excellent results.

The movie is told through the adult Mattie Ross. When she was fourteen, her father was murdered by hired hand Chaney who also made off with his horses and two California gold pieces. Mattie pursues a US Marshall to track down Chaney. Of the three choices, she chooses Rooster Cogburn because he’s the most merciless: with ‘true grit’.

Cogburn frequently rejects Mattie’s requests to be hired. At the boarding house where Mattie is staying, she meets Texas Ranger Laboeuf who is pursuing Chaney for his own reason: a murder in Texas. He proposes that he, Mattie and Rooster team up in pursuit because they know of his whereabouts in Chocktaw terrain. Mattie rejects because he wants Chaney tried for the crimes against her, instead of against Laboeuf. After Cogburn finally agrees, he tells Mattie to meet him in the morning to start the pursuit, only to leave Mattie behind with a note saying he’s after Chaney and for her to go home.

Despite it all, Mattie is determined to catch up to Laboeuf and Cogburn. She even rides her swimming horse across the river when refused onto a ferry. Upon learning the two men plan to split the reward, Mattie threatens Cogburn with arrest for fraud because the agreement was that she come with them.  He reluctantly allows Mattie to come along but Laboeuf disagrees and splits to pursue Chaney alone. Mattie and Cogburn spend overnight in an isolated shack, only to come across two outlaws who suddenly turn on each other. Cogburn kills the older outlaw and the dying younger outlaw reveals that ‘Lucky Ned’ Pepper were planning to return later that night. Cogburn and Mattie stay in the shack, expecting Chaney to be with Pepper’s gang.

Laboeuf however rides up to the shack ahead of the gang.  Once they arrive, they lasso him and drag him behind a horse. Cogburn then shoots three to death and accidentally wounds Laboeuf. He ends the night getting drunk on whiskey. The next night, he and Laboeuf have another argument and Laboeuf departs on his own again. The following morning, Mattie spots Chaney. She shoots Chaney but is unable to kill him. Chaney drags her back to the gang whom Ned plans to use as a hostage to get Cogburn to ride off. She’s hostile to Ned at first but calms down when he promises he doesn’t hurt children. Riding off to pursue Cogburn, Ned leaves Mattie in care of Chaney so that he can drop her off in a safe colonized land later.

Chaney does try to attack Mattie but Laboeuf knocks him out with his rifle end. He explains he encountered Cogburn the night before and hatched a plan. Both watch above a cliff as Cogburn takes on Ned and three other gang members. He shoots two dead and mortally wounds Ned, but his horse is shot from under him. As the dying Ned tries to shoot Cogburn, Laboeuf shoots Ned dead. Chaney tries to kill Laboeuf but Mattie shoots Chaney dead, only for the recoil to knock her into a rattlesnake-filled mineshaft where she is bitten in the arm. Cogburn rescues Mattie and carries her off for help. He arrives at a village late in the night and in time.

The movie fast forwards to Mattie: 25 years later and her bitten arm amputated from the acquired gangrene. She received an invitation from Cogburn to see him perform at a travelling Wild West show, only to learn at the site he died three days earlier. She has his body moved to the family plot. A final honor to the man that helped her.

The direction and writing of the Coen brothers is top notch. You’d think that doing a Western movie isn’t something to expect from the Coen brothers but they do a surprisingly excellent job. You could tell they put in a lot of detail into this. The movie captured the Wild West environment well. It portrayed the lawlessness of the times well. It also showed things like public hangings in excellent detail. Even the police system and courts of law were done to a tee. Those who never grew up during a time when Western movies were frequent would be surprised at the times and the happenings. Even frequent references to God in people’s speech would surprise many that these were a time when referring to God meant something.

As for the acting, Jeff Bridges did an excellent job as Rooster Cogburn. Matt Damon did a good job with a pretty lightweight role as Laboeuf. However the true star of the movie has to be young Hailee Steinfeld. Although she’s nominated in the Supporting Actress category, there’s no question that she was the lead performance and she was excellent. While all the other adult characters were foolish, she was one that meant business and she could put those foolish adults to shame.

The technical aspects of the movie were also excellent. Roger Deakins always does a top job of cinematography and this was no exception. The sets, both natural and constructed, were top notch and fit the time frame well. Costuming was also top of the line. Carter Burwell’s music fit the movie perfectly. Overall this was a masterpiece of a Western.

Some people might compare this version to the original 1969 version, directed by Henry Hathaway and starred John Wayne and Glen Campbell. I don’t want to compare it with the original in terms of its quality. Some notable differences are: the new version left out the murder of Frank Ross at the hands of Chaney; Mattie is still fourteen in the original but is played by Kim Darby who was 20 at the time of filming Laboeuf dies from head injuries in the original; and Cogburn is still alive at the end of the original when he agrees to Mattie about being buried next to the Ross family plot. The most I’ll critique in terms of quality is say that Jeff Bridges is no John Wayne. Interesting that the 1969 version wasn’t nominated for Best Picture and John Wayne won Best Actor.

The remake of True Grit goes above and beyond expectations. John Wayne fans may not be completely pleased but fans of Westerns will be delighted. The Coen brothers were given a heavy task when they took this on and they delivered.

2010 Oscars Best Picture Nominee: The Fighter

I’m sure that once you hear about the movie The Fighter, the first thing you’ll say is “Not another boxing movie.” It’s more than that. It’s about real people with a goal. It’s about a real-life boxer who wanted to win a title and won it. It was also about other battles he had to face along the way.

The movie starts in 1995 when Micky Ward is a 30 year-old unsuccessful boxer. He’s managed by his mother Alice and trained by his brother Dicky, who once fought Sugar Ray Leonard as a rising talent. Micky has unfortunately established himself as a fighter other boxers defeat to raise their standings. Dicky has turned to a life of crack addiction.He frequently visits a crack house where his girldfriend, a prostitute, stays.  He thinks HBO is filming a documentary about his comeback and allows them to film everything, including his crack smoking.

Micky becomes disheartened with his career after losing a match against a last-minute replacement for his original opponent who fell ill. Upon retreating from the world, he meets Charlene, a bartender who was a former college athlete. They soon become a pair. However this does not go well with the family. After Micky turns down a fight offer Alice made, Alice and Micky’s seven sisters feel that Charlene demotivated him. They start calling her things like ‘MTV’.

Micky however has been given an offer for better training in Vegas, but the family has a strong mistrust from offers from outsiders. They feel people other than family, especially Vegas people, try to use fighters. Dicky tries to match the offer by claiming he can get the money. Dicky then fixes up a prostitution arrest heist to steal a car only to be foiled. As Micky sees Dicky being tackled by the police, Micky jumps in to stop the police beating, but Micky is beaten and arrested himself. At the trial, Micky is released but Dicky is sentenced to prison.

While in prison, Dicky is shocked that the HBO documentary he was filmed in was about crack addiction in Lowell. He and his family watching at home are humiliated that it documented his downfall into crack addiction and crime. Micky’s father tries to motivate him back into boxing. It works as his father assembles a new trainer and a new manager and explains to Micky that his mother and brother will no longer be involved. They place him in minor fights to regain his confidence and is soon placed in an HBO-televised title fight against a rising young talent.

Micky visits Dicky in prison and Dicky gives him advise before the match. Originally Micky dismisses it, feeling Dicky just wants to bring back his failed career. During the fight, Micky is overwhelmed but takes his brother’s advice late into the fight. It works for the better as Micky earns a surprised win. This puts him in a match against an English fighter for a World Welterweight title.

Before the match, Dicky is released from prison. He is free from drugs; motivated by the humiliation of that HBO ‘special’. He and his mother go to see Micky train. At the gym, Dicky is met with the unfriendly news that he is no longer to be involved with Micky. Charlene and his trainer leave in disgust, unhappy to see Dicky and his mother back. Micky then gets into a violent fight with Dicky at the gym, leaving him injured. Dicky goes back to the crack house but opts to say goodbye. He then talks with an angry Charlene and points out to her that she shouldn’t call him a failure when she’s a college drop out. He tells her that Micky needs them both and to work together. Everyone is brought back together in time for the fight in London. Like the HBO fight, Micky takes a lot from his opponent at the beginning, but later comes on strong to knock his opponent out. He achieves his World Welterweight title. Years later, Dicky credits Micky for his own success.

Some would immediately dismiss it as another Rocky, but it’s too premature. The fact that Micky Ward had to succeed as a boxer and overcome a lot of family problems is what makes this story unique. Also surprising how two sets of people who were completely against each other had to come together for the World title fight. That was another battle Micky had to deal with on his way to the top.

That had to be the most notable thing about this movie. ‘Irish’ Micky Ward was fighting as many battles outside the ring as he was fighting inside the ring. In addition to the family problems and rivalry between training groups, it also appeared he was fighting time taking away his athletic prime, the negative rap of his family, and the bad name his town of Lowell has received over the decades as an industrial town gone downhill.  Mark Wahlberg, a native of Massachusetts himself who also grew up in a large working class family, is both a fan and friend of Micky Ward and considers him a local hero. It’s no wonder that playing him would be an honor.

Another thing this movie reminds us is how much poor areas, in both developed countries and developing countries, value athletes. There have been many athletes from around the world in many sports who came from the poorest areas and the biggest slums to athletic greatness. They play a role to the youth, the community as a whole, and even a nation in showing that there can be a way out of the hard times. Boxing is one of those sports where many have come from rough upbringings and have gone on to athletic greatness. Some of the biggest names in boxing have grown up in the slums or in poor conditions.

Mark Wahlberg was impressive in playing Micky Ward. He also prepared very well physically to have a boxer’s body. However it’s the supporting performances that steal the show in the movie. Christian Bale was excellent as Dicky. It appeared he studied Dicky’s mannerisms and voice to a tee. He even had to lose a lot of weight to get the right look of a crack addict. Melissa Leo was also marvelous as Alice. Both actors were excellent in getting the right Boston accents and right physical mannerisms of their characters to master the roles. Amy Adams will surprise many as the sexy but feisty Charlene. The group of seven sisters also had their scene stealing minutes. My favorite was when Alice and the sisters were furiously rushing over to Charlene’s house and it looked like this ‘army of big hair’. You had to see it to love it! David O. Russell did by far his best directing job. He has directed film before like Three Kings and I Love Huckabees but nothing as remarkable as this.

So if you think that The Fighter is just another Rocky, you’re wrong. This really happened. Micky Ward and his family did go through all this. Seeing what Micky and his family went through in order to win the title makes one appreciate what he went through and why Mark Wahlberg is an admirer.

2010 Oscars Best Picture Nominee: The Social Network

It’s surprising to know that Facebook founder Mark Zuckerberg became a billionaire before he could turn 30; the first self-made billionaire to achieve that feat so young. It’s also ironic he’s this young and already has his own Citizen Kane style story. It all started with the book The Accidental Billionaires and it led to the movie The Social Network.

The movie starts with Mark, a student at Harvard, on a date with his girlfriend Erica Albright. It ends in a breakup. Returning to his dorm in a drunken rage, Mark blogs negative defamatory comments about Erica and then gets Harvard students to rank female students by their attractiveness. His internet activities cause so much traffic within Harvard, most of the system is brought down.

He pays a price: six months academic probation and the male most hated by the Harvard females. He also gains from it as twin brothers Cameron and Tyler Winklevoss and their business partner Divya Narendra take an interest in him and want him to program their dating website for Harvard students only. Mark then tells Eduardo of his idea of a social network for Harvard students only called ‘theFacebook’. Eduardo lends money and even distributes the link to Eduardo’s social connections at his Harvard final club and it becomes a hit.

When word hits the Winklevosses and Narendra of ‘theFacebook’, they become furious and want to sue at first. Cameron Winklevoss recommends instead settling out of court ‘like Harvard gentlemen’. As ‘theFacebook’ grows in popularity and expands to more schools across the US, it further infuriates the Winklevoss twins and Narendra. Cameron decides to have Mark accused of violating Harvard’s Code Of Conduct only to be dismissed by the president of Harvard.

Later Mark, Eduardo and his girlfriend are introduced to Sean Parker, co-founder of Napster. Eduardo is suspicious of Sean’s personality and past activities cause suspicion in Eduardo but Mark is impressed with his ideas. Upon Sean’s suggestion, Mark moves the company to Palo Alto and changes the site name to ‘Facebook’ while Eduardo remains in New York seeking advertizing support. The Winklevosses learn after a rowing competition at Henley regatta that Facebook has even expanded to British universities and it’s there they finally decide to sue.

Meanwhile Eduardo is unhappy to learn of Sean living at Mark’s house and making decisions for Facebook. After an argument with Mark, Eduardo freezes the company’s bank account and returns to New York. After learning the deal he signed with Sean’s investors would dilute his share of the company to .03%, he confronts Mark with the intention to sue: right on the day Facebook hits its 1,000,000th member. Parker and some other Facebook interns are later arrested at a party for cocaine possession.

One unique thing about the movie is that it frequently shift back and forth from the days of Facebook’s creation and growing success to the separate lawsuits filed against Mark Zuckerberg from the Winklevoss twins and Eduardo. The back and forth throughout the movie adds to the intrigue on how this all happened. At the end, Mark’s junior lawyer tells him there will be a settlement with Eduardo because of the sordid details of Facebook’s founding and Mark’s own personality.

Many have compared this movie to Citizen Kane. Some have even called it Citizen Zuck. However it shows a theme that when creativity and a computer meet in this internet age, a lot of innovation can happen. A lot of negativity can come out too. Often one who can do such activity with a computer, especially a hacker, can get a false sense of invincibility or even a ‘God complex’. Some may feel that they’re either above the law or they can crush the law in the future with their cyberwisdom. Even for those that create legitimate sites, there’s that pursuit or drive to go for the biggest of the big. As George W. Bush once said, in America there are ‘haves and have-mores’. When one has a computer and an idea, the drive of being one of those have-mores is there. It’s all whether they play it out right.

The movie also shows how much the internet has changed the way one does things and also how ugly it can get. Nowadays there’s more fraud than ever. Defamatory posts like Mark’s of Erica are everywhere and widespread. Hackers are sometimes seen as heroes. Even seeing how Facebook changed the word friend from being a noun only to being a verb as well. One can even question whether the human race can now tell what a friend really is because of Facebook. Some only invite friends not necessarily to keep up with them but so they can compete against others for the most Facebook friends. Yet this movie presents a unique story how the person who practically revolutionized the word friend was lousy at being a friend.

 There’s a lot of debate to the truth of this movie. Mark Zuckerberg and others say this movie is false. There’s even question whether Eduardo was really a friend of Mark’s. Don’t forget it was based upon the book The Accidental Billionaires which also is facing its own questionings of truthfulness. Fact or fiction, the movie was well played out and kept one intrigued. There was rarely a dull moment as it would keep one wondering what will happen next or how did Eduardo stop being friends with Mark.

The script written by Aaron Sorkin was excellent in all that it placed out, whether it be true or not. Often throughout the movie, it shows the trials and would get one wondering how it happened. The history from its start would tell how it all happened. David Fincher did a top notch job of directing, if not the best of the year. Jesse Eisenberg was a perfect fit for Mark Zuckerberg and played him out well. Andrew Garfield also was good as Eduardo and Armie Hammer did a good job of mastering his twin role as the Winklevoss twins. Is it just me or did the Winklevoss twins come across as Twiddle Dum and Twiddle Dee? Justin Timberlake was impressive as Sean Parker and really captured the egotism and God-complex of a computer hacker and site founder quite well. Rooney Mara made the most out of what little screen time she had as Erica Albright, the one woman who could bring Mark back to reality. The editing was excellent in shifting back and forth from the frame of Facebook’s creation to the lawsuits against Mark. It added to the intrigue of the film. The score from Trent Reznor fit the movie just perfectly with its climactic moments. The addition of other music also added into the film as well. Overall this had to be one of the best films of the year, if not the best, and I find it the most deserving of the Best Picture Oscar.

Very rarely does a film with good acting, good writing and good directing win over a big young audience. The Social Network delivered and gave us a masterpiece for our young century.

2010 Oscars Best Picture Nominee: 127 Hours

Imagine you’re stuck in a canyon with your hand crushed by a heavy boulder and holding you stuck inside. Think that couldn’t happen to you? It happened to Aron Ralston in 2003. His story became the subject of the movie 127 Hours. It doesn’t sound like a movie that would catch your eye but it will surprise you.

SPOILER WARNING: This review will have some spoilers of the movie’s plot and even the ending.

The movie starts with Aron Ralston cycling in Utah’s Canyonland National Park. This is a favorite past-time for the avid 27 year-old mountain climber who had learned to love nature ever since he was a boy. He spots some young girls hiking the canyon for the first time and plays a tour guide. He even leads them to a part of the canyon where one can let go of their grip and fall into a canyon lake. Aron videotapes it all. After they leave him and tell of a party later on, he heads into more terrain of the canyon. One cliff has a boulder between the two edges. Aron puts pressure on the boulder while crossing the edges but the boulder comes loose. Aron falls and as he hits the ground, the boulder crushes his right hand and leaves him stuck in a desolate area 15 feet below the cliff. He can’t free himself. He has no cellphone with him. He told no one of his whereabouts. He knows he will die.

During the time down there, he takes out from his backpack whatever vital items he feels necessary, like a sandwich wrap, water bottle, digital watch to clock his time down, the one pocketknife he has, plastic container and a video camera. With the video camera, he videotapes his ordeal often speaking what his thoughts are. He confesses of his carelessness before the trip of not telling anyone where he’d be going. He confesses to his family about not fully appreciating them while alive. He has constant visions and recollections about his past: the good times and the mistakes he made. He even has a premonition of a young boy on a sofa.

During the whole time there, he has to eat and drink enough to keep him alive, such as eating the sandwich wrap, drinking a small amount of water at a time and even drinking his own urine he conserved. It isn’t until five days later he moves his arm out where there’s a free boneless area. He makes a crucial decision to amputate his arm with the dull knife. Finally after braking free, he descends from the canyon wall, drinks a dirty puddle of water and runs eight miles to the nearest help. His ordeal makes national news. At the end of the film, we see the real-life Aron with his wife and holding his son. The premonition of the boy came true.

The movie doesn’t sounds like something that would be entertaining but director Danny Boyle managed to turn it into a watchable entertaining movie. Inclusion of the flashbacks and even other film parts make it entertaining. The amputation scene has to be the hardest to watch. Some viewers who saw it at its debut at the Toronto Film Festival fainted when they saw it. However Danny Boyle insisted that it had to look realistic. Makeup Artist Tony Gardiner worked with medical professionals to make the amputated wound look as medically accurate as possible.

Danny Boyle succeeded again in making an excellent film. James Franco did an excellent job in playing Aron. A.H. Rahman also did an excellent job with the original music. Cinematography of the natural landscape was also excellent.

127 Hours isn’t for everybody and definitely not the faintest of hearts. Despite whatever gruesome details I revealed here, I have to say it was a deep and excellent triumph of the human spirit. It will leave one walking out of the theatre moved.

2010 Oscars Best Picture Nominee: Black Swan

I don’t know all that goes on in ballet. I’m sure some dancers can have a better knowledge of all that happens, like rehearsals and backstage secrets. Black Swan is the story of an insecure dancer who receives the role of a lifetime in Swan Lake and works to achieve it, despite what possible tragedies lay ahead.

We first meet Nina Sayers: a young insecure aspiring dancer of a New York ballet company. Her mother, who’s a failed dancer and now an amateur artist, loves Nina and supports her but is very controlling of her. One important note: Nina has many psychotic symptoms like delusions and colorful hallucinations. She also purges herself at times. The director Thomas Leroy announces he’s putting a new twist on the production of Swan Lake. In this production, a virginal pure girl is trapped in the body of a swan only love can free. She falls for a prince but her evil twin, the Black Swan, tricks him and seduces him. Devastated, the white swan jumps off a cliff and find freedom in death. In this production, they’re looking for a new dancer that can play both swans.

There are auditions for this and there is a lot of rivalry between the girls.  For so long, they all aspired to replace Beth McIntyre who has been the ensemble’s top dancer for so many years. Beth herself is devastated by the news and wrecks her dressing room in the process. During practice Thomas points to Nina that she’s perfect in the technical aspect in her dancing but lacks grace, and points to a dancer named Lily as an example of grace. The results are then announced that Nina is cast as the swan.

This should make Nina happy but is given harsh words from a drunken Beth at a benefit gala where Thomas promotes Nina. Days later, Beth attempts suicide by throwing herself into a car. Thomas tries to get Nina to loosen up for her role as the Black Swan. He even kisses her with power and recommends masturbating. Nina sees a suspicious rash coming on her shoulders. She even suspects Lily, who’s cast as her understudy, is trying to take her role away from her.

One night Lily arrives at Nina’s door and takes her for a night on the town. She meets Lily’s gay friends and takes drugs Lily offers her. The two then have sex at Nina’s house after an enraged argument with her mother. Waking up alone, she arrives at the rehearsals with Lily standing in as the Swan Queen. Furious with Lily not waking her upon, Nina argues only to learn sleeping with Lily was just a drug-induced illusion.

 The night before opening, Nina rehearses late and experiences more delusions like lily and Thomas having sex. She visits Beth in the hospital only to see Beth stab her face with a nail file. Upon returning home, she sees her mother’s paintings mocking her, pulls a black feather from the rash on her back, her eyes turn into swan eyes and her legs contort into swan legs. Upon steadying herself, she falls and knocks herself unconscious.

The morning of the opening performance, she wakes up to find out her mother locked her in her room and let the company know she can’t make it because she’s not well. Nina forces her way out violently and arrives at the company to prepare for the White Swan. The first act goes well until Nina is distracted by another image and a lights glare; the Prince drops her during an overhead lift. Nina returns to the dressing room to see Lily dressing as the Black Swan. Lily then turns into Nina whom Nina fights and even stabs with a broken mirror. Nina then hides Lily’s bloody body in the closet. Nina returns to the stage as the Black Swan. It is during her performance that the rash on her back sprouts black swan feathers and becomes wings as she dances flawlessly and gracefully. The audience gives her a standing ovation and she kisses Thomas with power.

Back in her dressing room, Lily comes in to congratulate her. She then learns she never fought Lily but the stabbing from the mirror glass was not only real, but she stabbed herself as the White Swan. For the final act, Nina dances gracefully as the White Swan. At the end where the Swan is to jump to her death off the cliff, Nina sees her mother in the audience crying. Nina jumps and the audience erupts in applause. The cast, especially Lily, is horrified to see blood from Nina’s stab wound but Nina lays dying and happy that she everything she could to achieve the perfect performance.

 Despite it showing some truths about the ballet world, ballet is not what Black Swan is mostly about. Nor is it about the dark truths of the ballet world. It’s mostly about life imitating art as the director gives a new twist to Swan Lake and it imitates Nina’s own life from her trying to impress Thomas to loosening herself with Lily to dying in order to free herself from her mother. It’s about delusions and it either interfering with reality or sending a message. It’s about whether it’s better to fade down or end on top. It’s about people in the arts world that have either this freeness or extremeness about them. It’s also about dying for one’s art. All these themes are present in Black Swan which is what makes it unique, frightening and even beautiful.

The biggest highlight of the movie was the acting and the dancing of Natalie Portman. This was a role of a lifetime and Natalie mastered it. Also excellent was Mila Kunis as the loose, confident Lily. Barbara Hershey, who played the mother, did a lot with what little screen time she had. Darren Aronofsky did an excellent job in directing this in what is only his fifth feature. His previous work The Wrestler showed that bigger things was going to come from him and they have.  The trio of scriptwriters also did an excellent job in writing a clever but haunting script. This has to be one of the best films about dance ever made.

Black Swan has been a darling of film critics and awards juries. Black Swan has also done well at the box office so it’s nice to see it’s also succeeding commercially. Black Swan may confuse some at first but one would understand it more as the film progresses. I don’t know if it will win Best Picture but it is surely deserving of the Oscar and all of its nominations. Definitely worth seeing.

2010 Oscars Best Picture Nominee: Inception

Ever have an interest in what happens in your dreams? My dreams fascinate me and I often wake up the next day wondering what the dream I had was about or telling me. It seems like your dreams is the one place where humans can’t have any effect on.  In Inception, it presents a scenario where a con artist is able to steal ideas from a Japanese CEO’s dreams. He is to be dead the next day but the only way to cheat death is to incept an idea in another CEO’s dream. How does that work, especially on screen?

The story opens where we learn about Dom Cobb’s corporate espionage he has performed on a Japanese CEO named Saito. Cobb’s only awareness of knowing where’s he’s in the dream world or in real life is through a ‘totem’ he carries: a metal spin top. Cobb also has the obstacle of his wife’s death interfering with his own espionage efforts. After making a phone call learning he’s arrested, Saito gives him a job to incept an idea into the head of an ailing CEO’s son to clear himself of murder charges surrounding his wife and reunite with his children back in the US.

This is no easy task as he would have to create a shared dream with him, the ailing CEO’s son Robert and part of his team. His team includes his espionage partner Arthur, an identity forger, a chemist who concocts sedatives for the layers of shared dreaming, and an architecture student to design the labyrinth of dreaming. Robert’s estranged CEO father has died and his body is being transported on the plane with Robert riding. He is to be sedated with the other members involved in his layers of dreams. Through the dreams, the identity forger plays the role of Robert’s grandfather, the chemist drives a van to cause dream effects while others remain in one’s dream in a hotel where each level represents the layers of dreams. Complicated, right?

 At first things go rocky as Saito is shot dead and this sends the dreamers into the limbo of the dream. The various dream locations experience friction created by the van’s jerking, Cobb’s deceased wife appears in a dream and shoots Robert dead, thus causing Cobb and the architect to choose to enter limbo to revive the two men. The chemist then sends the van with Cobb’s team falling off a bridge into a river to ‘kick’ the dreamers back to reality. During the time of the fall, Cobb confronts his deceased wife in limbo and confesses responsibility to her suicide: to help her get out of the shared dream-limbo state and wake up. Cobb then searches for Saito and the identity forger revives Robert and has him connect with his estranged father on his deathbed.  Robert swims up from the submerged van and decides to split up his father’s empire. Cobb then meets the elderly Saito and confirms their arrangements.  All of the team then awake as the plane lands. Saito arranges for Cobb to get past US customs and he arrives home to see his children.

One thing about Inception was that this maze of dreams-within-dreams is complicated to understand but works in the end. This does get confusing and would require most audients to see the movie a second time around in order to make better sense. I myself remember that I was confused when I saw it the first time but I saw it a second time intending to map the whole story out as I saw it and it made better sense. That was a smart tactic of creating a movie that made people see it a second time. Hey, anything for moviegoers uninterested in making a TwiHard of themselves.

As I said, Christopher Nolan did an immense job creating a unique movie concept, intertwining multiple dream settings and making it work onscreen. He did a top notch job of writing and an excellent job of directing. Writing and directing a movie that complex was not easy at all and he did an excellent job. Back in the summer when I saw it, I had the feeling it was going to be a top Oscar contender. The acting, from Leonardo di Caprio and his supporting players was also very good. If anyone could steal the movie from Leonard, it was Marion Cotillard who played his wife. The score by Hans Zimmer fit the movie in all its scenes perfectly. The visual effects were excellent, if not the best of the year. Overall it was the best 2 ½ hours you could spend in a movie theatre this summer.

I would have to say that Inception is one of the most deserving Best Picture nominees. It was a unique story that was excellently written, directed, and acted, and still managed to win big at the box office. It gave most of us a sigh of relief that excellent writing, directing and acting can win big at the box office. Very worthy of the Best Picture win, despite a tough rivalry this year.