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UEFA Euro 2024: Intro and Group A Focus

Jon The Blogcentric2 Comments

The 2024 UEFA European Football Championships, commonly referred to as Euro 2024, will be starting very soon! There will be a lot of differences from that of the previous Euro 2020. For starters, there will be no full-year delay because of a pandemic and there will be no regulated seating like it was in some stadiums. Secondly, it has returned to a single-nation hosting format. This year, Germany hosts and it will be held in ten different venues. All of the stadiums have been built long before but the Stuttgart Arena and Hamburg’s Volksparkstadion went through renovations or expansions in time for this tournament.

THE GROUPS OF EURO 2024

Qualifying for Euro 2024 was no easy feat as it would involve team’s play for almost a full year for some, starting in late-March 2023. Twenty of the teams would secure their berths by November of 2023 with twelve more nations needing to play in the playoffs in March of this year to secure the last three berths. Drawings of the groups were done through a system of UEFA”s Nations League rankings that don’t make too much sense. Russia was banned from the tournament because of their role in the Russo-Ukrainian War. Even the system of qualifying didn’t make too much sense. The top two of each of the ten groups would qualify; that made sense. Finishing third, however, didn’t guarantee qualifying for the repechage playoff round as Nations League points would supersede it in some cases. Some groups didn’t have any teams qualify for the playoff route, some teams that finished lower than third in their group would advance to the playoff round, and Group J had their 3rd, 4th and 5th place teams advance! The playoffs were the most straightforward as the twelve qualified teams were drawn into three groups of four and it was a knockout tournament with the last team standing in its group advancing and completing the last three berths.

GROUP A FOCUS

After all that, the twenty-four teams competing in Euro 2024 have been decided. Nineteen of the teams are returnees from Euro 2020, one team will be in its first Euro since 2000 and one team is making their Euro debut! Now to start with my look at each group’s teams and my prediction of who will most likely qualify form the groups. FIFA rankings are in brackets:

-Germany (16): They may be known as the DFB-Team or The Mannschaft, but Germany has one of the biggest legacies among European teams. It’s not just their World Cup success with four wins but at the Euro, they’ve won three times and qualified for an additional three finals! Nevertheless, it all feels like a distant memory as Germany have struggled these past six years. Disappointments include going out in the Group Stage at the 2018 World Cup, a lousy ranking in the Nations League and an ouster in the Round Of 16 at Euro 2020. This led them to drop longtime coach Joaquin Low and take on former Bayern Munich manager Hansi Flick. Troubles continued as Germany again was out in the Group Stage at World Cup 2022. After more lackluster results, Flick was dismissed in September 2023. To add further shock, it was announced this March the German team would switch their national kit supplier to Nike in 2027 from Adidas: a brand they’ve been with for seven decades.

Although Germany is going through tough times, this is not the lowest they’ve ranked on FIFA’s list. Their lowest ever is 22nd in March 2006, just three months before World Cup 2006 which Germany hosted. The team is now headed by former Bayern Munich manager Julian Nagelsmann. The only members of the 2014 World Cup winning team that are still there are goalkeeper Manuel Neuer, midfielder Toni Kroos and striker Thomas Muller. The rest of the team consists of a lot of young rising talent with other established members. 2023 was a bad year with losing six of their eleven friendlies. Ever since Nagelsmann was made head, they’ve had struggles with a 3-2 loss to Turkey and a 2-0 loss to Austria. They’ve also had some wins with 3-1 against the USA, 2-0 against France and 2-1 wins against both the Netherlands and Greece. This tournament will give Germany a chance to rebuild its reputation as a major world football force in the world’s eyes.

-Scotland (39): The Tartan Army is commonly seen as the hard luck team in major tournaments. Not only have they played in the most World Cups without advancing past the opening Group Stage, but they’ve also played the most Euros without ever advancing to the Group Stage: three in total! I remember one Scottish comedian saying they have the most creative ways in getting eliminated from major tournaments.

The team has been coached by Steve Clarke since 2019. His success in getting Scotland to Euro 2020, their first Euro in 24 years, helped keep him coach despite the team not qualifying for the 2022 World Cup. Most of the team’s players hail from either teams from the Premier League or the Scottish Premiership. They did an excellent job in their Euro qualifying play, winning all games except one to Spain. Play since has been troubling as they have drawn to Georgia, Finland and Norway and have lost to England, France, the Netherlands and Northern Ireland. Germany 2024 is another chance for Scotland to take its team to new heights and possibly their first-ever knockout round in a major tournament.

-Hungary (26): Sometimes it does seem like the days of the Magical Magyars are a thing of the past with being in two World Cup finals, winning three Olympic gold medals and finishing third at only the second Euro ever. As Hungary made the move from Communism to freedom in the late 80’s, it actually caused a decline in football as the fall of Communism caused financial problems for many Hungarian clubs including some of their bigger clubs declaring bankruptcy in the 90’s. The resurgence of Hungarian football started in the 2010’s with qualifying for the past three Euros starting in 2016.

The team has been coached by Italian Marco Rossi since 2018. The team has a wide variety of players that play for various leagues, but it has done a lot of promotion of its younger talent. In fact the team captain, midfielder Dominik Szoboszlai who plays for Liverpool, is only 23 years old. Since 2023 began, Hungary has had a great record, achieving wins against Turkey, Serbia (twice) and Lithuania, and its only loss coming from Ireland. Euro 2024 can be another opportunity to bring Hungary’s past magic back!

-Switzerland (19): Switzerland is often seen by many as a sleeping giant. La Nati have not had that much of a legacy but the team shows potential to achieve greatness at any time. They’ve qualified for the last five World Cup and have made it to the Round Of 16 in four of them. The first Euro where they qualified for the knockout round was in 2016 and in 2020, they made it to the quarterfinals.

Switzerland is coached by Yurat Makin, who became their coach in August 2021, shortly after Euro 2020. Veteran greats like Granit Xhaka and Xherdan Shaqiri will be returning, but the team will feature a mix of old and new talent. They were consistent in group play in Euro qualifying. They’ve managed wins against Israel, Belarus, Estonia and Ireland but they’ve also had losses to Romania and draws to Denmark, Austria and Kosovo. Germany could be the stage for the Swiss team to reach new heights.

My Predictions: And now is that hard part of the blog. Predicting the two or three teams that will qualify for the knockout round. I will say Germany and Hungary with Switzerland a wildcard.

And there you go! That’s my first blog for Euro 2024 where I do a group breakdown. More to come over the next two weeks.

VIFF 2019 Shorts Segment: To Live In Infamy

Jon The Blogcentric2 Comments

Cinema

Those who know my film watching during the VIFF know that I try to watch at least one segment of short films. I saw a segment of seven films by Canadian directors entitled To Live In Infamy. In each of the films, there is some element of crime or taboo. Even some things that don’t qualify as a penal code may be seen as a crime of some sort, or even a simple wrongdoing. All of them are interesting in their own way.

Delphine (dir. Chloe Robichaud): A woman named Nicole looks back to a girl she only encountered for two brief times in her childhood. Her name was Delphine and she was a Lebanese immigrant to Quebec. The first flashback is in a private grade school where Delphine could only say one word in French: ‘oui.’ The other classmates make fun of her. Nicole, who is Lebanese-Canadian, doesn’t participate with her peers, silently shares in Delphine’s ostracism. The vice-principal of the school however does scold Nicole and the girls for lewdness. The second meeting between Nicole and Delphine is at sixteen in a public school. Delphine has a bully named Aminata who appears to try to dominate over every female. She attempts to dominate over Nicole too, but Nicole is physically resistant.

The story leaves us with the necessary questions. Some may ask were Nicole and Delphine lesbians? However the story is reflective of childhood. It reflects on fun memories like of some mischief and of family warmth. But also of upsetting memories like of being made to feel different and facing nemeses either violent or non-violent. We all have those moments in our childhood where we’re reminded how the world is a cruel place. It’s a story many can connect with, even if they didn’t live it exactly.

I’ll End Up In Jail (dir. Alexandre Dostie): A woman named Maureen is frustrated with her life. She tries to cover it up from her son and his boyfriend, but she can’t take it no more. One day, she drives off on an icy hilly road hoping for an escape but crashes into a parked car. It appears the car is parked so that a teen boy and his girlfriend can get stoned in the trunk of a car together. The girlfriend is dead. The boy learns she’s the mother of his classmates. They work to hide the body of the girl, but while Maureen is stuck underneath a tree, she learns a truth. She acts out in a way where she really has to be on the run from the law.

This film is a dark comedy that makes a lot of humorous situations in crime and personal problems. Even the uncovering of a dark truth appears humorously surprising, if not disturbing. The ending however feels a bit incomplete or doesn’t appear clear enough. I know it’s about Maureen’s escape and how it doesn’t go as planned, but it still looks like it’s missing something.

Shadow Trap (dirs. Damien Gillis and Michael Bourquin): In 1909, a white bounty hunter is out searching for Gitxsan business man Simon Gunanoot who is wanted for murder. The bounty hunter stocks up with a lot of supplies ready to find Simon, a reputed trapper and fur-trader, for a big reward. However the frontiers of Okanagan B.C. prove too much for him and he is in danger of freezing to death, until he’s rescued and sheltered by an Indigenous man. Is it Simon in hiding? He returns to the town with hides to trade.

This is a fictionalization of a true incident in Canadian history that says a lot. The message I seemed to get from the story may be about the common perception of Indigenous peoples by whites at the time as ‘savages,’ and how wrong they are. Even now as we’re trying to make reconciliation happen, I feel this story has a lot of value.

The Beach Raiders (dir. Tyson Breuer): A teen couple– the boyfriend having photography ambitions– is savoring the last days of summer at an Ontario beach. They have one last summer goal: steal some beer. They try to get it from the kitchen of a restaurant. However their attempt is not only in danger of being stopped by the owner, but their own relationship as both have differing goals. However their pursuit ends with a bang!

This film is a bit of an ode to the ‘young and stupid’ days. What starts with stealing one beer leads to a chance for something bigger. The film does however focus on a reality, though it is resolved in light fashion at the end.

Main Squeeze (dir. Brendan Prost): It’s Christmas. Benjy and Kiersey, a couple in an open relationship, are having fun in their apartment. However the fun is threatened when a young drunk woman smashes their window. It’s not just any woman, but Jacqui: Kiersey’s ‘other woman.’ He is not comfortable about having Jacqui in, but Kiersey insists. Benjy had every reason to be nervous because Jacqui says things making it clear she’s his rival. This not only threatens the relationship but the Christmas spirit too.

It’s a story that makes good use of a single location. It consists of a lot of moments where you don’t know what will happen next. It surprisingly ends with all conflict over.

Ghoulish Galactic Grievances (dir. Josh Owen): Wanna have some weird fun? A ghoul lives in a swamp, but she has a desire to pursue her friends in outer space. Her swamp friends want her to stay.

This is a fun and entertaining story of ghouls and aliens and creatures. It is definitely a fun comedic story to watch, but it succeeds in delivering a smart message within the theme.

Finding Uranus (dir. Ivan Li): This is the one short of this segment that is animated. A man is lost in a sea of internet porn and desires to find real sexual satisfaction. He pursues it through a very unorthodox trip.

This was entertaining, but bizarre at the same time. However I admire how the animator is not afraid to go crazy and let his creativity tread in territories many would not touch!

All seven shorts were entertaining in their own way. Some had a story to tell, while some were more about the show. Many were dramatic while some aimed more for comedy. All were good at telling their story, even if told in a bizarre style.

At the end, I can understand why this shorts segment is called To Live In Infamy. All of them had an infamy of some kind, whether big or small. Nevertheless all of them told their story well.

VIFF 2017 Shorts Segment: New Skins And Old Ceremonies

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CinemaOne thing of the VIFF I consider to be a treat is whenever I attend a shorts segment. The segment I saw entitled New Skins And Old Ceremonies was a selection of seven shorts from Canadian directors. They were all unique in their own way.

Lost Paradise Lost: dir. Yan Groulx- Two people named Julie and Victor are out of love and find themselves boarding a bus full of strangers to anywhere. Where it takes them is a bizarre place for those out of love and rivals and threats to deal with. An eccentric short nonetheless, but it captures the feel well and makes sense in the end.

Flood: dir. Amanda Strong- It’s an animated short about an indigenous person and how the Canadian system did what it could to make them and their people feel inferior. It’s a story worth telling. The mix of stop-motion for modern images and traditional indigenous art adds to the story. The film ends with a renewed sense of pride.

Cherry Cola: dir. Joseph Amenta- Two drag queens are out on a night to dress up, have fun, and get revenge on an ex-boyfriend. It seems confusing at first, despite being intriguing to watch. You first think it’s a comedy, but the story ends on a dark note. It exposes an overlooked heartache some transvestites have.

The Good Fight: dir. Mintie Pardoe- A young woman goes into a sex toy shop to buy a toy. This woman is a nun about to be ordained. She struggles with her sworn commitment to celibacy, but the secret does get exposed. And with a surprising ending. Directed by a recent UBC graduate, the story is basically for the sake of shock value as it appears no actually research on the Catholic Church and vocations were done. Basically that’s all it is: entertainment for hedonists.

Sea Monster: dirs. Daniel Rocque and Kassandra Tomczyk- Tomczyk co-wrote, co-directed and stars in this short. Charley and Aria are a couple cooped up in a hotel madly in love, but both are coping with trauma. Aria dreams of a squid. Then the two make out on night in the fashion of a squid, followed by a bizarre aftermath. This is a film that’s nothing short of experimental. This film is good at getting creative in its time frame and setting.

Thug: dir. Daniel Boos- We first see how three friends– Eman, Simon and Josh– are shooting a low-budget gangsta film. Director Josh recommends to Eman that he creates a hold-up scene on Simon unexpectedly to make the film more ‘real.’ Eman agrees, despite the risk to their friendship. It does a lot more; it arouses suspicion from the local police. Later, Eman and Simon talk about roles they wish they could play before Eman auditions for a role as a gangster thug. This short film sends a message about how minorities in acting get the short end of the stick in terms of the roles they are offered and are often limited to racial stereotypes.

Let Your Heart Be Light: dirs. Deragh Campbell and Sophy Romvari- Both Deragh and Sophy write, direct and act in opposite names in this short. Sophy is confined to spend Christmas alone after a break-up. Deragh pays a visit and makes her Christmas. The film is slow and lacking in energy, but it does a good job of making use of its time and keeping with the Christmas vibe.

In summary, all seven were different in their own way it terms of both style and quality. There were a couple that were either inconsistent in story or lacking in energy. There were a couple that were eccentric, but the eccentricities worked for the film. There were also some films that made you think. The ones that made me think were my favorites as the messages came across very well and very effectively.

New Skins And Old Ceremonies makes for a unique array of seven shorts by Canadian directors. Some were good, some were bad, but all were an opportunity for the directors to make names for themselves.