VIFF 2024 Review: Paying For It

Emily Le and Dan Beirne play a couple who try open love and go in unorthodox directions in the oddball romance Paying For It.

I first took an interest to Paying For It knowing it’s directed by Sook-Yin Lee. I had no clue of what to expect. Boy was I in for a surprise!

Chester Brown and Sonny Lee are a Toronto couple in a tough situation. They’ve had a romantic relationship together for years and do a lot together, but they haven’t had sex in a long time. Both Chester and Sonny come from two different worlds in the arts. Sonny is a video jockey on the music channel Max Music and Chester is an illustrator/author of cartoon books that detail his personal life. Sonny has a few friends at her place of work while Chester frequently meets with his work colleagues from the same writing community and has a close friendship bond with them. Sonny has a lot of success but Chester is struggling to make a name for himself. Chester is quite introverted and keeps to his circle while Sonny’s not afraid to meet new people.

Sonny recommends they try open love. Maybe they were or weren’t meant for each other and maybe they need time away to figure it out. Sonny being famous on national television has no problem finding other men. Chester on the other hand struggles. His author friends warn him jealousy will sink in pretty soon. Chester does become frustrated how Sonny is able to find many a nightly partner. It even reflects in his illustrations. Chester tries an unorthodox route advised from one of his writer friends: prostitutes. Besides, he’s given up on romantic love.

Over time, both find a lot of pleasure from what they get into but they struggle to find the one. Every other man Sonny hitches up with, he’s a great passionate lover but they’re not as fun as Chester and they don’t relate to her as well. Also at work, she learns one of her female colleagues is attracted to her. Meanwhile each prostitute and escort Chester gets involved with involves something complicating or some kind of discomfort. Many are willing to give Chester what he wants that night but most of them completely back off of any commitment. Some even have demands of their own. Despite it all, Chester is finding a quality in this he feels is missing in monogamy.

Simultaneously, both have difficulties and challenges at their own jobs. Sonny had no problem being a VJ while the alternative rock wave of the 90’s was riding high, but the wave has become a ripple and in came the tsunami of boy bands and other teenpop acts Sonny does not like introducing at all. Over time, Chester and his friends question about what’s going on with his many hook-ups and it affects the art for his latest literature. Especially since Chester hasn’t found ‘the one’ and it’s frustrating for him.

Then things change over time. Chester’s writing career and the careers of his writer-colleagues get a boost. Chester also spends the night with an escort who’s her own madam and it changes his life. Sonny, on the other hand, won’t be silent about the frustration with her job and her life, even on live TV. That eventually leads her to be dropped form Max Music. The two eventually reunite during a tragic moment. The death of her dog. It’s as they mourn together they learn they had something so special, no new love of theirs can replace that, even though they have to move on.

The film is about this complicated thing called love. I’m sure a lot of you look at the situation in your relationships and find yourselves asking why can’t we just love? Why do we have to make it complicated? This film itself is about that human fallibility of making love more complicated than it should. In this case, it’s not just creating the freedom of an open relationship but also the types of people both of them date during that time. Then there’s the mix of the two professions that are similar that they’re both in art or entertainment, but very different. Then there’s the talking with friends. The people they most trust to confide into and divulge their personal feelings. Then there are the changes in their lives. Then there are human idiocies and their attitudes. All that is what makes love more complicated than it should be.

Basically this is a story about a relationship that was doomed to end. Chester and Sonny are close, but complicated. The expired birth control should send that message. Eventually Chester and Sonny grew as different people and learned in the end, they were best as friends. Chester may have found a new love with an escort who’s her own madam but his relationship with Sonny made clear he’ll never have a closeness with another that’s the same. Sonny may have found men that were better at making love, but she learned they all made lousy partners. It was Chester who had no problem with her squirt gun or her dog or any of her other oddities. The ending gave a message I have seen often enough where two in a relationship couldn’t succeed as a couple but they could succeed as soul mates.

The film does give a lot of humor and in a lot of ways is somewhat biographical of both Brown and Lee. For those that remember MuchMusic during the 80’s and 90’s, you will remember Sook-Yin Lee as one of the VJ’s in the 1990’s. Yep, Canadian Generation Xer’s like me and early Millennials will have fond memories of her. Those of us who remember her from that and see the film will see the humor in how what’s happening in the film mirrors her own life and will laugh at the humor involved. Those who have read the book Paying For It will know that Brown and Lee were romantically linked and it detailed the complications. The film does some changes with the dates as it has the film taking place as Sonny’s career is bustling while Brown’s is struggling. In real life, Brown started his relationship with Sook-Yin in 1992, before she was signed onto MuchMusic and the relationship ended in 1996 just shortly as Sook-Yin’s MuchMusic fame took off.

This is a great alternative comedy from director Sook Yin-Lee. It is a very personal story to her and she’s able to show the comedy in it in this story she co-wrote with writer Joanne Sarazen. She’s also able to make some of the changes in chronology work for the flow of the film. There were some elements of shock in the film, but the story and settings made the shock humor work. Emily Le is great as Sonny Lee. She’s great at doing the comically side of the story as well as some of the more serious moments. She may not be Sook-Yin’s twin as far as personality goes but she knows how to do it well. Dan Beirne was also great as Chester Brown. I myself never knew Chester or read his works so I’m judging his performance for how well Dan did his role. Beirne was very good at playing an introvert engaging in a sexual activity most introverts wouldn’t normally try and it changes him. His awkward traits made the character and the story. The addition of the other supporting characters like Chester’s writer friends or Sonny’s ‘other men’ also added to the storytelling and the comedy of the film.

Paying For It isn’t just a sex comedy full of sex humor and some shock humor. It’s also quite a smart comedy about a couple that could no longer be but have a special bond. It’s even a comedy that tells about our own idiocies when it comes to love.

Paris 2024: Fourteen To Watch

Paris will join London as the only two cities to host the Summer Olympics three times.

On Friday, July 26th, the Games Off The XXXIIIrd Olympiad will open in Paris, France. This will be the third time Paris will have hosted the Summer Olympics, having hosted in 1900 and 1924.

One thing about these Olympics Games is these will now be back to full crowds. You may remember the Tokyo Games were delayed by a year and had to be held without spectators. You may also remember the Beijing Winter Olympics were also quite limited in spectators. Now that the pandemic has been mostly tamed down, Paris can be a free-for-all and the crowds are back. Also I got back my ambition to do pre-Olympic blogging. Something I haven’t done since the 2018 Winter Games.

With every Olympics comes many an athlete or team that will be heavy favorites or athletes of curiosity. Here’s my look at fourteen athletes at the Paris Games who you should keep an eye on.

-Noah Lyles/USA – Athletics: The American sprinters have been struggling to get themselves back to the top for almost 20 years. First there was the setback of Usain Bolt and other Jamaicans. Then there was Italy’s Marcell Jacobs winning in Tokyo and the men’s really team failing to qualify for the final. Seeking to put the US back on top is 27 year-old Noah Lyles. Back at the Tokyo Games, promise was noticed as he won a bronze in the 200 metres. At last year’s World Championships, he won the 100m, 200m and was part of the winning American relay team.

This season, Lyles is ranked World #1 in both the 100m and 200m and even recently ran a personal best in the 100m of 9.81. Lyles will have rivals in Paris. In the 100m, he will be up against Jamaica’s Kishane Thompson and Kenya’s Ferdinand Omanyala who have posted faster times this year. Expecting to challenge Lyles in the 200 is Tokyo silver medalist Kenneth Bednarek who finished second to him at the US Olympic trials. Also rivaling him is Botswana’s Letsile Tebogo who finished second to him at the 2023 Worlds in the 100 and third in the 200. If all goes well for Lyles, he could be one of the stars of Paris.

-Sha’Carri Richardson/USA – Athletics: Many will remember before the Tokyo Olympics, there was a lot of news of Richardson being disqualified from the Olympic team for testing positive for marijuana. It was a shock to many. Sha’Carri was undoubtedly disappointed. Unnoticed at the time was the then 21 year-old sprinter was still young and her best years were still to come. At last year’s World Championships, her talent arrived when she won the 100m, finished third in the 200m and was part of the US’s winning relay team.

For most of this year, Sha’Carri has kept it low-key. She hasn’t been to too many competitions and bypassed the Diamond League this year. She did prove herself to be a force in the 100m in Paris after winning the US Olympic trials in 10.71. Her main rival Sherlock’s Jackson of Jamaica is injured but that won’t stop her from having rivals in Paris like Ivory Coast’s Marie-Josee Talou-Smith, St. Lucia’s Julien Alfred and Jamaican legend Shelly-Anne Fraser-Price looking for one last Olympic gold. Paris could be Sha’Carri’s moment and the possible start.of a long legendary career.

-Yaroslava Mahuchikh/Ukraine – Athletics: Back at the Tokyo Olympics, Yaroslava was 19 years old and seen as a rising talent with her bronze medal in the high jump. Then the war started months later. Many Ukrainian athletes had to find new ways to train or even leave Ukraine to seek refuge in another country. Mahuchikh first traveled by car to Belgrade to compete at the World Indoor Championships. Shortly after, she found refuge in Germany to resume training. Since her move, her career skyrocketed with silver at the 2022 World Outdoor Championships and then gold last year. Just last month, Mahuchikh broke the 37 year-old world record in the women’s high jump!

She is a heavy favorite to win the high jump in Paris, but she will have competition. She will face rivalry from Australia’s Nicola Olyslagers who beat her at this year’s World Indoor Championships as well as another Australian: 2022 World Champion Eleanor Patterson. Whatever happens, Mahuchikh’s triumphs are not limited to inside the athletics arena.

-Sydney McLaughlin-Levrone/USA and Karsten Warholm/Norway – Athletics: The biggest action in athletics at the Tokyo Olympics came in both the men’s and the women’s 400m hurdles. In both events, the winner broke the world record by a huge margin, the second-place finisher finished in a time faster than the pre-Olympic world record and the third-place finisher’s time was a small fraction short of that pre-Olympic world record!

It’s interesting to see what has happened since to both men’s winner Karsten Warholm and women’s winner Sydney McLaughlin. Both won their hurdles event at a World Championship since. Walholm has still continued his consistency with major victories, and won the 2023 World championships but finished 7th at the 2022 Worlds. McLaughlin has also won the 2022 Worlds and has even knocked almost a full second off the world record since Tokyo. She missed the 2023 Worlds due to a knee injury. Both runners will face rivalry here in Paris. For Warholm, the two other medalists from Tokyo — US’s Rai Benjamin and Brazil’s Allison dos Santos — will rival him in Paris.  McLauglin’s top rivalry will come from 2023 World Champion Femke Bol of the Netherlands and her own teammate Shamier Little. Only time will tell if both repeat as Olympic champion here in Paris, and if they break the world record again.

-Eliud Kipchode/Kenya – Athletics: One thing about social media these past ten years is that there are so many athletes being promoted as GOATs. One of which is Eliud Kipchode who’s commonly seen as the GOAT of marathon running. Personally I still want to think of Abebe Bikila as the GOAT but Kipchode’s feat of eleven major marathon victories, four Olympic medals including two marathon gold’s, and breaking the world record twice, it’s very tempting to call him the GOAT. Even his time-trial marathon run under two hours sparked buzz.

The crazy thing about marathon races, especially at the Olympics, is that it is the hardest to predict. Many favorites have succumbed to the course or the weather conditions and unknowns have often ended up the winners. Despite his illustrious career spanning almost two decades, Kipchode will face rivalries from 2023 World Champion Victor Kiplangat of Uganda and from his own teammate Benson Kipruto who has won the fastest marathon time this year. Whatever the result, Kipchode will add to his greatness here in Paris.

-Simone Biles/USA – Gymnastics: Simone Biles is an athlete loved by many, shunned by others. For many years, she was dominant in gymnastics having won a stack of World Championships and at the 2016 Rio Olympics, she was the queen winning four golds and a bronze. In between Rio and Tokyo was the revelation of the predator doctor Larry Nassar. Biles was one of his former patients who testified against him. Then at the Tokyo Olympics, she had a mental lapse called the ‘twisties’ and needed to bypass most of the competition. She did leave Tokyo with a silver and a bronze, but many people, most of whom don’t understand the dangers of gymnastics, labeled her a quitter or a loser. She would come back at the 2023 Worlds winning four golds and a silver.

Despite being the queen, she will face challenges from Brazil’s Rebecca Andrade and from her own American teammates in Jordan Chiles and defending Olympic all-around champion Sunisa Lee. Whatever happens in Paris, it will add to Simone’s greatness.

-Carlos Alcaraz/Spain – Tennis: One thing about tennis is right while there are a lot of greats, there are also young guns looking to dethrone them. One of which is Spain’s Carlos Alcaraz. Right at a time that seems dominated by Rafael Nadal and Novak Djokovic, Alcaraz appears poised to dethrone them.  The 21 year-old has already won singles titles in Wimbledon, the US Open and most recently his first French Open victory. The latter is an advantage as the Olympic tennis competition will also be in the Roland Garros arena.

One thing about Olympic tennis is that most favorites have not won the gold medal and many times, unknown players have become Olympic champion. In fact, Djokovic’s only Olympic medal is a silver from 2008. Djokovic is one of Alcaraz’s rivals here in Paris. Also in the tournament are challenges from Germany’s Alexander Zverev and Norway’s Casper Ruud. Paris should be another chance for Alcaraz to make a name for himself in the tennis world.

-Julien Alfred/St. Lucia – Athletics: One of the things I like to do each summer Olympics is keep an eye out for any athletes that just might win their nation’s first-ever medal. One with good chances is 23 year-old Julien Alfred from the Caribbean island of St. Lucia. Her talent was first noticed at the 2018 Youth Olympic Games when she won silver.in the 100m. When she enrolled at U of Texas and became part of the Longhorns track team, that’s when things improved. She won a silver medal at the 2022 Commonwealth Games and at last year’s World Championships, she finished fifth in the 100m and fourth in the 200m.

In the 100, her rivals include Sha’Carri, Shelly-Anne Fraser-Price and Marie-Josee Talon-Smith. In the 200, she will face challenges from Jamaica’s Shericka Jackson, the US’s Gabrielle Thomas and the UK’s Daryll Neita. The Olympics are known for upsets and Julien Alfred could prove to be one of the top upsetters in Paris.

-Spain Women’s National Football Team: When it comes to a nation like Spain, you figure they would greatly support their men’s football team but greatly overlook their women’s team. Over the last five years, the RFEF started taking their women more seriously. After the 2019 Women’s World Cup, Spain’s women’s team made huge improvements in the sport and even won the Women’s Works Cup last year. Despite the growing success of the team, the sexism the team has been facing has been greatly exposed. Before the WWC, players boycotted the team because of a lack of a tactical preparation and a controlling environment. After they won the WWC, there was the incident at the trophy ceremony where RFEF president Luis Rubiales kissed player Jenni Hermoso on the lips, unconsentually. The controversy sparked outrage in Spain which led Rubiales to resign and paved the way for better equality with Spain’s women’s team.

One thing about the reigning WWC champion is that they’ve never won the Olympic gold medal. Spain aims to end that bad luck curse. They could face tight rivalry from the WWC fourth-place team Australia and from the US and Germany who hope to improve greatly after their WWC disappointments. Even host-nation France could be a threat. Anything is possible at the 2024 Olympics and Spain’s team could just achieve another victory here.

Four From The Host Nation

France’s athletes have competed in every Summer Olympic games except 1904 and have won a total of 751 medals: 223 of them gold. That medal haul puts them 5th in the all-time total of Summer Olympic medals. The sports where they’ve won their most gold medals are in fencing, cycling (which they have the most total medals), judo, equestrian and sailing. Here in Paris, the French team look to greatly add to their legacy. Here are four athletes representing France to look out for:

-Leon Marchand/France – Swimming: France’s swimmers have won a total of 43 medals. Eight of them gold. So far no French swimmer has won two individual event gold medals. The possibility looks great for Leon Marchand. Back at the Tokyo Olympics, he was 19 at the time and didn’t win a medal. Since then, he has become the fastest all-around swimmer in the world. He has won the World Championships of both 2022 and 2023 in both individual medley events: 200m and 400m. 2023 had added bonuses as he broke Michael Phelps’ world record in the 400 from the 2008 Olympics and he also won a bonus gold in the 200m butterfly.

He will face rivalry here in Paris from the UK’s Duncan Scott and the US’s Carson Foster in the IM races. In the 200 fly, he will face rivalry from defending Olympic champion Krisztok Milak of Hungary and Tokyo silver medalist Tomoru Honda of Japan. If all goes well, Marchand should be able to delight the home-nation crowd.

-Joris Daudet, Sylvain André and Romain Mahieu/France – BMX Cycling: Usually when you think of France and cycling, you think road racing like the Tour De France. Even though France is still big in road racing, it has recently developed as a force in BMX racing! Franch riders have won a medal at every World Championships since 2016 and they’ve won the last two: Romain Mahieu winning last year and veteran Joris Daudet Winning this year. The caliber of talent of France’s BMX racers is so jam-packed, last year’s Worlds silver medalist Arthur Pilard didn’t make the Olympic team. Instead this year’s Worlds bronze medalist Sylvain André will be competing in Paris.

The most interesting thing is all three were finalists at the Tokyo Olympics. Despite the big predictions, it will all boil down to the races. In fact, Daudet has won World Championship medals since 2011 but has never won an Olympic medal. The anticipated sweep of the medals will face a challenge from defending Olympic champion Noel Kimmann and 2022 World Champion Simon Marquardt from Switzerland. Anything can happen in Paris and the French BMXers can deliver a performance for the ages.

And there you have it. There’s my look at foreign athletes to look out for at the upcoming Paris Olympics. My blog of Canadians to look out forl is coming soon.

2023 Oscars Best Picture Review: Barbie

Margot Robbie (right) stars as Barbie and Ryan Gosling (left) star as Ken as Barbie bring the legendary dolls to life.

DISCLAIMER: This is from a blog of four reviews I originally posted on March 2, 2024. The original blog has been removed.

Unless you’ve been under a rock, you would know that Barbie was the big hit movie of 2023. You may also ask did it deserve its box office success or its Oscar acclaim?

I actually learned about the Barbie movie over a year before its release. I saw photos of it on social media. During the time, I thought it was odd. A movie about the Barbie doll coming to life? Could it work? Would it be a dud? I know Greta Gerwig was directing it. I already knew Greta had established herself as a force to be reckoned with in films like Lady Bird and her adaptation of Little Women. Nevertheless I was skeptical that even a director with her accomplishments could make a good film about the Barbie doll. It was up for the release and the reception to tell the full story.

I have to say before I saw it in theatres, I first thought this would be a fail waiting to happen. A big-budget movie about Barbie dolls coming to life didn’t sound like a winner to me at all. Then once the film hit the theatres, it was obvious Greta created a winner. Instead of the film about Barbie dolls, the film’s focus was about feminism and how the patriarchy had made it hard and continues to make it hard. One would ask “Why would one make a movie with a feminist focus by including Barbie dolls?” Simple. Ever since the Barbie doll came, it has been widely blamed for the image problems of young women and commonly seen as “setting the woman’s movement back.” We’ve all heard the arguments and the controversies for decades.

Here, Gerwig settles the score. She creates a world of different Barbie’s based on the owner’s own making of the Barbie. In the middle is “Stereotypical Barbie:” a carefree girl who lives a life of blissful joy which comes to a screeching halt as her owner goes through her frustrations of life. She attempts to go to the real world and the Mattel headquarters to sort things out, only for Ken to piggyback his way in and adopt a patriarchal attitude as a way to fix his own identity crisis.  That leads to the group of Ken’s overtaking Barbieland and claiming it as their own. Meanwhile Barbie’s frustrations grow and grow even after she meets her owner, who happens to be a Mattel employee. Her owner’s frustrations become her own. It’s through meeting women in the real world that don’t look like her and are happy that she gets a sense of what happiness is. Over time, Ken learns he doesn’t have to start the patriarchy in Barbieland to get his sense of self-worth back, but Barbie’s still in a struggle.

It isn’t until he finally meets Ruth Handler, the creator of the Barbie doll, that she finally gets her sense of self back. I feel that scene at the end where Barbie meets up with Ruth is the best scene as it settles the score on the Barbie doll debate, too. After decades of debate and dispute about the doll, we get a moment in the film that finally settles the score about the doll and the image it’s to project. It’s through that ending we learn Barbie was not meant to be the stereotypical ditzy blond we commonly see it as. The Barbie doll was meant to be the epitome of her daughter Barbara. Something beautiful. Mattel may have toyed with the Barbie doll over the decades, but that scene finally settles the score on the matter. The Barbie doll is the result of mother-daughter love. And Stereotypical Barbie finally gets a sense of the never ending story of herself, as well as the human touch which is better than anything she could get in Barbieland.

Top respect should go to Greta Gerwig. Even without the whole Barbie phenomenon of 2023, Gerwig, who directed and co-wrote the film with husband Noah Baumbach, deserves credit for making a hit and a critical success for something that many felt was a bomb waiting to happen. She takes a common theme about the Barbie doll, of how many feel it is a bad influence to young girls and feminism as a whole, and makes it thought-provoking. Despite it being a thought-provoking film, she also keeps it comical and even entertaining to watch. I mean we are talking about a movie about Barbie dolls. Nevertheless, the film shows it can be funny and entertaining and still be able to get its message across strongly. As well as settle the score on the Barbie doll itself. Not to mention, achieve the first ever billion-dollar blockbuster directed by a woman! Congratulations, Greta, for doing all what we thought was impossible!

The film also finds its strength firstly in the acting of Margot Robbie. To take a character like “stereotypical Barbie” and make her three-dimensional without compromising the comedy is an excellent effort. They always say comedy is the hardest thing to do. Try doing comedy while trying to send an important message at the same time. Robbie succeeds in doing that. Also succeeding in achieving that is Ryan Gosling as Ken. Ryan gives personality to the Ken doll that the actual Ken doll has seemed to lack over the years. He succeeds in making Ken an insecure one and one to see patriarchy as the answer to his self-esteem. The performance is as bizarre as it is comical and entertaining. He even manages to make comedy of the patriarchy. Also worthy of acclaim is the performance of America Ferrera. While Barbie and Ken bring on the entertainment, it’s the character of Gloria who brings the movie’s darkness. America succeeds in creating an insecure Mattel employee whose personal insecurities influence Barbie’s insecurities and finding herself happening along Barbie finding herself. Also adding to the film is the narration from Helen Mirren. Her narration adds more charm.

For technical credits, Barbie has to get the biggest respect. Creating something like Barbieland and the Barbie dolls that live there is as much of an accomplishment as the film itself. First, there’s set designers Sarah Greenwood and Katie Spencer. They succeeded in making Barbieland into a land of Barbies that we can’t see anyone else doing a better job. It’s as big and colorful as it should be. Also top respect for costume designer Jacqueline Durran for designing the right type of costumes that look like perfect looks for Barbie dolls but very wearable for the actors and actresses. And then there’s the music. Those who saw it will know there are musical moments without the film being a full musical. Songs like “What Was I Made For?” “Dance The Night,” and “I’m Just Ken” add to the entertainment factor of the film. You can thank the many established songwriters who added their talents to this film.

For technical credits, Barbie has to get the biggest respect. Creating something like Barbieland and the Barbie dolls that live there is as much of an accomplishment as the film itself. First, there’s set designers Sarah Greenwood and Katie Spencer. They succeeded in making Barbieland into a land of Barbies that we can’t see anyone else doing a better job. It’s as big and colorful as it should be. Also top respect for costume designer Jacqueline Durran for designing the right type of costumes that look like perfect looks for Barbie dolls but very wearable for the actors and actresses. And then there’s the music. Those who saw it will know there are musical moments without the film being a full musical. Songs like “What Was I Made For?” “Dance The Night,” and “I’m Just Ken” add to the entertainment factor of the film. You can thank the many established songwriters, and main musical writers Mark Ronson and Andrew Wyatt, who added their talents to this film.

Barbie is more than just a humorous story. It’s a story that takes on the patriarchy, highlights feminism and has something to say about a doll that has delighted billions of girls. And thousands of boys, too. It also lives up to all the “Barbenheimer” hype of the summer of 2023 and entertains the theatregoer easily.

Oscars 2019 Best Picture Review: Marriage Story

Marriage Story
Marriage Story is the story of a marriage between an actress (played by Scarlett Johannson) and a theatre director (played by Adam Driver) that’s falling apart. And the child caught in the middle.

There have been films about marriages falling apart before. You could understand that a film like Marriage Story would be expected to deliver a lot in order to separate itself from the other divorce films. It will surprise you.

The film begins on the two in the marriage: Charlie and Nicole Barber. Charlie is a successful theatre producer in New York and Nicole is a former teen actress originally from California who’s part of his production and has helped her career as an adult actress. We see images of Nicole and we hear Charlie’s voice of what he loves best about Nicole. We see images of Charlie and we hear from Nicole what she loves best about Charlie. We then see Charlie and Nicole sitting in the office of a marriage mediator. What we heard are the written essays both were requested by the mediator to write of each other. The mediator requests Nicole to read first, but she’s too embarrassed and they forego the counselling.

The marriage troubles appear to have happened when Nicole was offered a starring role in a Hollywood television production. After she left the New York production of Charlie’s, Nicole moved back temporarily into her mother’s house taking their 8-year-old son Henry with them. Charlie chose to stay in New York as his play is moving to Broadway. They want the split to be amicable and to forego lawyers. However right after shooting, one of her castmates recommended a family lawyer she had for her ow divorce.

Her name is Nora and she is known to have experience in family situations, especially those in showbiz. Right from the start, Nora appears ready to deal with Nicole’s case, even before she hears it. Nicole does state her case. She tells of how she feels neglected by him and he constantly rejects her ideas and desires. She also suspects him having an affair with the stage manager of the theatre company.

Charlie goes to Los Angeles with the intention of visiting Nicole’s family. Nicole’s family is very affectionate to Charlie, but Nicole wants them kept out of it since this divorce is happening. The family try to make like it’s a normal visit until Charlie is served the divorce papers. Charlie first meets with Jay Marotta in Los Angeles who’s known to be an aggressive lawyer who fights dirty. Charlie declines hiring him, but he receives a phone call from Nora saying he needs to find a lawyer or risk losing custody of Henry. It’s on his return flight he finds a lawyer who’s not one Nicole previously consulted.

His name is Bert Spitz and he’s retired from family law and favors a civil approach to handling divorce. However Bert does make it clear there are some thing Bert will need to do to win custody of Henry such as move to Los Angeles. Charlie finds an apartment and remodels it to look modern. However he still has to fly back to New York frequently to work on his show. Charlie doesn’t want this to be a dirty court show so he gets Bert to arrange a meeting between the two of them, Nicole and Nora. From the start, Nora is the one in control as she brings up Nicole claim of him not being warm to her ambitions and revealing Henry prefers to stay with his mother instead of fly between the two cities. A frustrated Bert recommends Charlie move to Los Angeles completely.

A frustrated Charlie has had it. He fires Bert. During his Broadway run, he wins a lucrative Fellowship Grant. The first payout is enough to buy Jay on retainer. The case then moves to court. A confident Nora reassures Nicole that everything will be for her success, until she sees Jay coming to the court office. She knows it will get ugly. And it does get ugly in the court as Nora tries to portray Charlie as a bad person with past infidelity and emotional distance and Jay tries to portray Nicole as a bad person by making her wine drinking look like alcoholism and a criminal for hacking Charlie’s emails.

This whole lawyer vs. lawyer action frustrates both Nicole and Charlie. They act in a friendly way, especially around Henry. They don’t want this divorce to be a burden to Henry but he makes it obvious the back and forth is an annoyance to him. They hope a private discussion without either lawyer present will lead to a better resolve to the situation. Instead it starts as friendly and then turns into a heated argument. So heated, it a case Nicole claims he has gotten too involved with himself and an angry Charlie wishes she would die. However it’s Charlie realizing what he said that he breaks down, with Nicole comforting him.

The divorce drama isn’t over. Charlie is to have nightly visits with Henry where he is monitored by an expert evaluator. The visit appears to go well until Charlie shows both Henry and evaluator a trick he does with his carpenters knife in front of castmates. The trick failed and it left a long cut on his arm. The court process ends as both agree to relax their demands. At a family party with Nora as guest, Nora reveals the 50/50 agreement is actually 55/45 in her favor with terms Nicole didn’t want. At a party with his Broadway castmates, they console Charlie and he sings a song which seems to reflect his feelings of defeat.

One year passes. Charlie’s play has a successful year-long run and Nicole was nominated for an Emmy for directing. She also has a new boyfriend, possibly the boy she met at a party a year earlier. It’s on the day of Halloween Party. Nicole’s family is excited to see Charlie and Charlie tells them all he accepted residency to spend more time around Henry. Just before Charlie is about to take Henry to the party, he notices Henry trying to read something written on paper. Charlie tries to read it, but realizes it’s what Nicole wrote about Charlie in preparation with meeting with the mediator over a year ago. Charlie reads it as Nicole just enters in, and is in tears. At the end of the party, Nicole notices Henry tired on Charlie’s shoulder. Nicole agrees to let Charlie have him for the night, even though it’s her night with him.

There have been films about marriages falling apart and even films about actual divorce battles. Some will remember 1979’s Kramer vs. Kramer. That film won the Oscar for Best Picture and even highlighted a touchy topic about children caught in the middle of their parents’ divorces. This film is unique as this is about a divorce and it’s a divorce of a showbiz couple with differing career paths whose ambitions can be best met thousands of miles apart. The thing about this film is that anyone who’s been married, been in a long-term relationship, or are even going through divorce themselves can see certain instances in the Barber story that mirror their own. Maybe it’s at the beginning where Charlie’s and Nicole’s essays reflect one’s pre-divorce feelings towards their spouse. Maybe it’s the nasty court battles. Maybe it’s those child custody situations. Maybe it’s even those moments where instead of keeping it all together, they just let it out and just vent out their hostile frustrations towards them. I’m sure one can see their own situation mirrored in this film.

The film does a very good, very thorough, if not completely thorough, look at the divorce of the Barbers. The film starts with the two talking of what wins them to the other. It progresses when we learn of their past career moments, present career situations and obvious future goals. It leads into how the split gets to the point a divorce is necessary and how lawyer involvement is needed. It gets to the legal preparation and even how one tried to prepare himself to win a custody battle. It even gets to moments where both bring out the worst in each other. Then there’s the two aftermaths: the first aftermath being right after the divorce and the second being much later with the calm after the storm. The film is very good at showing how the ambitions of the two, whom both describe the other as ‘a competitive person’ at the beginning, cause the friction. The film is good at showing how one state’s divorce laws conflict with another’s laws. The film is good at showing how divorce battles interfere with their child’s life. The film is also creative as it shows the first part of the aftermath of the court battle with a musical note. Nicole, her mother and sister perform a song from a Stephen Sondheim musical at a post-trial celebration party while Charlie sings a song from a Stephen Sondheim musical at a New York return party about heartbreak. It fits the film and story perfectly.

I feel the biggest focus of the film is not just the marriage falling apart, but of the involvement of lawyers. One of Jay’s assistants said: ‘Criminal lawyers see the good in bad people. Divorce lawyers see the bad in good people.’ That is very true. We see it at the trial as both Nora and Jay try to vilify their client’s spouse and expose the dirt in them. Even after we heard Nicole and Charlie describe each other at the beginning as ‘a competitive person,’ we see in the court battles that their competitiveness is nothing compared to Jay and Nora. Many divorce lawyers like Jay and Nora end up being this kind of ‘cutthroat competitive.’ You can see it puts a strain on Nicole and Charlie. Sometimes you’re left to wonder if their most frustrated by the divorce proceedings or by their lawyers’ involvement. Both lawyers even showed animal-like mannerisms in the way they did their business; Nora appeared to be coming off like a snake while Jay appeared to be coming off like a bull. What can I say? It’s like my father once said “The only people that really win in a divorce are the lawyers.” Very true, Dad!

It would be interesting to compare this to Kramer vs. Kramer. One think that’s noticed is that this film is a lot more intense. One difference is Kramer focuses on a neighbor who’s in support while Nicole has more of a support system of a family. Both films are about a divorce and a custody battle. However the role of Henry in this film is not as dimension as that of the role of Billy in Kramer. Both boys have similar bowl-cuts, but Billy was the bigger role. Actually the bigger roles in this film were the lawyers. There was some ‘lawyer moments’ in Kramer, but not as much. I think that’s the thing with this film is that it’s not just about a divorce but about lawyer interference too.

Interesting note is that Scarlett has been married once and has a daughter from that marriage to Ryan Reynolds. Adam Driver is currently married and has a child. Noah Baumbach is currently married to Greta Gerwig but was married to Jennifer Jason Leigh for some time before and fathered a child through her. Sometimes it’s tempting to think this is about that marriage, especially when Jennifer, like Nicole, was a teen movie star with her breakthrough coming in Fast Times At Ridgemont High. Noah will admit it’s partially about that, but it’s about other divorces too like his own parents and through people he worked with. He even interviewed lawyers, judges and mediators. In case you’re wondering, Jennifer did see it and she’s cool with it. That bit about Nicole having directorial pursuits, I think that’s more like Gerwig than Leigh.

This has to be the best film ever made by Noah Baumbach. Up until now, I felt his best work was The Squid And The Whale which ironically is what it’s like being a teen during a divorce, and was semi-autobiographical. This film he directs and writes really appears to be a mirror on what’s happening in a lot of people’s marriages today. It reminds me of what won people to certain independent films of the late-1980’s and early 1990’s. Those films consisted of actors playing regular people who won audiences over by being reflections of themselves. This film does that. Scarlett Johannson and Adam Driver were also excellent in their parts. There were times when they had to be their own individual character and then times to be a character that was part of a couple. Both did an excellent job of making their characters work. Laura Dern was hateably-excellent as the divorce lawyer that was appeared more interested in winning for her than her client and was going to manipulate her way into getting it. Julie Hagerty was also very good as the mother trying to be supportive for Nicole but still having high regards for Charlie. Azhy Robertson was also very good as Henry, but his role lacked the dimension and the screen time of that of Billy Kramer. I feel the role didn’t touch on the frustrations of the child that well.

Marriage Story is the story of two people in the arts whose marriage falls apart. However what they go through is what one can see mirrored in their own lives or what they see happening to couples close to them or what one experienced in their own divorce. That’s the film’s best quality.

Oscars 2019 Best Picture Review: Ford v. Ferrari

Ford Ferrari
Matt Damon (left) is Carroll Shelby and Christian Bale (right) is Ken Miles in the racing drama Ford v Ferrari.

At first you’ll think Ford v Ferrari is about cars. It is, and about car racing. However, you’ll be surprised how much more it’s about.

The Ford Motor Company is going through an image issue in the mid-1960’s. For decades starting at the very beginning of the 20th Century, Ford under the genius of Henry Ford manufactured cars that completely redid the way Americans travel. Ford is still on top and currently led by Henry Ford’s grandson Henry Ford II, but it’s trying to win over younger buyers of their cars. It’s a bit harder because young people have recently developed an interest in racing cars and see Fords as their ‘parents cars.’ In 1963, Vice-President Lee Iacocca recommends to Ford they strike a merger with the cash-strapped Italian company Ferrari. It seems like a good choice as Ferrari has been a big winner in racing. In fact Ferrari cars have won the most recent 24-hours of Le Mans races since 1960.

However over at the meeting at the Ferrari office, the meeting does not go well. Enzo Ferrari tells Ford that he accepted a deal with Fiat that’s more lucrative and allows him to keep the Scuderia Ferrari racing division. In the meeting, Ferrari insults the Ford cars and Henry II as ‘not Henry Ford but the grandson of Henry Ford.’ That infuriates Henry Ford and he plans a revenge on Ferrari. The revenge is actually one to take the Ford Car company into the future. He plans to have a Ford car designed to win auto races. He hires Carroll Shelby who won the Le Mans in 1959 but had to retire because of heart problems: a problem he consistently takes pills straight out of the bottle. Since retiring racing, Shelby devoted his time to developing cars for auto racing through his company Shelby American. Carroll Shelby is close friends with 47 year-old Ken Miles: a British auto racer who is infamous for his bad temper and struggles as a mechanic with owning his garage in Los Angeles. This is a burden not only to him, but his wife Mollie and young son Peter. Especially since the IRS is on his case.

Miles is Shelby’s first pick in his Cobra team to test out his cars. Miles’ racing style and car know-how allows Shelby to make good decisions. He is always very honest with Shelby whenever he notices something that needs an improvement or when something’s a weakness. However, the choice of Ken Miles does not go well with Henry Ford, especially since he feels Miles’ personality and notorious temper doesn’t fit the Ford image. Ford elects to send Phil Hill and Bruce McLaren to the 1964 Le Mans instead. Miles predicts none of the Ford participants will win the race, and he ends up right. Once again, the race is won by a Ferrari driver.

Despite the big loss at Le Mans 1964, Shelby tries to reassure Ford that one of the Ford drivers hit 218 mph on the Ford GT40 and that made Ferrari nervous. Meanwhile it’s back to the drawing board. Shelby continues development on the Ford GT40 Mk II and he has Miles test the cars with Peter watching frequently and Ford unhappy about the arrangement. On one practice run, the brakes fail and cause the car to crash in fiery manner, which Miles is lucky to escape.

In 1966, Ford takes an extra step in the efforts of their racing cards by creating a racing division of their company and has Ford’s Senior Vice-President Leon Beebe run it. Beebe wants the program a case where Miles is not a part of any of it, not even the testing. Shelby meets up with Ford on an opportunity and offers to take him into his car. Ford accepts, and Shelby drives like a racer on the track which scares Ford almost to death. It’s right there he convinces Ford that Miles is the best man to win Le Mans. Ford agrees, but with a compromise; Miles needs to win the 24-hours At Daytona first before he can race at Le Mans. Shelby visits Miles at a street corner near his house after he’s finished grocery shopping to tell him the news. That infuriates Miles so much, he has a fist-fight with Shelby at the corner, which wife Mollie watches entertainingly.

Shelby and Miles continue with the racing and testing as Peter continues to watch and Phil Remington is the mechanic doing the fixing. Beebe is hoping Miles doesn’t win as he has puts in a second Ford entry in Daytona with NASCAR team Holdman-Moody supporting it. The Holdman-Moody team is faster at pit stops, but Shelby allows Miles to push his car to 7000 RPM. The result: Miles wins Daytona. It’s Miles’ first win in five years. Miles also has continued success later by winning the 12 Hours Of Sebring. Le Mans will be Miles’ chance to win the rare Triple Crown of endurance races.

At the 24 Hours of Le Mans in 1966, Miles is there as is Shelby, but so is Ford and Beebe. So is Enzo Ferrari in hopes of this being victory #7 for the Ferrari car. Ferrari has just released his latest racing prototype, 330 P3, and his best hopes in repeating rest with Italian driver Lorenzo Bandini. Mollie and Peter are listening to the race on the radio as Peter will be going through the race on the Le Mans racetrack he drew.

The race starts and Miles has problems on the first lap as the passenger door won’t close; he has to steer with his right hand and hold the door with his left. At the first lap, Miles alerts of the problem, which Remington fixes with a sledgehammer. Miles gets back to driving and has a lot of ground to make up. With each lap, he breaks the track record and passes numerous Ferraris as he gains ground on the leaders. However, as he’s pursuing Bandini, brake problems occur. At the pit stop, the team replaces the brake system, which infuriates Enzo Ferrari. He feels it’s against the rules, but Shelby is able to successfully convince race officials that the brake replacement is within the rules. As the race continues, Bandini is in hot pursuit by Miles, but Bandini is the last Ferrari driver in the race. As they duel again on the Mulsanne Straight, Bandini blows is engine and is out, making this the first Le Mans since 1959 Ferrari won’t win!

There’s still one more act of the drama. Three Ford cars lead the race nearing the finish with Miles leading them all. What should be a normal racing situation actually becomes a publicity opportunity for Henry Ford. He envisions all three Ford crossing the finish line simultaneously and even Beebe gets Shelby to tell Miles to slow down and set up for the opportunity. Miles is furious about this as this could put his Triple Crown in jeopardy and responds by setting more lap records, but eventually agrees with it. Miles does slow down and the three cross the finish simultaneously. However, it’s not a shared win as Ford driver McLaren is declared the winner. Shelby is mad that it ends all chances of Miles’ Triple Crown, but Miles is not down. Miles is just grateful for driving at Le Mans and giving the crowd a show.

That race would be Ken Miles’ last ever race. One day while testing a J-car, and with Shelby and Peter around, Ken crashed near a turn. It was a ball of fire and he didn’t get out. The fatal crash happened in Peter’s view. Some time later, Shelby goes to visit Mollie and Peter. He sees Peter still hurt but gives him words of comfort about his father and gives him a wrench Ken threw at Carroll years ago. As for Mollie, he just waves back from a distance after she waved to him. Then he drives off like a racer.

The film is unique as it is more than just a story about racing. It’s also how one race depended on taking a solid American business and a business legendary in making automobile travel the new norm for the USA into the future. Because of it, or maybe not exactly because of it, people still drive Fords today. Ferraris are still the most expensive sports cars today but Ford is still one of the biggest auto manufacturers in the World. The film also gave us some reminders about sports business. Businesses don’t simply look for sportspeople who win all the time. They also look for those with a marketable image. Michael Jordan may be a case where one of the best sportsmen ever becomes the most marketable ever, but it’s not always a guarantee. Seeing how a great racer like Ken Miles was shunned by everybody except by his family and those involved with Shelby American is one example. Also how Henry Ford looked at him was also unpleasant to see. I remember one person said that Henry Ford simply not liking you was enough for him to fire you. Goes to show he was cruel to whoever as he was to Ken Miles.

The story isn’t only about racing or even about a remarkable race. It’s about an auto racer whom at an age most would retire from the sport at was having the most successful year of his life. It was his love for his family. He wanted to win for them. And he especially wanted to be seen by his son as someone to be proud of. It was also of a friendship between Ken Miles and Carroll Shelby. Miles was the one person Shelby can best trust for an honest opinion about his cars, or should I say Ford’s cars. Shelby saw a lot of qualities in Miles most others overlooked. The friendship was strong, but it wasn’t without its friction as both men were temperamental and fighters. But the friendship was still very strong.

One thing about this film is that it doesn’t compromise in being an auto racing film. Being such, it knows that it has to make the audience feel like they are part of the race or they are in the driver’s seat. The camera angles as well as many of the scene shots helped greatly in creating the experience and intensity and leaving the audience at the edge of their seat. The film also does a great job of putting the audience in the races too. Despite the intimate story, the story does not forget what it’s about and makes the audience feel the moments too.

The film marks another great success for director James Mangold. This is his sixth film to earn Oscar nominations and his first ever to be nominated for Best Picture. Although he missed a Best Director nomination, he creates a great film that delivers just as good a story as it delivers in racing excitement. The story by brothers Jez and John-Henry Butterworth along with Jason Keller becomes more than a racing story with a simple plot. It’s a deep plot with three-dimensional characters and reminds the audience that the story is as much about the man, the friend, the husband and the father as it is about the racer.

The film marks another great performance for Christian Bale. Again he succeeds in getting into character and delivering a deep role. Not a false note about the character nor the father-son relationship. Matt Damon was also great as Carroll Shelby. His role may not have been as deep as Ken Miles’ but he added dimension and character to the role. The other standout of the film was Noah Jupe as Peter Miles. Noah made the father-son relationship work as well as Christian did. Other standout efforts include the cinematography from Phedon Papamichael. He knew the shots he needed for this racing film and he delivered, especially in some of the most intense scenes. The visual effects were also excellent and perfect for the film. Also the score by Marco Beltrami and Buck Sanders added to the excitement of the film.

Ford v Ferrari is the remarkable story how a driver and a race depended on the future of the Ford auto company. It’s also a story about a friendship between two racers few of us knew of. And a reminder of an overlooked great in the sport.

DVD Review: Jackie

Jackie
Natalie Portman showcases a deep personal angle of Jackie Kennedy in Jackie most of us never saw.

At first I wasn’t too interested in seeing Jackie. I mean there have already been enough made-for-TV movies of JFK and Jackie Kennedy. The film would not only have to justify being made but also its big-screen release.

The film begins with a journalist interviewing Jackie Kennedy in her home just days after JFK’s assassination. It’s like one minute she’s the First Lady living in the White House and the next, she’s a young widowed mother living in a private home miles away. The journalist begins with small talk but the questions move to the assassination and the aftermath.

It is from that point the film flashes back to various moments. Moments when Jackie and John attended Camelot: a musical JFK was captivated by. Moments like Jackie right after the shooting cleaning the blood off her clothes. Moments like being comforted by Bobby Kennedy, Lyndon and Lady Bird Johnson, and White House social secretary Nancy Tuckerman whom Jackie would later confide in. Moments like making funeral plans. Moments like her dealing with the priest and her questioning her faith more than ever.

It’s moments like those where Jackie feels more lost than ever as a person. It’s moments like these where Jackie wonders what to leave as a legacy for her husband. It’s during that time she uncovers truths many tried to hide from her, but she knew. It’s also moments when Jackie learns to be strong on the inside. In the end, she regains her faith while talking to the priest. In the end, she makes the final decisions on her husband’s funeral. In the end, she chooses to have her husband’s legacy remembered as ‘Camelot.’

Now keep in mind when this film came out, I was not too interested in seeing it. I mean the role of Jackie Kennedy has been included in too many made-for-TV film. When I saw this film about to be released, I was thinking “This film had better justify its big screen format.” This is not just simply a film that’s a biography. This film focuses on Jackie not even during ten days of her life. This is one of the most critical times of her life as she went from being Jackie Kennedy to a widow in an instant. Many of us know a lot of Jackie Kennedy, but this film presents an angle of Jackie Kennedy few of us knew. The smile and happy charm of Jackie Kennedy we are all familiar with is now replaced with a Jackie Kennedy that is hurting inside. She feels like she’s nothing without JFK. Her faith both in God and in the magic of Camelot has been challenged to more than what she can handle. She even feels like she’s worthless as a mother to her children. That was Jackie right after JFK died. That was Jackie those many days later dealing with the journalist.

We also see another angle to Jackie. This film goes through scenes happening in various moments of time in Jackie’s life. We see some scenes when JFK was still alive but most scenes are various times after his assassination. With those scenes, we see the different aspect of Jackie few knew. We have always known Jackie Kennedy the First Lady to be charming, charismatic, sweet and outgoing. Here in the film, we notice that Jackie is not the prissy, naive Jackie as most of us thought she was. She knew of her husband’s infidelity. She knew of Wanted For Treason posters published by dissenters days before his assassination. She did have concern about tax dollar use for her husband’s funeral. She even considered her publicity an interference: “I never wanted fame. I just became a Kennedy.” She even questioned her faith with the priest. These are all aspects most never knew of Jackie Kennedy. However the film also shows Jackie as a person who doesn’t lose faith in the things she believes in. Despite going through the hardest moment of her life, she still finds the inner strength to keep her faith in God and to believe in the power of books and theatre. “I believe the characters we read on the page become more real than the men who stand beside us.” That would take a lot for someone to still believe in especially after what happened.

This is an excellent breakthrough film for Pablo Llarain. This is his first English-language feature and he does a very good job in directing the story and scenes. Also done well is the script from writer Noah Oppenhein. He’s most famous as the scriptwriter for The Maze Runner. Jackie is a big change of pace for him. It’s very common nowadays to do films of a certain famous person and have it focus on a certain brief period of their life instead of the common biography-style film you’d expect. It’s done many times in films like The Queen, Capote and Sophie Scholl: The Final Days. It’s also a difficult challenge because in doing so, they have to construct a story that looks like it sums up the protagonists lifetime in that brief period of time. Oppenheim succeeded in constructing a very 3D Jackie Kennedy in that brief period of her life.

It’s not just Oppenheim’s story of Jackie that worked well but also the performance of Natalie Portman. At first, I was skeptical of the idea of having Portman play Jackie Kennedy. She did not come as the type of personality to play her at first. However Portman did an excellent job in her portrayal of Natalie and portraying the personal traits and feeling of Jackie in the scenes of the story. The film also shows an excellent maturity in the acting of Natalie Portman. Sometimes we forget she was 35 when she was filming this film and Jackie Kennedy was 34 when this incident happened. This film shows Natalie’s acting maturity very well. For all intents and purposes, Jackie Kennedy was the role with the most depth and range in the film. Nevertheless there were supporting performances that delivered well despite their limited range, like Peter Saarsgard and Bobby Kennedy and Greta Gerwig as Nancy Tuckerman. The costuming from Madeline Fontaine and the music from Mica Levi also added to the quality of the film.

Jackie did justify its big screen format in the end. It’s an excellent film about carrying grace under such devastating heartbreak and reminded us why we admire Jackie Kennedy so much.

Movie Review: The Peanuts Movie

The Peanuts Movie is full of surprises. Especially for Charlie Brown.
The Peanuts Movie is full of surprises. Especially for Charlie Brown.

Charlie Brown and the Peanuts characters are some of the most beloved cartoon characters in history. The Peanuts Movie brings them back into action in 2015. And in winning style.

It’s winter. While the kids are having fun skating and playing hockey on the ice, Charlie Brown is nervous. A family has moved into town and with them is a girl– the little Red Haired girl– he wants to win the attention of. However he has a track record of bad luck in the neighborhood and among his peers. He sees Lucy for ‘professional help.’ She advises him to make a winner of himself and be more confident.

First chance is at the school talent show. Charlie has a magic act planned with Snoopy and Woodstock assisting. Charlie’s last up. Sally is second -last up with her cowgirl act. However she gets ridiculed by the crowd. Charlie decides to help her win the contest at the expense of his own humiliation. It works. She wins and he makes a fool of himself.

Next chance is the school dance which consists of prizes going to the winning solo dances for both boys and girls. The little-red haired girl wins the female prize.  Charlie Brown appears to have winning form but a slip causes him to fall and disrupt the sprinkler system which disrupts the whole dance. Again a blockhead!

Next chance is a book report which he’s partnered with the little red-haired girl. Then comes aptitude testing which Charlie Brown is believed to score the highest. Just before Charlie Brown is to receive a medal for his perfect score, he learns the truth and declines his medal on stage. To make matters worse the book report Charlie Brown wrote for the little -red-haired girl is destroyed in the air by Snoopy’s plane.

Summer approaches and classmates are assigned to be pen pals. The little red-haired girl chooses Charlie Brown. The thing is she’s to spend the summer at camp. Charlie Brown has one last chance to meet up with her. Does he do it or doesn’t he? Those who saw the movie will know for sure.

What the filmmakers had in terms of bringing the Peanuts back to the big screen was a challenge. The first challenge was for possibly the first time, the Peanuts characters were 3D in a 3D world. The second challenge was what to include in the film. No doubt the film was to include the common traits of the characters as well as the common lines used by the characters throughout. The other challenge would be what kind of world would The Peanuts be in? Would they be in their past world consisting of common things like books, playing baseball and Snoopy using a typewriter? Or would they be in the modern world where kids use iPads, skateboard, hop onto Wikipedia for whatever info they want and save their essays as Word Documents?

I believe the writers and animators made the right choices to have the story situated in the traditional world of the Peanuts characters. That’s how fans of the cartoon series best remember them and converting them into the modern world would be very tricky stuff and may turn long-time fans off. Another element I liked is that it maintains a lot of familiar situations from Peanuts cartoon strips and Peanuts cartoon shows of the past. The humor of Charles Schulz had to be kept with the story as well as the familiar personality traits of all the characters.

However with this being a feature-length movie, it had to present a legible story with a beginning, middle and end. This was a challenge to write out such a story and mix in the common humor of the Peanuts characters and familiar moments of the Peanuts history. I feel it did an excellent job of creating a consistent story with mixing in the humor of the Peanuts franchise as well as giving all the other characters their moments too. It can’t all be about Charlie Brown. Plus I’m sure all of us wanted to see Charlie Brown win the ‘little red-haired girl.’

Kudos the Charles Schulz’ son Craig, grandson Bryan and Cornelius Uliano for writing an excellent story true to the Peanuts series as well as entertaining from start to finish. Additional kudos to director Steve Martino. To make such a movie work, they had to put it in the hands of someone who knows how to direct animation. Martino has proven himself in the past with Horton Hears A Who and Ice Age 2: Continental Drift. Here he delivers again. I also give the animators credit for making 3D characters of the peanuts characters for possibly the first time. That was another challenge: keep them 2D or make them 3D? They took the risk with 3D and it worked very well. I will admit I did see a few glitches in terms of speed but the form of the characters as well as the settings were flawless.

The vocal talent from the young actors were all there as they not only sounded like the characters but they personified them as we commonly knew them. Additional kudos for Christophe Back for providing the score familiar with Peanuts animation of the past as well as adding some things of his own.

The Peanuts Movie is an excellent movie with all the right moves to win over fans of Peanuts cartoons and introduce the Peanuts kids to a new generation of children.