The first half of 2012 has passed already. A lot of movies have been released. A lot of hits and a lot of flops have been decided. But the success of the first six months of the movie year has also been decided. There was a lot of yo-yoing but its success has been determined and has allowed for studios to set goals to make 2012 a record-breaking year for them and for the movie year as a whole.
As some of you may know, the box office of 2012 is an interest of mine ever since the box office slump of 2011. 2009 still remains the highest-grossing box office year ever. Since I’ve been writing and paying attention, January and February showed big signs of improvement while March and April had a bit of a yo-yo.
May is usually seen as a month of excitement as it’s the month when the summer movie season opens. This May opened full of excitement as The Avengers broke box office opening records left, right and center and continues to draw audiences to this day. It reigned supreme over the first three weekends of May only to be dethroned in the last weekend by Men In Black 3. Even strong debuts from movies that didn’t open at #1 like Dark Shadows, Battleship and The Dictator as well as continued success of The Hunger Games helped May 2012 in ending with a strong total of $1.141 billion. It wasn’t has high as last May but didn’t go under by that much: only $52 million. This year’s May is actually the sixth-highest grossing May ever. 2003 is the highest grossing ever with $1.4 billion.
June opened well in its first weekend with Snow White And The Huntsman debuting on top along with continued strong showings with MIB 3 and The Avengers. The following weekend was also strong with the debuts of Madagascar 3 and Prometheus both grossing over $50 million that weekend. Its successes in the Top 2 continued the following weekend with the debuts of Rock Of Ages and That’s My Boy lacking muscle. The following weekend saw Disney/Pixar’s latest picture Brave opening strong with $66 million. Nevertheless it was the final weekend of June leading into July 1st that saw strong debuts for Ted and Magic Mike. They don’t call the summer movie season a tight competition for nothing. June 2012 ended with a total gross of $1.169 billion: $27 million more than June 2011 and the third highest-grossing June ever. Only two other Junes have had higher total grosses: 2004 with $1.376 billion and 2010 with $1.41 billion.
Now that the months have all been looked at, it’s now time to look at the first half as a whole. And upon looking at the first half of the year, it appears that 2012 is on a record-setting pace. The first six months of 2012 have grossed a total of $5.184 billion. This makes it the first time the first six months have grossed a total more than $5 billon. Its total is $320 million more than the first six months of last year and $255 million more than the first six months of 2009, the year that holds the total-gross record.
So for those who are also keeping track of this year’s box office stats, remember that 2012 has $5.41 billion dollars to go in order to break 2009’s record. July opened well with continued success of Ted and an impressive debut for The Amazing Spider-Man. A strong chart-topping debut of Ice Age: Continental Drift also continued the success the following weekend.
However it was this weekend that has been hit hard. The Dark Knight Rises was expected to open phenomenally this weekend. Instead it opened with tragedy in Aurora, Colorado on Thursday as a crazed gunman named James Holmes opened fire in a theatre killing 12 people and injuring more than 50 of others. This incident has sent shockwaves in the US, around the world and in the entertainment industry. Warner Brothers was saddened by the shootings and cancelled premieres in Paris, Mexico and Japan, suspended marketing in Finland and won’t release box-office figures until Monday the 23rd. Director Christopher Nolan spoke on behalf of the film’s cast and crew and called the incident ‘devastating’. Many moviegoers remained undeterred by the incident and continued to show up. I myself plan on seeing this knowing that the shooting is a one-in-a trillion incident. The last time I ever heard of a shooting in a theatre was when Boyz ‘N Tha Hood opened back in 1991.
The second half of 2012 opened on an exciting note however currently stands on a tragic and nervous note. Will there be any changes in terms of cinema admittance in the future? Will the showings of movie trailers be changed or altered? Will this year’s box office be affected in the long run? Only time will tell.
Another two months have passed and the box office has enjoyed a continued increase this year, if not completely consistent. If there’s one message to be made so far, it’s that Hollywood’s doing all the right stuff these past four months of 2012.
As many of my followers already know, I’ve been paying close attention to the total box office results this year. I started doing it every year only in recent years. This year I’m paying special attention this year because you can bet Hollywood is hoping for its biggest year ever. Also you can bet Hollywood is looking to rebound after the disappointments of the last two years as noted in my article about 2011’s Box Office.
2012 shows signs that the box office is looking up for sure. I made previous notes in my focus on January and February of the reasons for Hollywood to be optimistic. Its total gross was over $320 million more than last year’s and the biggest January/February total gross ever. March and April gave box office stats impressive enough to keep Hollywood smiling too.
The first weekend of March 2012 showed continuing promise for the box office as Dr. Seuss’ The Lorax opened with $82.8 million. It was even strong enough to keep the heavily-promoted John Carter from debuting at #1. The following week saw 21 Jump Street debut with a strong opening. However nothing could compare in March for the opening of the heavily-anticipatedThe Hunger Games. Its opening weekend of $152.5 million raked as the third-highest opening weekend of all time at the time and its buzz was even able to outdo the openings of Wrath Of The Titans and Mirror Mirror the following weekend. The end result for March 2012 was $1.071 billion: the highest-grossing March ever; only the second March ever to gross more than a billion dollars and $412 million more than the gross of March 2011.
April didn’t have as strong buzz as last year this time around. The month began with the continuing endurance of The Hunger Games keeping it at #1 during the first two weekends of April. Its box office domination even warded off debuts like American Reunion, Titanic 3D, The Three Stooges and The Cabin In The Woods. It wouldn’t be replaced as the #1 movie in North America until Think Like A Man opened. Think still continued as the #1 movie the following weekend, even outdoing the debuts of The Pirates! Band Of Misfits and The Five-Year Engagement. Nevertheless Think Like A Man’s opening weekend was only a humble $33.6 million.
The lack of sizzle of April’s openers led to a roughly estimated total gross of $725 million: $200 million less than last year’s record-setting April. Nevertheless April was only a minor box office setback as the box office of those four months amassed a total roughly over $500 million more than last year. So 2012 remains on pace for being the highest-grossing year ever.
As we head into May, we already know the box office is getting more boost as the very first weekend saw the release of The Avengers which not only broke the box office record for opening weekend but set a box office milestone too. Its record-setting opening weekend of $207 million made it the first-ever $200 million weekend! May promises more box office excitement with The Dictator, Battleship and Men In Black III. The rest of the summer is also full of buzz with Battlefield America, Madagascar 3,Disney/Pixar’s Brave, and the latest movies in the Spiderman, Jason Bourne, Expendibles and Batman franchises.
2012 is continuing on another impressive year and the buzz in the following months should continue long enough to make this a record-setting year.
You might remember I talked about a box office slump that happened over 2011. If there’s one thing looking up, it’s that January and February of 2012 have shown improvements from the previous year.
January started off well as 40 movies were to be released that month as compared to 33 the January before. January 2012 grossed $430.1 million, more than $100 more than January 2011. The highlights of that month were Contraband, Underworld Awakening, The Devil Inside and a 3D re-release of Beauty and The Beast. February 2012 was also significantly higher than that of 2011. This February grossed a total of $708.3 million, more than $120 million more than the previous year. That month’s biggest hits were The Vow, Safe House, Journey 2: The Mysterious Island, The Woman In Black and a 3D re-release of Star Wars: The Phantom Menace.
Overall it appears that 2012 is on pace to becoming the highest-grossing movie year. We should keep in mind there are ten more movie months this year. We should also take into fact that this is not the highest combined gross of January and February: 2009 has the highest and 2009 would go on to be the highest grossing movie year ever. March has already started strong with Dr. Seuss’ The Lorax grossing more than $70 million last weekend and has the heavily-hyped John Carter opening this weekend. 21 Jump Street is next week’s release with the biggest clout while the following weekend will have the heavily-promoted The Hunger Games opening. Having a fifth weekend in March helps as two movies with big buzz —Wrath of The Titans and Mirror, Mirror— open that weekend.
April also promises to have movies with a lot of buzz. Titanic will be released in 3D. Also vying for the opening weekend is American Reunion and The Cold Light Of Day. The following week will have The Cabin In The Woods and The Three Stooges. Romantic movies, both drama and comedy, dominate the following weekend with The Lucky One and Think Like A Man. The final weekend of April will see the release of The Five-Year Engagement, The Raven and the animated The Pirates! Band Of Misfits.
It still remains in question whether 2012 will break 2009’s box office record. Whatever the situation, 2012 shows that compared to 2011, the box office is picking up steam again.
It seems with every movie year, it tells a lot of its overall successes and failures. However its overall total would be the big determiner if it was a success of a year or not. 2011’s movie year not only showed one year’s lack of success but Hollywood’s continually declining success.
2011 started carrying the burden of the not-so-good news of 2010. 2010’s total box office finished at $10.565 billion: $30 million less than 2009’s record-breaking year. At first $30 million doesn’t seem that that big of a loss but there was one additional sobering fact. 2010 sold almost 1.34 billion tickets: the lowest since 1996. Even Entertainment Weekly made note of that during January of 2011 and offered some tips in increasing movie turnout.
2011 had even more sobering statistics to tell. The year’s total gross was almost $400 million less than 2010’s: a dip of 3.8%. These two years in a row failing to outgross each other was the first such pair of years since 1990 and 1991. Ticket sales were also lower: 1.276 billion to be exact and the lowest since 1993. Not pleasant at all.
2011 was not completely bad news. The year still grossed over $10 million and became only the third year ever to do so. The months of January to March failed to outgross 2010. Mind you it was hard to do considered January and March 2010 had mammoth hits like Avatar and Alice in Wonderland. That downtime ended in April as it managed to become the highest-grossing April ever at $948 million. Successes like the action movie Fast Five and animated family movies like Rio and Hop had a lot to do with it. May also managed to be bigger than 2010’s thanks to Thor and Pirates of the Carribean 4 but June was a setback of a quarter-billion. Movies with big buzz like X-Men: First Class, Super 8 and Cars 2 didn’t pan out as big as they hoped. July and August offered bigger grosses than 2010 thanks to Transformers 3, the last Harry Potter movie, Captain America, the Rise Of the Planets of the Apes and the sleeper hit The Help. Thanks to July and August’s success, the whole summer’s total just managed to squeak over the previous year’s total. September became the highest-grossing September ever, thanks in part to a 3D release of the Lion King but the last three months had lackluster box office results. Not even the latest Twilight movie, the second Sherlock Holmes movie or the latest Mission Impossible could help the last three months of 2011 outgross the previous year, nor lead 2011 to a higher box office total.
So who or what’s to blame for this? You could blame the theatres for giving such irritating increases in ticket prices. You could blame the lack of box office star power of today’s A-list stars. You have to admit the star power of Julia Roberts, Tom Cruise, Tom Hanks and Will Smith isn’t as big as it used to be and there haven’t been any new ones to achieve the star power they once had. You could blame it on the lack of attractions at the theatres itself. That explains why a few theatres, including the Coquitlam SilverCity, have included an adults-only VIP lounge that includes alcoholic drinks. You could blame the lack of new winning ideas coming from Hollywood.
You could also blame it on a lot of external factors as well. First the economy. You have to admit that tough times don’t make for being able to afford a night out at the movies that often. You could also blame it on a lot of the new media functions and new ways to see movies. In the last five years, Youtube and Netflix have come about and it has changed a lot with people seeing movies. Even cellphone companies have movies in which one can download and watch on their cellphone, much to the displeasure of the likes of David Lynch. In fact that has led to a lot of changes in businesses such as video chains like Blockbuster and Rogers either going bankrupt or reducing its stores. Even local stores like Vancouver’s Videomatica–which specializes in hard-to-find DVDs like cult movies, indie flicks and a multitute of classic movies–had to close their main shop and relocate to a record store to keep business happening, especially for their most loyal patrons. It also explains why it’s next-to-impossible to have a single-screen theatre as I stated in my article about the closure of the Hollywood Theatre. In fact in my city of New Westminster, there will be a cinemaplex opening up with ten screens and a total seating of 1800: an average of 180 per screen. That’s the realities of running a movie theatre nowadays. Also we should remember that we’re now at a time when video games make higher annual grosses than movies. So people are finding other alternative ways to entertain themselves.
Despite all that’s happened last year and even happening now, 2012 has a lot of movies to show. Hollywood knows its demands and film festivals have their line ups planned. So hopefully 2012 should give you plenty of reasons to go see a movie this year.
Okay. Now I’m done the one and only ‘2011 in Review’ article I feel I need to right. Now I can go back to what I do best, which is review movies and the awards season. Golden Globes predictions tomorrow.
We’ve already seen the latest summer movie season come and go. The excitement, the hits, the blockbusters, the special effects, the stars, the flops, the sleeper surprises. It all shaped the summer movie season of 2011, which I will elaborate on in a future article. The Labor Day always opens the movie month of September up on a bright note.
What happens in the next three or four weeks should be known as the September Slump. Now that all the big movies had the summer to reap in the money, it’s now quieter fare during September. That usually makes for a low box office month. In fact September has the lowest box office gross of any month of the year. For the record, the highest grossing September was back in 2007 with $554.7 million. Also for the record, the highest opening weekend for a September release is Sweet Home Alabama way back in 2002 with $35.6 million. Pretty paltry compared to other months, eh?
So you think that the month of September should have some drab fare, right? Wrong. There are lots of reasons to go see a movie in September even though you’re no longer on vacation and back at work or back to school. Look what the month has:
THIS WEEKEND:
–Contagion: Matt Damon, Kate Winslet, Jude Law. Medical drama about trying to stop an airborne virus from spreading into an epidemic.
–Warrior: Tom Hardy, Nick Nolte, Joel Edgerton. Could this be the first hit movie about Mixed Martial Arts?
–Bucky Larson: Born To Be A Star: Nick Swardson, Don Johnson, Christina Ricci. An over-the-top comedy with an over-the-top scenario.
–The Black Power Mixtape 1968-1975 Excellent for those who are into documentaries.
–Main Street (limited): Colin Firth, Ellen Burstyn, Patricia Clarkson. Colin Firth plays an American! A Southern one!
September 16:
–Drive: Ryan Gosling, Carey Mulligan, Bryan Cranston. A Hollywood stuntman who moonlights with the underworld is on the run.
–I Don’t Know How She Does It: Sarah Jessica Parker, Pierce Brosnan, Kelsey Grammer. A businesswoman who can juggle her career, family and marriage until she meets her business associate.
–Straw Dogs: James Marsden, Kate Bosworth. When an L.A. Screenwriter relocates to his wife’s Southern hometown, it leads to some Southern discomfort.
–Restless (limited): Mia Wasikowska stars in a dark ropmantic drama directed by Gus Van Sant.
September 23:
–Moneyball: Brad Pitt, Robin Wright, Jonah Hill. Can a computer design a winning baseball team on a budget? You be the judge.
–Abduction: Taylor Lautner, Lily Collins, Alfred Molina. Can Taylor Lautner be bankable with something other than Jacob? And with his shirt still on? Stay tuned.
–Machine Gun Preacher: Gerard Butler, Michelle Monaghan, Michael Shannon. A true story of a reformed bad boy becoming a crusader for Sudanese children.
–Killer Elite: Jason Statham, Clive Owen, Robert de Niro. A kidnapping drama that will capture the action movie crowd.
–Puncture (limited): A legal drama starring Chris Evans.
–Dolphin Tale: A family movie starring Morgan Freeman.
You may have noticed I left out September 30, right? And for good reason. That weekend has more days in October than September. So there you go. Some good movie choices for the month of September. Even movies already out like The Help and The Debt make for good choices about this time. I’m sure even in your hectic schedule or workload, overtime, or homework or family business, you can find time for a movie.
I’ll admit it’s rather late in the year to post a Top 10 list of movies. Usually most critics post their just before the year ends. The thing with me is I’m not a professional critic. I don’t have access to all the preview DVDs or special screenings. I have to wait until they’re released on the big screen and then see them, or lollygag and wait until the DVD comes out. This fact explains why I finally have my Top 10 of 2010 out. Anyways I decided to post my other Top 10’s of years past to add to my post for this year so here goes my Top 10 lists:
TOP 10 MOVIES OF 2002
1)THE PIANIST
2)THE HOURS
3)ABOUT SCHMIDT
4)CHICAGO
5)FAR FROM HEAVEN
6)IGBY GOES DOWN
7)SPIRITED AWAY
8 )FRAILTY
9)ADAPTATION
10)GANGS OF NEW YORK
TOP 10 MOVIES OF 2003
1)MYSTIC RIVER
2)LOTR:RETURN OF THE KING
3)LOST IN TRANSLATION
4)KILL BILL Volume 1
5)21 GRAMS
6)THE MAGDALENE SISTERS
7)CITY OF GOD
8 )WHALE RIDER
9)AMERICAN SPLENDOR
10)COLD MOUNTAIN
TOP 10 MOVIES OF 2004
1)MILLION DALLAR BABY
2)CLOSER
3)ETERNAL SUNSHINE OF THE SPOTLESS MIND
4)VERA DRAKE
5)HOTEL RWANDA
6)RAY
7)SIDEWAYS
8 )THE MOTORCYCLE DIARIES
9)THE AVIATOR
10)MARIA FULL OF GRACE
TOP 10 MOVIES OF 2005
1)BROKEBACK MOUNTAIN
2)CRASH
3)KING KONG
4)GOOD NIGHT AND GOOD LUCK
5)DOWNFALL
6)THE SQUID AND THE WHALE
7)TSOTSI
8 )MILLIONS
9)WALK THE LINE
10)CAPOTE
TOP 10 MOVIES OF 2006
1)THE DEPARTED
2)UNITED 93
3)PAN’S LABYRINTH
4)LITTLE MISS SUNSHINE
5)BABEL
6) (tie)FLAGS OF OUR FATHERS/LETTERS FROM IWO JIMA
8 )CACHE
9)CHILDREN OF MEN
10)NOTES ON A SCANDAL
TOP 10 MOVIES of 2007
1)THE DIVING BELL AND THE BUTTERFLY
2)NO COUNTRY FOR OLD MEN
3)THERE WILL BE BLOOD
4)THE SAVAGES
5)JUNO
6)AMERICAN GANGSTER
7)GRINDHOUSE: Planet Terror and Deathproof
8 )THE LIVES OF OTHERS
9)ATONEMENT
10)AWAY FROM HER
TOP 10 MOVIES OF 2008
1)SLUMDOG MILLIONAIRE
2)THE WRESTLER
3)MILK
4)RACHEL GETTING MARRIED
5)FROST/NIXON
6)WALL-E
7)WALTZ WITH BASHIR
8 )FROZEN RIVER
9)HAPPY-GO-LUCKY
10)THE DARK KNIGHT
TOP 10 MOVIES OF 2009
1) PRECIOUS
2) THE HURT LOCKER
3) DISTRICT 9
4) INGLOURIOUS BASTERDS
5) (500) DAYS OF SUMMER
6) AVATAR
7) THE HANGOVER
8 ) WHERE THE WILD THINGS ARE
9) UP
10) UP IN THE AIR
Okay. Enough rambling of past years. Now here’s the moment you’ve all been waiting for:
MY TOP 10 MOVIES OF 2010
1) The Social Network
2)Inception
3)True Grit
4)The King’s Speech
5)Winter’s Bone
6) Black Swan
7)Another Year
8 ) Biutiful
9)Toy Story 3
10)In A Better World
HONORABLE MENTION:
-127 Hours
-The Fighter
-Blue Valentine
-The Kids Are All Right
-Incendies
UPDATE:
It’s 2016 and I’ve noticed a lot of you are still hitting this blogpost. I have published lists of years since. Feel free to click on the links to check the lists out:
On the evening of May 29, 2011, I was at the Hollywood Theatre for their last double-bill showing. It was a bittersweet night with a huge attendance. The night not only marked the end of a Vancouver landmark as we know it but a family business too.
The Hollywood Theatre was opened in the West Broadway area of Vancouver back on Thanksgiving weekend of October 24, 1935. Reginald Fairleigh, a Vancouver cinema mogul, and his wife Margaret had the theatre built in the Great Depression so that her children could have jobs. At the time, there were already 26 other movie theatres in Vancouver. The theatre opened with the double-bill of Will Rogers in Life Begins At 40 and Thelma Todd in Lightning Strikes Twice. Tickets for the double-bills were a dime or 15 cents for a balcony seat. Men had to wear a tie and women had to wear a dress. A man tempted to make out with his lady was given a small sheet of paper saying, “Treat your date as if she were your mother.” Over time, many famous faces and many great movies graced the screen. Its tagline which existed until its last days was: “Pick O’ The Best Plays.”
Styles of movies changed and the theatre would face rivalries from television, pay-pre-view and VCR but the Hollywood continued success. Also in place even in present day were many things done back when it first started, like double-bills, taking straight cash at the ticket booth, and most importantly the Fairleigh family owning and operating the theatre. The closest thing to a big change was the start of the ‘odd double-bill’ back in 1990. This phenomenon started when My Left Foot and Rambo were aired one weekend. Some first thought it was a bad mix. It actually was a success because they attracted two completely different movie crowds that were both big in size. The ‘odd double-bill’ was kept up in many different versions in the years since.
Over the years, I’ve taken a liking to the Hollywood Theatre. Just a fact about myself: when I first moved to Vancouver from Winnipeg in February 2000, I was just a casual moviegoer with a general interest in movies for someone at my age. Nothing big. But after I saw American Beauty just days after I arrived in Vancouver, that movie and that year’s Oscar race to go with it changed my life.
Okay, going back to the Hollywood Theatre, I first saw a movie at the Theatre in 2001, shortly after moving to Vancouver from Winnipeg for the second time, and this time for good. I saw them as a second run movie theatre that played not just any movies for a second run but good ones too. I am unsure exactly what the first movie I saw there was. I’ve been asking myself ever since I learned of the closure what the first movie I saw there was; I believe it was Almost Famous. A few weeks later, I saw Gladiator. I came to like the theatre for its double-bills and for the best price of movie popcorn in town. Another thing I liked was their photocopied program of scheduled movies over a six-week period. I’d frequently pass by to pick one up. One noteworthy thing about the program is that in its brief review of the movie, they always had the director’s name and in bold. I consider that something. A couple of years ago, I came across the newspaper article hanging in a frame. I saw it was from 1935 and talked of the opening of the theatre. When I saw that I thought “Wow, 1935! This is definitely a piece of Vancouver history!”
Here’s some other excellent movies I saw over there: Mulholland Drive, City Of God, Downfall, Vera Drake, Lemony Snicket, Transamerica, American Gangster, Changeling, Tropic Thunder, Another Year, it’s just too hard to remember them all . Yeah, I saw a couple of bad ones and the odd guilty pleasure now and then too, but the Hollywood never let me down. The most unique ‘odd double-bill’ I went to had to be the pairing of Bridget Jones: The Age of Reason and Vera Drake. Two movies with a British female lead character: two completely different films of quality. The Hollywood was really convenient when it would show certain popcorn movies and ‘Oscar buzzers’ I always wanted to see but missed during its main theatre run. I’d always check the newspaper to see what the Hollywood was showing. I also remember leaving my second job, which ends at 9pm, to rush out and take buses to the Hollywood. Even if the movie ended before midnight or past midnight, I didn’t mind bussing back home that late.
Hollywood also consists of a few movie-going milestones of mine which I’m quite proud of. The first is seeing City Of God in the spring of 2003 before most would later discover this gem on DVD. The second is A Serious Man the night before the 2009 Oscar nominations were announced. It’s an Oscar-time tradition of mine to see all five, or now ten, Best Picture nominees and seeing A Serious Man the night before the nominations were announced completed it for me right there and then!
On Monday May 23rd, which is Victoria Day, I went to the Hollywood with my cousin to see Another Year. It had been months since I had been there. As much as I like the Hollywood, I like going when there’s a movie I like or a movie I want to see but haven’t. Such was the case that day. Before I entered the theatre, I learned from the ticket taker that they would be closing and that there would be a farewell party over the weekend. That was a shock to me as well as to her.
One of the reasons for the demise is because of the current difficulties of the single-screen neighborhood theatre. Nowadays if a movie theatre is to do well, it either has to be a multiscreen cinemaplex or connected to a shopping mall. In the past ten years, Vancouver has seen a lot of single screen theatres go and end up crushed for developers to construct something new. There’s the Varsity Theatre near the University of British Columbia that ended years ago and is now developed into condo land. There was recently the Van East which ended in January and has had its inside worked in for new development. Even triple theatres like the New West Theatre and multiplexes Langley’s Willowbrook cinema closed and were developed into something new. Some multiplexes like the Granville 7 constantly face threats of closure. Currently there are only six single screen theatres in Vancouver; the independently owned Rio Theatre and Dunbar Cinema; the Festival Cinemas-owned Ridge and Park Theatres; and the organization-oriented Pacific Cinematheque and Vancity Theatre.
Another reason for its demise over the years is now of the many ways one could see film and its current ability to be accessed at no cost on the internet. I don’t want to get into a tirade about how Napster and Netflix get people with a selfish sense they have a ‘right’ to free entertainment, but I will say that movie websites like Netflix has made it so easy and affordable for one to have all the online movies they want at a monthly rate, it’s not only hit theatres hard but video stores hard too. Plus so many ways to watch movies, especially those that happened in the last 10 years like Youtube, in your airline seat, on your smartphone and even on your wristwatch. Makes the original ‘other’ ways like television, pay TV and VCR seem old and tame.
In the days before its closing weekend, I contemplated when to go to the farewell weekend. I was first thinking of Sunday only, then both Friday and Sunday. Also I was confused of what exactly was happening. What I heard at first, I interpreted that there would be a party going on in the theatre and that there would be a piano playing with all the movies silent. My mind does play tricks on me. When I returned on Thursday to take some pictures of the outside, I talked with the ticket-taker: Vince Fairleigh, the fourth generation Fairleigh to work at the Hollywood wo had been taking my tckets all these years. I told him I would miss it. Also in terms of the weekend festivities, I was left thinking of the same ‘party’ that I heard about on Monday.
Alice giving tickets one last time.
Friday the 27th came and I was to go with my friend to that ‘party’. The ticket taker at the door was an elderly lady: grandmother Alice Fairleigh well into her nineties! By the time I got in, I saw the ending of Cinema Paradiso. It wasn’t exactly a party but a showing of movies with speeches. After Cinema Paradiso ended, there were some speeches from professional actor and family friend Mackenzie Gray and from David Fairleigh Jr., the last Fairleigh to run the Hollywood. He gave some words about what the theatre was like in the past, including the ‘treat your date’ etiquette. He also talked of the experience of watching the movie in a theatre and how the new modern ways like cellphone and wristwatch can’t compare. Then began the final feature of the ‘closing double-bill’ which I will refer to later in this article. As it began, I left to check out the balcony. As I was taking some pictures, I noticed the door to the projectionist room was open and with a guest. I went into the room as well. I met David Jr. and we talked more. I learned a lot about the theatre and of the projector they had. He said “I’m going to miss the place,” not looking for sympathy. Then I returned to my friend in the theatre, after being away for almost half an hour. When the movie ended, the curtain closed. I thought I’d probably see in close on Sunday for the last time. As I was leaving, I saw Alice in the ticket booth and took some photos of her. I left wondering how Sunday will be like.
Sunday May 29th was a night of goodbyes but no one was going to shed a tear. All the family was here: grandmother Alice, David Jr. and wife, and all the Fairleigh sons with their families. The theatre was near-packed for this night, the final night. The night began with some applause to individuals. Then there was something unique that hasn’t happened in many decades but happened all weekend: a silent movie accompanied by a pianist. The pianist was Johnathan Benny, award winning director and cinematographer and good friend of Vince’s. The silent movie was The Goat which Buster Keaton directed and starred in. Many would forget that’s what the Hollywood did back when it first started. Even though it opened while ‘talkies’ were just starting, there were silent movies showed then too. It was fun to see the old film again and hear the piano played at the time in the way it was done: playing accompanying the many humorous, bizarre, dramatic and romantic moments of the film.
After The Goat ended, there were some speeches from family members like Alice, Vince and David Jr. David’s was notable because again he made the mention of the experience of watching a movie on a theatre. Despite that day being a bittersweet day, he sang the Charlie Chaplin song ‘Smile’. Then began the first of the final weekend’s double-bill Cinema Paradiso: a 1989 Italian film about Salvatore, a successful director, reminiscing about growing up in a smalltown’s theatre and learning projection running and filmmaking from the projectionist who just died. He returns to his hometown for the funeral and witnesses the Cinema Paradiso blown up. Vince picked the movie because the movie practically is what his life was all about: growing up in a movie theatre. The scene of when the grown Salvatore enters the dead Cinema Paradiso before it was blown up seemed almost synonymous with the Hollywood that weekend. At the end, the audience gave a huge applause. Mackenzie gave more thank yous but asked us to return to see the final movie of the night: Faster.
I left for a break in the lobby, taking more pictures and talking to people, especially many of the Fairleigh family including Vince’s brothers. Then I returned to the theatre to see what would be the last movie shown at the Hollywood: Faster– an action movie about a revenge mission starring The Rock. It seems odd for the Hollywood Theatre to show Faster after Cinema Paradiso but the mix of two was ironically appropriate for the closing weekend because it was part of the ‘odd double-bill’ tradition. And a double-bill of Cinema Paradiso and Faster doesn’t get any odder than that. I didn’t care too much about Faster. In fact I found it like your typical action movie with heavy emphasis on the shootings and car chases and featuring wooden overdramatic acting. Nevertheless I wanted to be there for the Hollywood’s last minutes. As The Rock left the screen, he had the honor of being the last face to grace the Hollywood’s screen. After the credits finished rolling, the curtains didn’t close. Instead some people walked around the screen area and checked some of the rooms around the screen. I then went upstairs to the balcony and said goodbye to the Fairleighs and wished them the best of luck in the future and best of luck for the theatre.
On the evening of Monday the 29th, the day after, I returned to the Hollywood. To my surprise, the neon lights were on. I saw the inside from the windows. Empty concessions, tables and chairs from the night, mop left out. Closings are never pretty. The future of the Theatre is a big question mark. I’ve been hearing a lot of tales about what will happen. Some say the developers want to either crush it or change it into something. I heard from others that Vince has partial ownership and that it will stay a theatre for at least five years. Despite all the talk of the possibilities for the Theatre, nothing was certain and closing weekend had to be treated like it was a goodbye. Since nothing’s really definite despite the fact I’m hoping for it to reopen, I took the closing weekend as that goodbye and I’ll let time decide what happens. I plan on bussing by at least once a week to see if there will be any changes and exactly what. I hope whatever they do, if the Theatre runs again, they keep the inside exactly as is. Many people on review websites have said that entering the theatre is like stepping back in time. How many present movie theatres do you know of that do that?
I do hope for the best for the Fairleighs. I do hope for the best for the Hollywood Theatre. I do hope the new owners take good care of the Theatre. I do hope the younger generation learns to appreciate watching movies in a theatre. In fact I’m glad they aired Cinema Paradiso for the final weekend because it’s considered by many to be a ‘love letter’ to movies and movie lovers. Until then, thank you Hollywood Theatre for the memories and the experience.
The month of March didn’t look too optimistic either. Mind you it is hard to challenge the previous year’s March when it had Alice In Wonderland opening, and that had the sixth-biggest opening weekend gross ever at the time. Basically March 2011 was another yawner of a month with it failing to outgross March 2010. The box office for the first three months was so bland, I’m glad Box Office Mojo didn’t write up a summary of March. Otherwise I would have had an article titled Diary Of A Wimpy Box Office.
With that dismality, I was expecting April to be yet another ho-hum movie month in 2011. Actually things looked up. According to Box Office Mojo, this April was the highest-grossing April ever at $791 million, outgrossing last year’s April by 5%. This was also the first year since 1984 in which April’s box office tally was bigger than any of its preceding months. A lot of it can be attributed to strong showings from Hop, Insidious, Source Code and Rio. However it was a case of save the best for last when Fast Five opened with $86.2 million, the highest-ever April opening weekend. This April also sold the third-most movie tickets of any April. And to think that most of the April movies weren’t in 3D.
The month of April did a lot to lift some spirits who were paying close attention to the box office. Despite April’s strong showing, the year-to-date is still struggling.The box office total from January to April is nearly $2.9 billion, the lowest since 2008. Total ticket sales up to April were also the lowest since 1995.
As for May, the biggest opener came from Thor and it continues to hold the #1 spot this weekend. The May tally so far is just 5% less than that of May 2010 to date. Nevertheless there’s a lot to anticipate, like Pirates of the Caribbean: On Stranger Tide this weekend. The following weekend, The Hangover Part 2 and Kung Fu Panda 2 will open, so there’s still lots to wait for.
Interesting about the box office. Sometimes the most intense competition isn’t necessarily movie vs. movie or star vs. star or even studio vs. studio. Sometimes it’s movie weekend vs. last year’s movie weekend or movie month vs. last year’s movie month. Or even movie year vs. previous movie year. The competition doesn’t end, does it?
This is my first movie post that has little to do with the Oscars. Hope you like it.
Can you believe we’re now into the tenth weekend of 2011? Or ninth if you don’t count the weekend beginning on New Years Eve? Yep, it’s now March. Two months have passed and have compiled some pretty shocking box office statistics. Entertainment Weekly pointed out in an article that this January had the lowest ticket sales in 20 years. Just today, I received an e-mail alert from Box Office Mojo saying that this February had the lowest gross since 2007 and the biggest Feb-to-Feb nosedive since 1995. Not good news at all. Especially surprising since a Justin Bieber movie was released this February.
One could attribute this to a lot of reasons. Could be because of other alternative entertainment options, like videogames or Youtube. Some could say it’s because of those download sites like Netflix. Some could even say it’s not those things at all but could be because of the lack of spice in the set of commercial movie fare the past two months had to offer. It was especially surprising to see certain Oscar fare like The Fighter, True Grit and Black Swan go beyond expectations and each grossing above $90 million. In the last decade, most Oscar fare didn’t fare too well at the box office. Guess this year’ s saying something.
Even Entertainment Weekly gave ten suggestions in their article. Some included less commercials, less fat filled popcorn, remake movies better than the original, TV rwritiers writing screenplays, more appropriate use of 3D, and even stylishly designed theatres. I myself had to agree with some of what the article recommended. At various occasions I’ve had to sit through 15 minutes of previews, seven commercials before the movie on one occasion, questioning the use of 3D in some movies and even believing I could write a better screenplay myself.
Now the rest of 2011 does look bright. We have the very final Harry Potter movie, the first part of the final Twilight book, a remake of Arthur starring Russell Brand, a brand new Scream, Captain America, and sequels to The Hangover, Pirates Of The Caribbean, Cars, Kung Fu Panda, X-Men, Transformers…should I go on? Basically the theatres are going to offer a lot in the coming months. I’m sure there will be something to attract almost everyone.
Even this March has a wide variety of movies to attract people to theatres (source: IMDB) :
ACTION MOVIES & THRILLERS
– The Adjustment Bureau (opens this weekend)- Matt Damon stars in this sci-fi drama.
– Battle: Los Angeles (opens the 11th) – aliens invade La La Land.
–Limitless (opens the 18th) – Bradley Cooper stars in this psychological thriller.
–The Lincoln Lawyer (opens the 18th) – Matthew McConaughey stars in this cat-and-mouse legal drama.
COMEDY
–Take Me Home Tonight (opens this weekend) – romantic comedy with 80’s flavor.
–Paul – (opens the 18th) – two comic book dweebs capture an alien and a lot more.
TEEN FARE
–Beastly (opens this weekend) – fantasy film starring Vanessa Hudgens and Alex Pettyfer.
–Red Riding Hood (opens the 11th) – Amanda Seyfried stars in what’s more dark drama than fairy tale.
–Sucker Punch (opens the 25th) – Emily Browning as the action heroine.
FAMILY FARE
–Rango (opens this weekend) – an animated movie about a young lizard with true grit.
–Mars Needs Moms (opens the 11th) – Disney animated movie.
–Diary Of A Wimpy Kid: Rodrick Rules (opens the 25th) – wimpy kid Greg Heffley’s at it again.
INDIE FLAVOR
–Red State (opens this weekend) – Kevin Smith spoofs conservatism.
–Jane Eyre (opens the 11th) – an adaptation of the famous novel starring Mia Wasikowska.
– Win Win (opens the 18th) – Paul Giamatti plays an attorney disguised as a wrestling coach.
FOREIGN FLARE
– Uncle Boonmee Who Can Recall His Past Lives (opens this weekend) – this Thai film has been impressive at film fests.
– Potiche (opens the 25th) – this French comedy contains some big French names like Gerard Depardieu and Catherine Deneuve.
So there is a lot to offer in March. Hopefully the movie business will be able to pick it up more this month and lead to the year grossing well, if not the most ever. I hope you have a reason to go this March.